Migration, Fragmentation, and Identity
Zora Neale Hurston's Color Struck and the Geography of the Harlem Renaissance
Bibliographic Data
| ID | 4553005 |
|---|---|
| Authors | David Krasner (0009-0003-3859-5580, corresponding author) |
| Year | 2001 |
| Volume | 53 |
| Issue | 4 |
| Pages | 533-550 |
| Publication date | 2001-12-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Theatre Journal (JOURNAL) |
| Journal identifiers | ISSN: 0192-2882 • E-ISSN: 1086-332X |
| Publisher | Project MUSE (PUBLISHER • US) |
| DOI | 10.1353/tj.2001.0111 |
| OpenAlex | W4253982971 |
| Language | EN |
Geography and migration played a key role in the description and formation of the Harlem Renaissance-New Negro era. 3 The Great Migration, which began just prior to World War I and continued well after, had a profound effect both on the cities of the north as well as the southern, rural communities left behind. Indeed, during the 1910s, nearly a half a million African Americans left the rural south for the urban north. 4 Within a decade more than three-quarters of a million would follow, increasing the [End Page 533] black northern population from 1910 to 1930 by 300 percent. 5 Swept up by what Alain Locke called the "wash and rush of this human tide on the beach line of the northern city center," black people were rejecting the south's history of racial violence and lynching, embracing the mass psychology underlying movement, escaping from poor rural farming, and seeking a better future. 6
Aesthetics · African american · Art · Art history · Ethnology · Geography · Harlem Renaissance · Identity (music · Population · Sociology · The Renaissance · American and British Literature Analysis · American Literature and Culture · Demography · Gender Studies · History · Race, History, and American Society
| Citation velocity | historical |
|---|---|
| Highly cited | No |