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Migration, Fragmentation, and Identity

Zora Neale Hurston's Color Struck and the Geography of the Harlem Renaissance

Bibliographic Data

ID4553005
AuthorsDavid Krasner (0009-0003-3859-5580, corresponding author)
Year2001
Volume53
Issue4
Pages533-550
Publication date2001-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueTheatre Journal (JOURNAL)
Journal identifiersISSN: 0192-2882 • E-ISSN: 1086-332X
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/tj.2001.0111
OpenAlexW4253982971
LanguageEN

Geography and migration played a key role in the description and formation of the Harlem Renaissance-New Negro era. 3 The Great Migration, which began just prior to World War I and continued well after, had a profound effect both on the cities of the north as well as the southern, rural communities left behind. Indeed, during the 1910s, nearly a half a million African Americans left the rural south for the urban north. 4 Within a decade more than three-quarters of a million would follow, increasing the [End Page 533] black northern population from 1910 to 1930 by 300 percent. 5 Swept up by what Alain Locke called the "wash and rush of this human tide on the beach line of the northern city center," black people were rejecting the south's history of racial violence and lynching, embracing the mass psychology underlying movement, escaping from poor rural farming, and seeking a better future. 6

Aesthetics · African american · Art · Art history · Ethnology · Geography · Harlem Renaissance · Identity (music · Population · Sociology · The Renaissance · American and British Literature Analysis · American Literature and Culture · Demography · Gender Studies · History · Race, History, and American Society

Citation velocityhistorical
Highly citedNo
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