The New Grove Dictionary of Music and Musicians
Bibliographic Data
| ID | 5771847 |
|---|---|
| Authors | Susan T Sommer, Wright Morris (0000-0002-9622-1179), William Morris, Virgil Thomson, Michael Tilson Thomas, Stanley Sadie |
| Year | 1981 |
| Volume | 38 |
| Issue | 1 |
| Pages | 45-45 |
| Publication date | 1981-09-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Notes (JOURNAL) |
| Journal identifiers | ISSN: 0027-4380 • E-ISSN: 1534-150X |
| Publisher | Music Library Association (PUBLISHER • US) |
| DOI | 10.2307/940437 |
| OpenAlex | W1493542328 |
| Language | EN |
| Citations received | 199 |
Considerações interpretativas da obra Le Livre Magique de Xangô de Almeida Prado
O saxofone na música de câmara de Francisco Braga
Cantando junto, por saúde e cidadania no Acre
Lamentationes Jeremiae Prophetae de Orlando Di Lasso
A prática musical religiosa no Brasil e em Portugal na segunda metade do século XVIII
Bibliographie sélective des articles et des ouvrages musicologiques sur R. Murray Schafer
Back to the future
Fonctions modales et qualités systémiques
The application of GTTM on 20th century modal music
Wagner “Alte Weise”
Blast from the past
Musicologie historique, ethnomusicologie, analyse
L'oreille absolue partielle chez les musiciens
Musica Ficta (figures of Wagner) . by Philippe Lacoue‐Labarthe
A Phylogenetic Approach to Music Performance Analysis
Aspects of some recent works by Matsudaira Yoritsune
Déploration — In Memoriam Morton Feldman by Brian Cherney, and in conversation
A comparison of analyses from the semiological point of view (the theme of Mozart's Symphony in G minor, K550)
A two-part (Re)Invention
Thoughts before and after a sonata
Improvisation in the Music of Korean Shamans
Ethnomusicological Theory
Le son et ses sens
Echoing Rulership—understanding Musical References in the Huainanzi
Domenico Scarlatti, Escape Artist
Os objetos da música e da matemática e a subalternação das ciências em alguns tratados de música do século XVI
The Cambridge Companion to Jewish Music
The New Cambridge History of Islam
Out of Notes
The condition of theatre in England in 1599
Theatre and controversy, 1572–1603
The Bible as play in Reformation England
Drama outside London after 1540
Cavernous impossibilities
Working playwrights, 1580–1642
The development of a professional theatre, 1540–1660
Islamic law
The sciences in Islamic societies (750–1800)
Legitimacy and political organisation
The condition of the theatres in 1642
Music in the age of Confucius
Adrian Willaert and Cardinal Ippolito I d'Este
Songs and society in early Tudor London
Music, ritual and patronage at the Church of Our Lady, Antwerp
The Marriage of Edward III and the Transmission of French Motets to England
On the Theoretical Expression of Music in France during the Renaissance
Music and festivities at the court of Leo X
On the origin of neumes
The Venetian privilege and music-printing in the sixteenth century
Islamic art and architecture
Music and ceremonial in the Low Countries
La existencia en España de una tercera gran colección de sonatas de D. Scarlatti copiada por el escriba de los Manuscritos de Venecia (Libros I-XIII) y Parma (Libros I-XV)
Obras de Domenico Scarlatti, Antonio Soler y Manuel Blasco [¿de Nebra?] en un manuscrito misceláneo de tecla del Archivo de Música de las Catedrales de Zaragoza
Els músics del rerecor de la catedral de Tarragona
Brahms as a nationalist inherited from the tradition of German-Austria
Listening to the Post-script
Analisis Struktur Musik dan Teknik dalam Penyajian "Partita in A Minor" (BWV 1013) untuk Alto Saksofon
Formal Constraint as an Artistic Principle in Hans Abrahamsen’s Vocal Cycle “Let Me Tell You”
The Concept of the Pathet and Avoided Tones in Jawatimuran Karawitan
Von ›schreienden Dissonanzen‹ und ›gedankenlesender Zwölftonmusik‹
Una mirada tras la máscara del genio. Antonio Vivaldi
Moderate modernism as the third way in the opus of Alfredo Casella
Główni przedstawiciele budownictwa organowego w Stanach Zjednoczonych w latach 1815-1860
On the Structure of the 16thcentury Madrigals on Texts in Fixed Poetic Forms
Makam, Âvâze, Şûbe ve Terkib
Türk müziğinde notasyon ve miftâh-ı nota
Personal Sentiments and Polyphonic Voices in Warao Women's Ritual Wailing
Comic Antiphony in Satirical Performance
From The World of the Poor to the Beaches of Eisha
The Cambridge History of Victorian Literature
Love and Death in Classical Music-Methodological Problems in Analyzing Human Meaning in Music
Bronislava Nijinska and the Polish Ballet, 1937-1938
Breaking down barriers in the study of Renaissance and Baroque dance
Balanchine's two productions of the seven deadly sins, 1933 and 1958
Three Hybrid Works at the Paris Opéra, Circa 1830
A new source for seventeenth‐century ballet
Performance and Culture
Man - A Musical Instrument
Free Rhythm
God save the_____!” American national songs and national identities, 1760–1798
Virtuosity as rhetoric
Transcendence in Leonard Bernstein's Kaddish symphony
“Anarchy on the Rez”
Austro-Pop' since the 1980s
The Leaves of Our Flag Surrounding the World
Analyzing cultural products
Documentación y rastreo histórico del laúd malayo (gambus)
"Indian" music in the diaspora
The concertina as an emblem of the folk music revival in the British Isles
The development of chordal harmony in Greek rebetika and laika music, 1930s to 1960s
TheSeniastyle of sitar playing in contemporary India
No nonsense
Thai music in Java, Javanese music in Thailand
The song of the nightingale
Brotherhood of the boat
Bibliografija Andreja Rijavca
Bibliografija znanstvenega in publicističnega opusa akademika Dragotina Cvetka
Klavirska dela Františka Josefa Benedikta Dusíka
Dancing with literature
Music as a way of knowing
| Unique citing works | 199 |
|---|---|
| Citations per year | 4,52 |
| Citation span | 1982 - 2025 (44) |
| Citation velocity | recent |
| Highly cited | Yes |
| Citation types | Neutral: 173 |