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Domestic matters

Representations of home in the writings of Mariama B, Calixthe Beyala and Aminata Sow Fall

Bibliographic Data

ID6150606
AuthorsMildred Mortimer (0000-0002-8052-4853, University of Colorado., corresponding author)
Year2007
Volume10
Issue1
Pages67-83
Publication date2007-03-07
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueInternational Journal of Francophone Studies (JOURNAL)
Journal identifiersISSN: 1368-2679 • E-ISSN: 1758-9142
PublisherIntellect (PUBLISHER • GB)
DOI10.1386/ijfs.10.1and2.67_1
OpenAlexW1999813523
LanguageEN
References cited11

Beginning with Mariama B's Une si longue lettre [So long a letter] , this article examines representations of domestic space in francophone African women's fiction. In B's text, woman's subjectivity is inextricably linked to domestic space and domesticity is valued as both a refuge and a site of rebellion. The study continues with an analysis of two texts that are bolder and more aggressive in their struggle against patriarchy than B's novel: Calixthe Beyala's C'est le soleil qui m'a brle [The Sun hath looked upon me] and Aminata Sow Fall's Douceurs du bercail [Comforts of the fold] . Beyala counters B's nurturing mother figure and warm hearth with a cold house and no maternal presence. Sow Fall depicts a female protagonist who, refusing the limitations imposed upon the housewife, devotes her energies to a social project that will aid her community in Senegal. If home space functions as refuge (B), haunted house (Beyala), transitional space (Sow Fall), it is above all a subversive space where rebellion begins and often explodes. Thus, domestic space plays a crucial role in the female protagonist's empowerment

Art · Fall of man · Housewife · Literature · Patriarchy · Political science · Politics · Sociology · Subjectivity · Subversion · American and British Literature Analysis · Caribbean and African Literature and Culture · Cultural History and Identity Formation · Gender Studies · History · Law · Philosophy

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Citation velocityhistorical
Highly citedNo
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