Roads more and less traveled

Different emotional routes to creativity among Protestants and Catholics

Bibliographic Data

ID6201014
AuthorsEmily Kim (0000-0003-0212-558X, University of Illinois Urbana-Champaign), Dov Cohen (0000-0002-0520-8527, University of Illinois Urbana-Champaign)
Year2017
Volume112
Issue6
Pages901-925
Publication date2017-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Personality and Social Psychology (JOURNAL)
Journal identifiersISSN: 0022-3514 • E-ISSN: 1939-1315
PublisherAmerican Psychological Association (APA) (PUBLISHER)
DOI10.1037/pspp0000105
PMID28253003
OpenAlexW2594719243
LanguageEN
Citations received2
References cited51

Western culture has 2 contradictory images of creativity: the artist as intensely emotional versus the artist as sublimator, for whom work becomes the outlet for what is repressed and denied. We show that both images are correct, but that the routes to creativity are culturally patterned, such that Catholic creatives are relatively more likely to take the emotionally intense route and Protestant creatives relatively more likely to take the sublimating route. This pattern is consistent for both the Big-C creativity of historical eminents (Studies 1 and 1b) and small-c creativity of student samples (Studies 2 and 3). The student samples also highlighted the moderating role of Protestant asceticism, as Protestants who were high in asceticism and who also repressed or minimized troublesome emotions were particularly creative. Analyses of behavioral data in previous lab experiments (Studies 2b and 3b) provided conceptual validation of the findings reported in Studies 2 and 3. (PsycINFO Database Record

Aesthetics · Archaeology · Art · Asceticism · Creativity · MEDLINE · Protestantism · PsycINFO · Aesthetic Perception and Analysis · Creativity in Education and Neuroscience · Cultural Differences and Values · History · Philosophy · Psychology · Religious studies · Social Psychology