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Recalcitrant audiencing

Between analytics and creative practice in the film industry

Bibliographic Data

ID7151069
AuthorsJohan Irving Søltoft (0000-0002-3076-0575, Technical University of Denmark, corresponding author), Anders Kristian Munk (0000-0002-5542-3065, Technical University of Denmark)
Year2025
Volume31
Issue6
Pages1832-1846
Publication date2025-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueConvergence The International Journal of Research into New Media Technologies (JOURNAL)
Journal identifiersISSN: 1354-8565 • E-ISSN: 1748-7382
PublisherSAGE Publications Inc (PUBLISHER)
DOI10.1177/13548565251340869
OpenAlexW4410447649
LanguageEN
Citations received2
References cited31

This article examines how audience analytics in filmmaking have evolved with digital platforms and AI, impacting creative decisions from concept to production. Through a case study of a Danish consultancy working at the intersection of data analytics and film production, we explore how audience insights are mobilized in creative processes. We propose the term recalcitrant audiencing to describe a mode of audience analytics that challenges filmmakers’ assumptions rather than offering definitive representations of the audience. Our findings show that such practices create a narrative space for renegotiation and disruption, highlighting the nuanced role of algorithms as tools that can elicit rather than dictate creative processes. Rethinking audiencing in this way demonstrates how AI can be integrated with qualitative methods to co-imagine multiple potential audiences for a cultural product still in the making

Analytics · Art · Business · Data science · Film industry · Movie theater · Visual arts · Art History and Market Analysis · Cinema and Media Studies · Computer Science · Data Visualization and Analytics

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Unique citing works2
Citations per year2
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2
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