Time's Arrow
Toward a Social History of Crow Biographic Art Using Seriation and Multivariate Statistics
Bibliographic Data
| ID | 7565645 |
|---|---|
| Authors | Stephen J Lycett (Department of Anthropology University at Buffalo The State University of New York (SUNY) Amherst New York 14261 USA, corresponding author), James D Keyser (Oregon Archaeological Society Portland Oregon 97239 USA) |
| Year | 2019 |
| Volume | 121 |
| Issue | 2 |
| Pages | 363-375 |
| Publication date | 2019-06-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | American Anthropologist (JOURNAL) |
| Journal identifiers | ISSN: 0002-7294 • E-ISSN: 1548-1433 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/aman.13260 |
| OpenAlex | W2940169680 |
| Language | EN |
| Citations received | 5 |
| References cited | 32 |
Biographic artworks produced by Historic‐period Plains Indian warriors can be viewed as genuine historical documents, detailing important events in their lives. This is especially true because these documents contain a genuinely narrative component, telling their stories as much as depicting them. However, for individual lives to create a broader social history, they must be connected with the lives of others, especially over a temporal span. Here, we begin the task of building a chronological framework for Crow ( Apsáalooke ) biographic artworks based on multivariate statistical analysis and seriation analysis of their content. Our research not only allows five undated artworks to be better placed in chronological context but also reveals the changing pattern of stylistic features in these artworks during the turbulent decades of the nineteenth century. [ biographic art, Plains Indians, cultural traditions, Native American art
Aesthetics · Archaeology · Art · Art history · Context (archaeology · Genealogy · Literature · Multivariate analysis · Narrative · Period (music · Seriation (archaeology · Visual arts · Archaeology and ancient environmental studies · Archaeology and Natural History · Archaeology and Rock Art Studies · Computer Science · History
Stylistic Change and Emic Cultural Continuity in Archaic-Period Anthropomorphs at No Bear, Montana
Changing patterns of stylistic diversity in Blackfoot biographic art across the nineteenth century
White Swan
Writing histories at Êngkahonovita Ogwêvi
Dating Crow Rock Art through Multivariate Statistical Comparison with Biographic Artworks
Time's arrow, time's cycle
Death’s Head, Cherub, Urn and Willow
Giving Voice to the Past
Cultural transmission, language, and basketry traditions amongst the California Indians
Facing new flows
Lakota winter counts, pictographic records, and record making and remaking histories
Beyond Oral History
Composite Indigenous Genres
Counting Coup and Cutting Horses
Seriation, stratigraphy, and index fossils
A Multivariate and Phylogenetic Analysis of Blackfoot Biographic Art
The Stylistic Development of Plains Indian Painting And Its Relationship to Ledger Drawings
Painted Bison Robes
Women in War
A Lexicon for Historic Plains Indian Rock Art
Dating the Deadmond Bison Robe
North and South America
A. L. Kroeber and the Measurement of Time's Arrow and Time's Cycle
Assessing the chronology of post-contact rock art on the northern Plains via multivariate statistical comparison with Blackfoot biographic art
Visions of the People
Early White Influence upon Plains Indian Painting
Cheval Bonnet
The Statistical Use of Artifact Distributions to Establish Chronological Sequence
Seriation Method and Its Evaluation
| Unique citing works | 5 |
|---|---|
| Citations per year | 0,71 |
| Citation span | 2019 - 2021 (3) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 5 |