Eye‐opener
Drawing landscape near and far
Bibliographic Data
| ID | 8070638 |
|---|---|
| Authors | Jonathan Wylie (0000-0003-3318-3002, Department of Geography College of Life and Environmental Sciences University of Exeter Exeter UK, corresponding author), Catrin Webster (0000-0003-0373-5961, School of Fine Art & Photography University of Wales Trinity Saint David Swansea UK) |
| Year | 2018 |
| Volume | 44 |
| Issue | 1 |
| Pages | 32-47 |
| Publication date | 2018-08-09 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Transactions of the Institute of British Geographers (JOURNAL) |
| Journal identifiers | ISSN: 0020-2754 • E-ISSN: 1475-5661 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/tran.12267 |
| OpenAlex | W2886376267 |
| Language | EN |
| Citations received | 15 |
| References cited | 52 |
This paper is about learning to see the world anew – but also about doubting and qualifying that newness. Drawing on a practice‐led art–geography collaboration, in which en plein air painting and drawing was the primary medium, it aims to further extend understandings of the affective spatialities of landscape. The paper offers a sequence of extended reflections on the phenomenologies and materialities of the perceptual experience of landscape drawing. After initial discussion of this work's location and germination, a first substantive section investigates the spaces of the canvas itself. Subsequently, the core and culmination of the paper consists of an account of this form of landscape experience, organised around two headings: “Drawn into the world” and “So near and yet so far.” The concluding section of the paper consolidates its arguments in respect of theories of landscape specifically, and also comments on the paper's relation to current work in creative geographies
Aesthetics · Art · Culmination · Epistemology · Landscape painting · Painting · Perception · Relation (database · Section (typography · Sociology · Visual arts · Work (physics · Computer Science · Ecology, Conservation, and Geographical Studies · Engineering · Geographies of human-animal interactions · Philosophy · Spatial and Cultural Studies
Geographies of Extinction
Topographic Hierarchy
Reckoning with landscape tensions, reflecting on creative methodologies
Deceptive Landscapes
Teaching sensory geographies in practice
A rhizomatic research story about the changing landscapes of rooftop urbanism in Peckham, London
Poetics in the work of three urban photographers
Contemporary art and the geopolitics of extractivism in Turkey's Kurdistan
Sketching local development
Reimagining landscape
Cultural Geography I
Insider-outsider as process
Critical observational drawing in geography
Urban Environmental Imaginaries and Aesthetic Sensibilities in Mumbai, India
The agencies of landscape in rural gentrification
Queer Phenomenology
Intelligence without representation – Merleau-Ponty's critique of mental representation The relevance of phenomenology to scientific explanation
Touched by water
The textility of making
Swimming as an accretive practice in healthy blue space
Being Alive
The Eye it Cannot Choose but See”
Beyond Painting, Beyond Landscape
Visualising everyday geographies
A landscape cannot be a homeland
Walking methods in landscape research
My magic cam
Critical geographies and geography’s creative re/turn
Seeing with light and landscape
Becoming skilled
Geography and abstraction
Nothing
Landscape, care and the relational self
A single day's walking
Cycling through Dark Space
A Place of Sense
Poetic world-writing in a pluriversal world
Spiritual landscapes
Creative processes
The art and craft of train travel
Depths and Folds
Creativity and Geography
A Painter, Geographer of Arizona
Fog-Bound
The Quarry as Sculpture
Reconnecting with darkness
Running road races as transgressive event mobilities
Creative geographies of ceramic artists
Lines
Situating skill
Knitting the archive
The (re)production of climbing space
The taxidermist's apprentice
Knowing between
Creative geographic methods
Stories
Arts-science collaboration, embodied research methods, and the politics of belonging
Until the end of days
Night walking
Making sense of transience
Reading the river through 'watercraft
Travel projects
Cultural geographies in practice
| Unique citing works | 15 |
|---|---|
| Citations per year | 2,14 |
| Citation span | 2019 - 2025 (7) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 15 |