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Literary Militancy and Helon Habila's Oil on Water

Bibliographic Data

ID8092770
AuthorsSule Emmanuel Egya (0000-0003-1888-1822, corresponding author)
Year2017
Volume48
Issue4
Pages94-94
Publication date2017-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueResearch in African Literatures (JOURNAL)
Journal identifiersISSN: 0034-5210 • E-ISSN: 1527-2044
PublisherIndiana University Press (PUBLISHER • US)
DOI10.2979/reseafrilite.48.4.07
OpenAlexW2795728041
LanguageEN
Citations received9
References cited4

In this article, I argue that the strident response of Nigerian writers, in the form of belligerent discourse of resistance, to the systematic destruction of the environment and its inhabitants in the Niger Delta region of Nigeria could be taken as literary militancy. This literary militancy is provoked by what one may see as the tripartite system of ruination, having three agents of destruction, namely the multinational oil corporations, the federal soldiers, and the local militias who call themselves militants. Because of their huge appetite for petrodollars, the oil companies cause the existence of local militias and federal soldiers, set against each other to fight while the companies continue to release toxins into air, lands, and waters. In the end, the local communities suffer and die from not only physical violence, as the soldiers and militias unleash terror on them, but from nonphysical, attritional violence that, many scholars of environmentalism agree, is worse. Literary militancy emerges as a discourse force to confront this system of ruination, condemning the aforementioned agents of destruction. To this end, I read Helon Habila's Oil on Water, concluding that it is imperative to see Habila's narrative as a crucial discourse action in the mold of the literary militancy struggling to liberate the region—a form of eco-literary instrumentalism gaining currency in Nigeria

Aesthetics · Art · Belligerent · Environmentalism · Literature · Militant · Narrative · Political economy · Political science · Politics · Sociology · Ecocriticism and Environmental Literature · Law · Literature, Magical Realism, García Márquez · Philosophy · Postcolonial and Cultural Literary Studies

  • A Postcolonial Ecocritical Reading of Zakes Mda’s The Whale Caller and Helon Habila’s Oil on Water

    Open Access•Nouf Alharbi•International Journal of…•2023

  • Critical Ecopoetics

    Open Access•Onyebuchi Nwosu•Human Ecology Review•2022

  • Chief Adolphus Munamuna, Ọụbẹbẹ Kẹnị Ịjọ Ibe (the chief oral poet of the Ịjọ nation)

    Imomotimi Armstrong•Journal of the African Literature…•2021

  • Mimetic designs in Helon Habila’s Oil on Water

    Okwudiri Anasiudu•Journal of the African Literature…•2024

  • Naturalizing Africa

    Emmanuel Egya Sule•Journal of the African Literature…•2018

  • Subversive text as dystopian negative

    Michael C Montesano•Journal of the African Literature…•2024

  • Neoliberal extraction and aquatic resistance in Helon Habila'sOil on Water

    Saba Pirzadeh•Journal of Postcolonial Writing•2021

  • Making it hot

    Lava Asaad•Journal of Postcolonial Writing•2025

  • Ecocriticism

    Open Access•Abiodun Babatunde Oluseye, Senayon Olaoluwa et al.•SAGE Open•2020

  • Slow Violence and the Environmentalism of the Poor

    Rob Nixon•Slow violence and the environmental…•2011

  • Abuse and Westernization

    Open Access•Stéphane La Branche•Journal of Peace Research•2005

  • Alterity, Marginality and the National Question in the Poetry of the Niger Delta1

    Open Access•Oyeniyi Okunoye•Cahiers d études africaines•2008

Unique citing works9
Citations per year1,13
Citation span2018 - 2025 (8)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 9
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