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Unsettling Space

Reinterpreting the Institution Using Site-Responsive Art

Bibliographic Data

ID8364638
AuthorsKatherine Arbuckle (0000-0001-6801-5485, University of KwaZulu-Natal, corresponding author), Pumelela Nqelenga (0000-0001-9376-7400, University of KwaZulu-Natal)
Year2019
Volume54
Issue3
Pages23-40
Publication date2019-09-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
Venuede arte (JOURNAL)
Journal identifiersISSN: 0004-3389 • E-ISSN: 2471-4100
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00043389.2019.1623471
OpenAlexW3010396107
LanguageEN
Citations received3
References cited11

In a collaborative project at the University of KwaZulu-Natal (UKZN), students from the Visual Arts and the Drama and Performance Studies programmes explored institutional space through site-responsive performances. The aim of the project was to critically engage with the decolonial turn, to enact transformation, and to build students’ ownership of institutional space using contemporary art practices. This article describes a participatory art event on campus, highlighting the central role of communication and dialogue in the process leading up to its execution. Despite having been publicly lauded as a model of transformation, UKZN was badly affected by violence and arson attacks during the student protests which rocked South African universities in 2016, a reminder that transformation rhetoric does not address the daily experiences and struggles of students to navigate the academic and societal demands of higher education. This project aimed to create an opportunity for students to identify and respond to symbolic aspects of higher education they experienced as alienating, and to literally occupy and “unsettle” their learning environments. It was inspired by the notion of site-specific art created in a particular physical location/structure, which can be collaborative and subversive, and is able to cross established boundaries. The physical properties of a site can be used to explore complex symbolic relationships, by highlighting stories, events, and the meanings we attach to places. The process can be used to regenerate space in an empowering manner. In the context of this project, regeneration follows unsettling—the decolonisation and reinvention of institutional space

Art · Citizen journalism · Context (archaeology) · Drama · Institution · Linguistics · Pedagogy · Political science · Public relations · Rhetoric · Social science · Sociology · Space (punctuation) · The arts · Visual arts · African cultural and philosophical studies · Computer Science · History · Law · Participatory Visual Research Methods · South African History and Culture

  • Redress at Higher Education Institutions in South Africa

    Michaela Clark, Elmarie Costandius•de arte•2020

  • Curriculum Change in the Postcolonial Art History Classroom

    Nicola Cloete•de arte•2023

  • Locus of Struggle

    Krystal Strong, Jimil Ataman•Journal of African Cultural Studies•2023

  • Body and mind in Zulu medicine

    Harriet Ngubane•Body and mind in Zulu medicine•1977

  • Picturing Change

    Brenda Schmahmann•Picturing Change•2013

  • Fees Must Fall

    Susan Booysen•Fees Must Fall•2016

  • Finding Voice

    Open Access•Kim Berman, Kim Shelley Berman•Finding Voice•2017

  • Decolonisation of higher education

    Open Access•Savo Heleta•Transformation in Higher Education•2016

  • What works, for whom, and in what circumstances? Towards a critical realist understanding of learning in international and comparative education

    Open Access•Leon Tikly•International Journal of…•2015

  • The Social and the Aesthetic

    Open Access•G Born•Cultural Sociology•2010

Unique citing works3
Citations per year0,5
Citation span2020 - 2023 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 3
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