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No Hostages through These Doors”

Thomas Bartlett Whitaker’s “Hell’s Kitchen” and the Politics of PEN

Bibliographic Data

ID8895658
AuthorsIra Wells (corresponding author)
Year2014
Volume44
Issue3
Pages471-499
Publication date2014-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Review of American Studies (JOURNAL)
Journal identifiersISSN: 0007-7720 • E-ISSN: 1710-114X
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cras.2014.001
OpenAlexW2029249767
LanguageEN
References cited15

PEN International, one of the world’s first human rights organizations, has long defended the free speech of persecuted writers. The PEN Prison Writing Program, however, has a slightly different agenda, which is to help convicted criminals become writers. The PEN Prison Writing Program “believes in the restorative and rehabilitative power of writing” and encourages “the use of the written word as a legitimate form of power.” But what is the nature of the “power” of the written word? And what, moreover, will this power restore and rehabilitate? When PEN proclaims the “power” of the written word, are they honouring an important strand of America’s liberal intellectual heritage? Are they pledging allegiance to a romantic coupling of art and freedom? Are they inadvertently helping to bind prisoners ever more insidiously to the carceral regime? Or are they claiming something that is actually true? This article addresses these questions through a reading of Thomas Bartlett Whitaker’s prize-winning essay “ Hell’s Kitchen ” and finds that the power of Whitaker’s prison writing resides in its capacity to shock readers into a sensory appreciation of the radical strangeness of life lived in a state of civil death

Allegiance · Art · Incantation · Literature · Political science · Politics · Power (physics · Prison · Reading (process · Sociology · State (computer science · Computer Science · Hannah Arendt's Political Philosophy · Law · Philosophy, Ethics, and Existentialism · Posthumanist Ethics and Activism

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Citation velocityhistorical
Highly citedNo
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