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Axioms for Environmental Theatre

Bibliographic Data

ID8917808
AuthorsR Schechner (0000-0001-9303-6261, corresponding author)
Year1968
Volume12
Issue3
Pages41-64
Publication date1968-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Drama Review TDR (JOURNAL)
Journal identifiersISSN: 0012-5962 • E-ISSN: 2326-2060
PublisherThe MIT Press (PUBLISHER • US)
DOI10.2307/1144353
OpenAlexW2796292197
LanguageEN
Citations received25

The theatrical event includes audience, performers, text (in most cases), sensory stimuli, architectural enclosure (or lack of it), production equipment, technicians, and house personnel (when used). It ranges from nonmatrixed performance to highly formalized traditional theatre: from chance events and intermedia to “the production of plays.” A continuum of theatrical events blends one form into the next: It is because I wish to include this entire range in my definition of theatre that traditional distinctions between art and life no longer function at the root of aesthetics. All along the continuum there are overlaps; and within it—say between a traditional production of Hamlet and the March on the Pentagon or Allan Kaprow's Self-Service —there are contradictions

Aesthetics · Art · Event (particle physics · Function (biology · Visual arts · Theatre and Performance Studies

  • Theatre in Market Economies

    Open Access•Michael Mckinnie•Theatre in Market Economies•2021

  • A form-AÇÃO das Feiras de Opinião dirigidas por Augusto Boal nas Américas (1968-1972)

    Open Access•Patrícia Freitas Dos Santos•2024

  • Theatre in Market Economies

    Michael Mckinnie•Theatre in Market Economies•2021

  • Performance without Actors

    Open Access•Ester Fuoco•Body, Space & Technology•2020

  • Post-performance

    Open Access•Ulf Otto•Theatre Research International•2023

  • The Landscape of Węgajty Theatre

    Open Access•Justyna Biernat•Theatre Research International•2021

  • Performing in Heritage Squares

    Open Access•Kelvin Ka Hou Leong•Journal of Heritage Management•2022

  • Traditional Chinese Opera in the 21st Century

    Open Access•Di Wang•Культура и искусство•2025

  • Modelling Kiesler’s Endless Theatre

    Rachel Hann•Theatre & Performance Design•2021

  • Mormon Performance/Performing Mormonism

    Megan Jones, Megan Sanborn Jones•Mormon Studies Review•2021

  • Teatro e ecologia

    Open Access•Julie Sermon•Móin-Móin Revista de estudos…•2021

  • Performing Coexistence

    Open Access•Susan Hari•Green Letters•2026

  • Environmental Theatre

    Theodore Shank•1982

  • Transferred Flesh

    Rizvana Bradley•TDR/The Drama Review•2015

  • Dispossessing the Spectator

    David Graver, Loren Kruger•TDR/The Drama Review•1991

  • Black Box, White Cube, Gray Zone

    Claire Bishop•TDR/The Drama Review•2018

  • Sleeping Our Way to Consciousness

    Bertie Ferdman•TDR/The Drama Review•2015

  • XR Ulysses

    Open Access•Néill O’Dwyer, Gareth W Young et al.•International Journal of…•2022

  • Disability Performance in the Streets

    Petra Kuppers•TDR/The Drama Review•2015

  • Eye Contact

    James R Ball•TDR/The Drama Review•2018

  • Turbulent Communisms

    Ethan Philbrick•TDR/The Drama Review•2015

  • Construction of Interpretation and Presentation System of Cultural Heritage Site

    Open Access•Ying Liu, Hui-Wen Lin•Heritage•2021

  • An interview with Richard Schechner on the 50th anniversary of Dionysus in 69

    Arnold Aronson•Theatre & Performance Design•2018

  • Make Thebes Great Again

    Open Access•Courtney J P Friesen•Society•2022

  • Subway Performance

    Open Access•Jane McMahan•The Journal of Popular Culture•1996

Unique citing works25
Citations per year0,57
Citation span1982 - 2026 (45)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 23
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