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A Clockwork War

Rhetorics of Time in a Time of Terror

Bibliographic Data

ID9236438
AuthorsRoger Stahl (0000-0002-2474-9564, corresponding author)
Year2008
Volume94
Issue1
Pages73-99
Publication date2008-02-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueQuarterly Journal of Speech (JOURNAL)
Journal identifiersISSN: 0033-5630 • E-ISSN: 1479-5779
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00335630701790826
OpenAlexW1985130113
LanguageEN
Citations received11
References cited11

Expressions of time have increasingly infused the rhetorical experience of post-industrial war, especially since 9/11. This essay demonstrates how these “signs of time” operate as one of three tropes: deadline/countdown, infinite/infinitesimal war, and the ticking clock. The persistence of such signs of time in public discourse can be seen as an expression of what Paul Virilio has called the “chronopolis,” a political universe textured by real-time communication technologies. The chronopolitical will exhibits certain autocratic traits at odds with democratic ideals, primarily the refashioning of citizen identity into that of the “contemporary.” The analysis here charts the autocratic rhetoric of the chronopolis as a critical democratic project

Aesthetics · Art · Autocracy · Democracy · Identity (music) · Linguistics · Literature · Political science · Politics · Rhetoric · Rhetorical question · Sociology · Contemporary Literature and Criticism · Law · Narrative Theory and Analysis · Philosophy · Rhetoric and Communication Studies

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Unique citing works11
Citations per year0,69
Citation span2010 - 2022 (13)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 8
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