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Past Future Concrete” revisited

Ex-Yugoslav monuments shaped as destinations via online image practices

Bibliographic Data

ID9784837
AuthorsUwe Baumann (0000-0002-1295-2661, University of Freiburg, corresponding author)
Year2020
Volume107
Issue4
Pages469-492
Publication date2020-09-15
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueČeský lid (JOURNAL)
Journal identifiersISSN: 0009-0794 • E-ISSN: 2570-9216
PublisherInstitute of Ethnology, Czech Academy of Sciences (PUBLISHER • CZ)
DOI10.21104/cl.2020.4.03
OpenAlexW3111079583
LanguageEN
Citations received5
References cited12

Spomenik is the Serbo-Croatian word for monument. Internationally, the term is used for the partisan monuments that were erected throughout the former Yugoslavia to commemorate events of the Second World War. With the wars in the 1990s that led to the disintegration of Yugoslavia, many of these objects became detached from their original function, and thus became a dissonant heritage between differing nationalist narratives of the past. With their modernist architecture, the Spomeniks have become, since the late 2000s, popular internet motifs, and tourists are now showing growing interest in visiting the monuments. In order to capitalize on and institutionalize this increasing attention, a cultural route for tourists has recently been established. In this process of valorization, presenting the condition and decay of the monuments and characterizing them as “lost” places, which has become a decisive aesthetic in their circulation online, plays a large role in the constitution of these sites of memory (lieux de mémoire). This picturesque image practice as a phenomenon of cosmopolitanism will be exemplified by online representations of the Tjentište Monument in Bosnia-Herzegovina

Aesthetics · Archaeology · Art · Constitution · Cosmopolitanism · Cultural heritage · Literature · Narrative · Nationalism · Phenomenon · Political science · Tourism · Balkans: History, Politics, Society · Cultural Heritage Management and Preservation · History · Law · Memory, Trauma, and Commemoration · Philosophy

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  • An Ontology of Semiotic Activity and Epistemic Figuration of Heritage, Memory and Identity Practices on Social Network Sites

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    Open Access•Ingrida Kelpšienė, Donata Armakauskaitė et al.•New Media & Society•2022

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    Open Access•Ajda Pretnar Žagar, Rajko Mursic•Practicing Anthropology•2026

  • Nostalgia matters

    Open Access•Monika Palmberger•Sociologija•2008

  • Destination Culture

    Barbara Kirshenblatt-Gimblett•Destination Culture•1999

  • Balkan Idols

    Robert Legvold, Vjekoslav Perica•Foreign Affairs•2003

  • Difficult heritage and digital media

    Open Access•Christoph Bareither•International Journal of Heritage…•2021

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    Open Access•John Urry•American Behavioral Scientist•1992

  • Cultures of Cosmopolitanism

    Open Access•Bronislaw Szerszynski, Bronislaw Szerszynskiand et al.•The Sociological Review•2002

  • Cultures of Circulation

    Benjamin Lee, Edward Lipuma•Public Culture•2002

  • Cultural Uniqueness and Aesthetic Cosmopolitanism

    Open Access•Motti Regev•European Journal of Social Theory•2007

  • Cosmopolitans and Locals in World Culture

    Open Access•Ulf Hannerz•Theory Culture & Society•1990

  • The Great War of Recognition

    Open Access•Zygmunt Bauman•Theory Culture & Society•2001

  • Managing memories in post-war Sarajevo

    Open Access•Cornelia Sorabji•Journal of the Royal Anthropologica…•2006

  • The cosmopolitan perspective

    Open Access•Ulrich Beck•British Journal of Sociology•2000

Unique citing works5
Citations per year1,25
Citation span2022 - 2026 (5)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 5
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