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G S Margaryan

Datos Biográficos

ID10177689
NOMBREG S Margaryan
NOMBRESG S
APELLIDOMargaryan
FIRMAMARGARYAN G S
AFILIACIONESRussian-Armenian University
ORCID0000-0002-3833-1193
VERIFICADOSí
TOTAL DE OBRAS2
TOTAL DE CITAS0
OBRAS COMO AUTOR2
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2025
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H0
  • Yerevan in the musical-verbal text of Armenian singer-songwriter art of the second half of the 20th – early 21st centuries

    Open Access•G S Margaryan•ARTICLE•Urbis et Orbis Microhistory and…•2026

    This article analyzes the musical-poetic texts of Armenian singer-song writer compositions from the last quarter of the twentieth and the early twenty-first centuries, dedicated to Yerevan as the central image of Armenian bard culture. The Armenian author's song is examined as an independent socio-cultural phenomenon that emerged in the context of Soviet and post-Soviet urban culture, which distinguishes it from the Russian bard tradition. Unlike…

  • Yerevan in the Musical and Verbal Text of the Song Art of the Second Half of the 20th Century

    Open Access•YuliaAleksandrovna Margaryan, Y H Margaryan et al.•ARTICLE•Critique and Semiotics•2025

    This article provides a comprehensive analysis of the verbal and musical texts of two cult songs dedicated to Yerevan of the postmodern era “My Yerevan” to the music of Arno Babajanyan, to the words of Nora Adamyan and Harold Registan (1958), first performed in the film directed by Yuri Erzinkyan and Laert Vagharshyan “Songs of First Love” and “Erebuni-Yerevan” (1968) by Edgar Oganesyan, in the words of Paruyr Sevak. The first of these songs beca…

Sin obras prominentes en esta página.

  • Yerevan in the Musical and Verbal Text of the Song Art of the Second Half of the 20th Century

    Open Access•YuliaAleksandrovna Margaryan, Y H Margaryan et al.•ARTICLE•Critique and Semiotics•2025

    This article provides a comprehensive analysis of the verbal and musical texts of two cult songs dedicated to Yerevan of the postmodern era “My Yerevan” to the music of Arno Babajanyan, to the words of Nora Adamyan and Harold Registan (1958), first performed in the film directed by Yuri Erzinkyan and Laert Vagharshyan “Songs of First Love” and “Erebuni-Yerevan” (1968) by Edgar Oganesyan, in the words of Paruyr Sevak. The first of these songs beca…

  • Yerevan in the musical-verbal text of Armenian singer-songwriter art of the second half of the 20th – early 21st centuries

    Open Access•G S Margaryan•ARTICLE•Urbis et Orbis Microhistory and…•2026

    This article analyzes the musical-poetic texts of Armenian singer-song writer compositions from the last quarter of the twentieth and the early twenty-first centuries, dedicated to Yerevan as the central image of Armenian bard culture. The Armenian author's song is examined as an independent socio-cultural phenomenon that emerged in the context of Soviet and post-Soviet urban culture, which distinguishes it from the Russian bard tradition. Unlike…

Emergency Medicine Education and Research (2 obras) · History and Cultural Heritage (2 obras) · Musical (2 obras) · Armenian (1 obra) · Cult (1 obra) · Folklore (1 obra) · Intelligentsia (1 obra) · Melody (1 obra) · Music and Audio Processing (1 obra) · Music History and Culture (1 obra)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae