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Jasmine Nichole Cobb

Datos Biográficos

ID102637
NOMBREJasmine Nichole Cobb
NOMBRESJasmine Nichole
APELLIDOCobb
FIRMACOBB J N
AFILIACIONESDuke University
VERIFICADONo
TOTAL DE OBRAS9
TOTAL DE CITAS6
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2007
AÑO MÁS RECIENTE DE PUBLICACIÓN2023
ÍNDICE H2
  • Deborah Willis. The Black Civil War Soldier

    Open Access•Jasmine Nichole Cobb•ARTICLE•The American Historical Review•2023

    Journal Article Deborah Willis. The Black Civil War Soldier: A Visual History of Conflict and Citizenship. Get access Deborah Willis. The Black Civil War Soldier: A Visual History of Conflict and Citizenship. New York: New York University Press, 2021. Pp. x, 256. Cloth $35.00. Jasmine Nichole Cobb Jasmine Nichole Cobb Duke University, USA Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The Ame…

  • African American Literature in Transition, 1750–1800

    Open Access•Jasmine Nichole Cobb, Rhondda Robinson Thomas•BOOK•African American Literature in…•2022

    This volume provides an illuminating exploration of the development of early African American literature from an African diasporic perspective—in Africa, England, and the Americas. It juxtaposes analyses of writings by familiar authors like Phillis Wheatley and Olaudah Equiano with those of lesser known or examined works by writers such as David Margrett and Isabel de Olvera to explore how issues including forced migration, enslavement, authorshi…

  • Partial Portraits

    Jasmine Nichole Cobb, Jasmine Cobb•ARTICLE•The Journal of the Civil War Era•2022

    This essay considers seemingly benign illustrations from nineteenth-century sources, which scholars might be inclined to reproduce for evidentiary use. It critiques representations of African Americans in Harper’s New Monthly Magazine . Through an analysis of portrayals of slavery, it discusses image composition and production to argue that as a visual archive of the nineteenth century, the periodical is an incomplete and misrepresentative eviden…

  • Making Space

    Jasmine Nichole Cobb•ARTICLE•Camera Obscura Feminism Culture…•2020

    In this interview, artist and scholar Deborah Willis describes the work of excavating and organizing the history of Black photography. Willis’s groundbreaking scholarship helped to formally establish an archive of Black visual practice before libraries and cultural institutions began to purposely catalogue such materials. Across projects, she has engaged questions of beauty, citizenship, Black culture, and family history from the nineteenth centu…

  • Masks Are the New Condoms

    Shawnika J Hull, Shawnika Hull et al.•ARTICLE•Health Communication•2020•Citada por: 3•Referencias: 3

    Racism is a most persistent, pervasive and pernicious driver of health disparities in the U.S. (Institute of Medicine Committee on Capitalizing on Social Science and Behavioral Research to Improve

  • A More Perfect Union

    Jasmine Nichole Cobb•ARTICLE•Public Culture•2016•Citada por: 1•Referencias: 29

    President Barack Obama signifies both the power of the institutional presidency and the legacy of black freedom struggles. His post in the White House provides an opportunity to think through the process by which these themes became intertwined and the manner in which the US presidency became a site for resolving the black freedom struggle. This essay traces the routes through which the US state, in the form of the presidency, appropriated black …

  • Forget Me Not”

    Jasmine Nichole Cobb•ARTICLE•MELUS Multi-Ethnic Literature of…•2015

    Friendship albums, blank volumes with decorative covers, emerged around 1825 as part of a growing market of women's print culture. Sentimentalism, the chief vocabulary of the friendship album genre, targeted white women consumers and largely ignored black women. However, freeborn African Americans rigorously engaged sentimental literature in the pages of the friendship album, recasting this artifact as a specimen of antebellum black print culture…

  • Racial Innocence

    Jasmine Nichole Cobb•ARTICLE•Callaloo•2014

    Reviewed by: Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein Jasmine Nichole Cobb (bio) Bernstein, Robin. Racial Innocence: Performing American Childhood from Slavery to Civil Rights. New York: New York UP, 2011. The body of scholarship on racist imagery and resistant popular cultures of the nineteenth century organizes a well-covered terrain and leaves little room for innovation. Works like Saidiya…

  • No Way of Seeing

    Robin R Means Coleman, Jasmine Nichole Cobb•ARTICLE•Popular Communication•2007•Citada por: 2•Referencias: 10

    This essay examines the attempt to market to a mainstream audience a gay, Black rapper—Caushun—who embodies competing claims of “thug” masculinity and “queen” femininity. We argue that Caushun might experience failure because his music, and more importantly his music videos, will offer his target audience “no way of seeing” authenticity in his intersecting identities. That is the viewing experience, theorized as the gaze (Mulvey, 1975 Mulvey, L.,…

  • Masks Are the New Condoms

    Shawnika J Hull, Shawnika Hull et al.•ARTICLE•Health Communication•2020•Citada por: 3•Referencias: 3

    Racism is a most persistent, pervasive and pernicious driver of health disparities in the U.S. (Institute of Medicine Committee on Capitalizing on Social Science and Behavioral Research to Improve

  • No Way of Seeing

    Robin R Means Coleman, Jasmine Nichole Cobb•ARTICLE•Popular Communication•2007•Citada por: 2•Referencias: 10

    This essay examines the attempt to market to a mainstream audience a gay, Black rapper—Caushun—who embodies competing claims of “thug” masculinity and “queen” femininity. We argue that Caushun might experience failure because his music, and more importantly his music videos, will offer his target audience “no way of seeing” authenticity in his intersecting identities. That is the viewing experience, theorized as the gaze (Mulvey, 1975 Mulvey, L.,…

  • A More Perfect Union

    Jasmine Nichole Cobb•ARTICLE•Public Culture•2016•Citada por: 1•Referencias: 29

    President Barack Obama signifies both the power of the institutional presidency and the legacy of black freedom struggles. His post in the White House provides an opportunity to think through the process by which these themes became intertwined and the manner in which the US presidency became a site for resolving the black freedom struggle. This essay traces the routes through which the US state, in the form of the presidency, appropriated black …

  • No Way of Seeing

    Robin R Means Coleman, Jasmine Nichole Cobb•ARTICLE•Popular Communication•2007•Citada por: 2•Referencias: 10

    This essay examines the attempt to market to a mainstream audience a gay, Black rapper—Caushun—who embodies competing claims of “thug” masculinity and “queen” femininity. We argue that Caushun might experience failure because his music, and more importantly his music videos, will offer his target audience “no way of seeing” authenticity in his intersecting identities. That is the viewing experience, theorized as the gaze (Mulvey, 1975 Mulvey, L.,…

  • Racial Innocence

    Jasmine Nichole Cobb•ARTICLE•Callaloo•2014

    Reviewed by: Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein Jasmine Nichole Cobb (bio) Bernstein, Robin. Racial Innocence: Performing American Childhood from Slavery to Civil Rights. New York: New York UP, 2011. The body of scholarship on racist imagery and resistant popular cultures of the nineteenth century organizes a well-covered terrain and leaves little room for innovation. Works like Saidiya…

  • Forget Me Not”

    Jasmine Nichole Cobb•ARTICLE•MELUS Multi-Ethnic Literature of…•2015

    Friendship albums, blank volumes with decorative covers, emerged around 1825 as part of a growing market of women's print culture. Sentimentalism, the chief vocabulary of the friendship album genre, targeted white women consumers and largely ignored black women. However, freeborn African Americans rigorously engaged sentimental literature in the pages of the friendship album, recasting this artifact as a specimen of antebellum black print culture…

  • A More Perfect Union

    Jasmine Nichole Cobb•ARTICLE•Public Culture•2016•Citada por: 1•Referencias: 29

    President Barack Obama signifies both the power of the institutional presidency and the legacy of black freedom struggles. His post in the White House provides an opportunity to think through the process by which these themes became intertwined and the manner in which the US presidency became a site for resolving the black freedom struggle. This essay traces the routes through which the US state, in the form of the presidency, appropriated black …

  • Making Space

    Jasmine Nichole Cobb•ARTICLE•Camera Obscura Feminism Culture…•2020

    In this interview, artist and scholar Deborah Willis describes the work of excavating and organizing the history of Black photography. Willis’s groundbreaking scholarship helped to formally establish an archive of Black visual practice before libraries and cultural institutions began to purposely catalogue such materials. Across projects, she has engaged questions of beauty, citizenship, Black culture, and family history from the nineteenth centu…

  • Masks Are the New Condoms

    Shawnika J Hull, Shawnika Hull et al.•ARTICLE•Health Communication•2020•Citada por: 3•Referencias: 3

    Racism is a most persistent, pervasive and pernicious driver of health disparities in the U.S. (Institute of Medicine Committee on Capitalizing on Social Science and Behavioral Research to Improve

  • African American Literature in Transition, 1750–1800

    Open Access•Jasmine Nichole Cobb, Rhondda Robinson Thomas•BOOK•African American Literature in…•2022

    This volume provides an illuminating exploration of the development of early African American literature from an African diasporic perspective—in Africa, England, and the Americas. It juxtaposes analyses of writings by familiar authors like Phillis Wheatley and Olaudah Equiano with those of lesser known or examined works by writers such as David Margrett and Isabel de Olvera to explore how issues including forced migration, enslavement, authorshi…

  • Partial Portraits

    Jasmine Nichole Cobb, Jasmine Cobb•ARTICLE•The Journal of the Civil War Era•2022

    This essay considers seemingly benign illustrations from nineteenth-century sources, which scholars might be inclined to reproduce for evidentiary use. It critiques representations of African Americans in Harper’s New Monthly Magazine . Through an analysis of portrayals of slavery, it discusses image composition and production to argue that as a visual archive of the nineteenth century, the periodical is an incomplete and misrepresentative eviden…

  • Deborah Willis. The Black Civil War Soldier

    Open Access•Jasmine Nichole Cobb•ARTICLE•The American Historical Review•2023

    Journal Article Deborah Willis. The Black Civil War Soldier: A Visual History of Conflict and Citizenship. Get access Deborah Willis. The Black Civil War Soldier: A Visual History of Conflict and Citizenship. New York: New York University Press, 2021. Pp. x, 256. Cloth $35.00. Jasmine Nichole Cobb Jasmine Nichole Cobb Duke University, USA Email: [email protected] Search for other works by this author on: Oxford Academic Google Scholar The Ame…

Sociology (9 obras) · Art (7 obras) · Law (5 obras) · Political science (5 obras) · Aesthetics (4 obras) · Gender Studies (4 obras) · History (4 obras) · Literature (4 obras) · Politics (4 obras) · African american (2 obras)

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