E E Alekseyev
Datos Biográficos
| ID | 10291007 |
|---|---|
| NOMBRE | E E Alekseyev |
| NOMBRES | E E |
| APELLIDO | Alekseyev |
| FIRMA | ALEKSEYEV E E |
| AFILIACIONES | International Institute of Boston |
| VERIFICADO | No |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 0 |
| OBRAS COMO AUTOR | 2 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2019 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 0 |
How, where and when authentic traditions of Jaw Harp music of Siberia and the Far East have been forming. Part 2
This article identifies the principal factors in the evolution of the tonal organization of traditional Jaw Harp music within the context of the chronology of its geographic distribution. The specificity of the vocal system of the Jaw Harp performance technique is analyzed in comparison with the vocal systems of verbal speech and singing. Based on the theories of residue pitch and harmonic templates, the article proposes a model of phonological c…
What the “Talking Jew’s Harp” is saying
This article is an attempt to further develop the theory of divergence of musical systems of east and west of Eurasia by defining characteristics of a special type of musical cognition prevalent in traditional musical cultures of the indige-nous population of Siberia and Russian Far East. Its underlying trait is orientation on timbre (spectral content of musical sound) rather than pitch (frequency relations between musical sounds). Accordingly, w…
Sin obras prominentes en esta página.
What the “Talking Jew’s Harp” is saying
This article is an attempt to further develop the theory of divergence of musical systems of east and west of Eurasia by defining characteristics of a special type of musical cognition prevalent in traditional musical cultures of the indige-nous population of Siberia and Russian Far East. Its underlying trait is orientation on timbre (spectral content of musical sound) rather than pitch (frequency relations between musical sounds). Accordingly, w…
How, where and when authentic traditions of Jaw Harp music of Siberia and the Far East have been forming. Part 2
This article identifies the principal factors in the evolution of the tonal organization of traditional Jaw Harp music within the context of the chronology of its geographic distribution. The specificity of the vocal system of the Jaw Harp performance technique is analyzed in comparison with the vocal systems of verbal speech and singing. Based on the theories of residue pitch and harmonic templates, the article proposes a model of phonological c…
Acoustics (2 obras) · Diverse Musicological Studies (2 obras) · Folklore, Mythology, and Literature Studies (2 obras) · HARP (2 obras) · History (2 obras) · Linguistics (2 obras) · Singing (2 obras) · Archaeology (1 obra) · Art (1 obra) · Classical music (1 obra)