Zuzanna Sarnecka
Datos Biográficos
| ID | 1043040 |
|---|---|
| NOMBRE | Zuzanna Sarnecka |
| NOMBRES | Zuzanna |
| APELLIDO | Sarnecka |
| FIRMA | SARNECKA Z |
| AFILIACIONES | Institute of Art |
| ORCID | 0000-0002-7832-4350 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2019 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 1 |
Multisensory Perspectives on Central European Ceramics
The inquiries into the agency of artworks, sensory experience and craftsmanship draw attention of art historians to previously little-studied artefacts, such as tin-glazed objects produced since the sixteenth century in various parts of Central Europe. The shift away from questions of attribution challenges the arbitrary choices made by international institutions to promote art of clearly identifiable individuals or artistic geniuses. The multise…
Technical changes in the glaze composition of tin‐glazed sculptures by Benedetto Buglioni c. 1490–1510
During the 15th and into the mid‐16th centuries, tin‐glazed terracotta sculptures were celebrated for their luminous colours, perceived durability, and technical ingenuity of the novel medium. Although in high demand, the supply of these pieces was restricted because of the secrecy of the recipes used by the pioneers of the technique on the Italian peninsula, namely the Della Robbia family. As the Della Robbia workshop procedures did not come dow…
Experiencing La Verna at Home
The present study describes the function of small-scale maiolica sanctuaries and chapels created in Italy in the sixteenth century. The so-called eremi encouraged a multisensory engagement of the faithful with complex structures that included receptacles for holy water, openings for the burning of incense, and moveable parts. They depicted a saint contemplating a crucifix or a book in a landscape and, as such, they provided a model for everyday p…
Experiencing La Verna at Home
The present study describes the function of small-scale maiolica sanctuaries and chapels created in Italy in the sixteenth century. The so-called eremi encouraged a multisensory engagement of the faithful with complex structures that included receptacles for holy water, openings for the burning of incense, and moveable parts. They depicted a saint contemplating a crucifix or a book in a landscape and, as such, they provided a model for everyday p…
Experiencing La Verna at Home
The present study describes the function of small-scale maiolica sanctuaries and chapels created in Italy in the sixteenth century. The so-called eremi encouraged a multisensory engagement of the faithful with complex structures that included receptacles for holy water, openings for the burning of incense, and moveable parts. They depicted a saint contemplating a crucifix or a book in a landscape and, as such, they provided a model for everyday p…
Technical changes in the glaze composition of tin‐glazed sculptures by Benedetto Buglioni c. 1490–1510
During the 15th and into the mid‐16th centuries, tin‐glazed terracotta sculptures were celebrated for their luminous colours, perceived durability, and technical ingenuity of the novel medium. Although in high demand, the supply of these pieces was restricted because of the secrecy of the recipes used by the pioneers of the technique on the Italian peninsula, namely the Della Robbia family. As the Della Robbia workshop procedures did not come dow…
Multisensory Perspectives on Central European Ceramics
The inquiries into the agency of artworks, sensory experience and craftsmanship draw attention of art historians to previously little-studied artefacts, such as tin-glazed objects produced since the sixteenth century in various parts of Central Europe. The shift away from questions of attribution challenges the arbitrary choices made by international institutions to promote art of clearly identifiable individuals or artistic geniuses. The multise…
Art (2 obras) · Cultural Heritage Materials Analysis (2 obras) · Visual arts (2 obras) · Aesthetic Perception and Analysis (1 obras) · Aesthetics (1 obras) · Archaeological Research and Protection (1 obras) · Archaeology (1 obras) · Art history (1 obras) · Cartography (1 obras) · Composition (language) (1 obras)