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Michael Finke

Datos Biográficos

ID1046041
NOMBREMichael Finke
NOMBRESMichael
APELLIDOFinke
FIRMAFINKE M
ORCID0000-0003-2355-7779
VERIFICADOSí
TOTAL DE OBRAS8
TOTAL DE CITAS0
TOTAL COMO AUTOR8
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1991
AÑO MÁS RECIENTE DE PUBLICACIÓN2023
ÍNDICE H0
  • Chekhov in Context

    Cornel West, Alevtina Kuzicheva et al.•BOOK•Chekhov in Context•2023

  • Essays in Poetics

    Michael Finke, Michael C Finke et al.•ARTICLE•The Slavic and East European…•2007

  • Chekhov

    Michael Finke, Michael C Finke et al.•ARTICLE•The Slavic and East European…•2002

  • Freud and the Bolsheviks

    Michael Finke, Martin A Miller•ARTICLE•The Slavic and East European…•1999

  • Text Counter Text

    Michael Finke, Alexander Zholkovsky•ARTICLE•The Slavic and East European…•1996

  • Time and Temporal Structure in Chekhov

    Michael Finke, Michael C Finke et al.•ARTICLE•The Russian Review•1995

  • The Hero's Descent to the Underworld in Chekhov

    Michael Finke, Michael C Finke•ARTICLE•The Russian Review•1994

    The distant twang occurring twice in The Cherry Orchard is one of the most overtly symbolic moments in Anton Chekhov's oeuvre: here the surface of an artistic structure begs to be understood through an appeal to depth. Lopakhin's explanation of the uncanny sound's source-that a cable has snapped in a nearby mine shaftevokes a frightening image of plutonic depths, an underworld of wealth-producing mines. In the most literal sense, Lopakhin's menti…

  • Puskin, Pugacev, and Aesop

    Michael Finke, Michael C Finke•ARTICLE•The Slavic and East European…•1991

Sin obras prominentes en esta página.

  • Puskin, Pugacev, and Aesop

    Michael Finke, Michael C Finke•ARTICLE•The Slavic and East European…•1991

  • The Hero's Descent to the Underworld in Chekhov

    Michael Finke, Michael C Finke•ARTICLE•The Russian Review•1994

    The distant twang occurring twice in The Cherry Orchard is one of the most overtly symbolic moments in Anton Chekhov's oeuvre: here the surface of an artistic structure begs to be understood through an appeal to depth. Lopakhin's explanation of the uncanny sound's source-that a cable has snapped in a nearby mine shaftevokes a frightening image of plutonic depths, an underworld of wealth-producing mines. In the most literal sense, Lopakhin's menti…

  • Time and Temporal Structure in Chekhov

    Michael Finke, Michael C Finke et al.•ARTICLE•The Russian Review•1995

  • Text Counter Text

    Michael Finke, Alexander Zholkovsky•ARTICLE•The Slavic and East European…•1996

  • Freud and the Bolsheviks

    Michael Finke, Martin A Miller•ARTICLE•The Slavic and East European…•1999

  • Chekhov

    Michael Finke, Michael C Finke et al.•ARTICLE•The Slavic and East European…•2002

  • Essays in Poetics

    Michael Finke, Michael C Finke et al.•ARTICLE•The Slavic and East European…•2007

  • Chekhov in Context

    Cornel West, Alevtina Kuzicheva et al.•BOOK•Chekhov in Context•2023

Art (5 obras) · Literature (4 obras) · History (3 obras) · Computer Science (2 obras) · Eastern European Communism and Reforms (2 obras) · Folklore, Mythology, and Literature Studies (2 obras) · Law (2 obras) · Political science (2 obras) · Politics (2 obras) · Academic and Historical Perspectives in Psychology (1 obra)

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