John P Gabriele
Datos Biográficos
| ID | 1067271 |
|---|---|
| NOMBRE | John P Gabriele |
| NOMBRES | John P |
| APELLIDO | Gabriele |
| FIRMA | GABRIELE J P |
| AFILIACIONES | College of Wooster |
| VERIFICADO | No |
| TOTAL DE OBRAS | 20 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 20 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1989 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2013 |
| ÍNDICE H | 0 |
A case of intertextual discourse
The theatre of Ernesto Caballero is inherently postmodern. His works, which are intertextually and intratextually conceived and constructed, reject straightforward mimesis and neatly structured narratives in favor of textual interplay and a semiotic system to create a vital link to other works. Caballero's Pepe el Romano. La sombra blanca de Bernarda Alba (2003) is the one play within the playwright's repertoire in which his postmodern proclivity…
Tres imágenes del terrorismo rememorado en el teatro español contemporáneo
El terrorismo, concepto más bien simbólico que concreto, y el teatro se definen por una actuación inmediata y un efecto dramático. El teatro y la memoria tienen como objetivo recrear una visión de la realidad. En términos teatrales y mnemónicos, el terrorismo es un fenómeno ilusorio cuya representación y rememoración constituyen un reto. En Jueces en la noche, El arquitecto y el relojero y Ana el once de marzo, Antonio Buero Vallejo, Jerónimo Lóp…
Realidades imbricadas y seres desdoblados
Jindama (1998) présente un univers de situations et de personnages sur divers plans artistiques de manière à mettre en cause la connaissance ontologique et à révéler que l’art et la vie constituent des processus de re-textualisation et de réappropriation qui s’auto-réfléchissent et s’auto-engendrent
Competing Narrative Discourses
Cervantes's and characters within it owe their existence to curious interplay of art and life that has come to epitomize modern era. The novel is a text born of other texts, within which texts play an essential role in narrative structure, story, plot, and character development. Throughout Cervantes's novel, it is blatantly obvious that text and all its characters are conceived, nurtured, and sustained by a fascinating and intriguing combination …
Ramon del Valle-Inclan, I
House and Body
Confinement in the house and awareness of the female body in Lorca's trilogy, Bodas de sangre, Yerma, and La casa de Bernarda Alba, are combined to dramatize metaphorically feminine enclosure and female self-realization. Through an emotive network founded on the dynamic of interplay of house and body, women evolve progressively from object to subject of the narrative. Ultimately, Lorca transposes women both textually and contextually from the mar…
House and Body
Confinement in the house and awareness of the female body in Lorca's trilogy, Bodas de sangre, Yerma, and La casa de Bernarda Alba, are combined to dramatize metaphorically feminine enclosure and female self-realization. Through an emotive network founded on the dynamic of interplay of house and body, women evolve progressively from object to subject of the narrative. Ultimately, Lorca transposes women both textually and contextually from the mar…
Valle-Inclán y la novela popular
Rewriting Melodrama. The Hidden Paradigms in Modern Spanish Theater
Simbolo y simbologia en la obra de Federico Garcia Lorca
Madrid 1900
Los cuentos de Valle-Inclan. Estrategia de la escritura y genetica textual
Suma valleinclaniana
Table de los principios de la poesia espanola (XVI-XVII)
Estudios sobre Rafael Dieste
La ficción breve de Valle-Inclán. Hermenéutica y estrategias narrativas
"Guía de lectura de "Martes de carnaval
El expresionismo en Valle-Inclán
Genio y virtuosismo de Valle-Inclan
Genio y virtuosismo de Valle-Inclan
Sin obras prominentes en esta página.
Genio y virtuosismo de Valle-Inclan
Genio y virtuosismo de Valle-Inclan
El expresionismo en Valle-Inclán
La ficción breve de Valle-Inclán. Hermenéutica y estrategias narrativas
"Guía de lectura de "Martes de carnaval
Suma valleinclaniana
Table de los principios de la poesia espanola (XVI-XVII)
Estudios sobre Rafael Dieste
Madrid 1900
Los cuentos de Valle-Inclan. Estrategia de la escritura y genetica textual
Rewriting Melodrama. The Hidden Paradigms in Modern Spanish Theater
Simbolo y simbologia en la obra de Federico Garcia Lorca
Valle-Inclán y la novela popular
House and Body
Confinement in the house and awareness of the female body in Lorca's trilogy, Bodas de sangre, Yerma, and La casa de Bernarda Alba, are combined to dramatize metaphorically feminine enclosure and female self-realization. Through an emotive network founded on the dynamic of interplay of house and body, women evolve progressively from object to subject of the narrative. Ultimately, Lorca transposes women both textually and contextually from the mar…
House and Body
Confinement in the house and awareness of the female body in Lorca's trilogy, Bodas de sangre, Yerma, and La casa de Bernarda Alba, are combined to dramatize metaphorically feminine enclosure and female self-realization. Through an emotive network founded on the dynamic of interplay of house and body, women evolve progressively from object to subject of the narrative. Ultimately, Lorca transposes women both textually and contextually from the mar…
Ramon del Valle-Inclan, I
Competing Narrative Discourses
Cervantes's and characters within it owe their existence to curious interplay of art and life that has come to epitomize modern era. The novel is a text born of other texts, within which texts play an essential role in narrative structure, story, plot, and character development. Throughout Cervantes's novel, it is blatantly obvious that text and all its characters are conceived, nurtured, and sustained by a fascinating and intriguing combination …
Realidades imbricadas y seres desdoblados
Jindama (1998) présente un univers de situations et de personnages sur divers plans artistiques de manière à mettre en cause la connaissance ontologique et à révéler que l’art et la vie constituent des processus de re-textualisation et de réappropriation qui s’auto-réfléchissent et s’auto-engendrent
Tres imágenes del terrorismo rememorado en el teatro español contemporáneo
El terrorismo, concepto más bien simbólico que concreto, y el teatro se definen por una actuación inmediata y un efecto dramático. El teatro y la memoria tienen como objetivo recrear una visión de la realidad. En términos teatrales y mnemónicos, el terrorismo es un fenómeno ilusorio cuya representación y rememoración constituyen un reto. En Jueces en la noche, El arquitecto y el relojero y Ana el once de marzo, Antonio Buero Vallejo, Jerónimo Lóp…
A case of intertextual discourse
The theatre of Ernesto Caballero is inherently postmodern. His works, which are intertextually and intratextually conceived and constructed, reject straightforward mimesis and neatly structured narratives in favor of textual interplay and a semiotic system to create a vital link to other works. Caballero's Pepe el Romano. La sombra blanca de Bernarda Alba (2003) is the one play within the playwright's repertoire in which his postmodern proclivity…
Art (19 obras) · Spanish Literature and Culture Studies (11 obras) · Historical and Modern Theater Studies (9 obras) · Humanities (9 obras) · Comparative Literary Analysis and Criticism (7 obras) · Philosophy (7 obras) · Spanish Culture and Identity (6 obras) · Literature (5 obras) · Cinema History and Criticism (4 obras) · Computer Science (4 obras)