Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

D J Conacher

Datos Biográficos

ID1084640
NOMBRED J Conacher
NOMBRESD J
APELLIDOConacher
FIRMACONACHER D J
VERIFICADONo
TOTAL DE OBRAS31
TOTAL DE CITAS35
TOTAL COMO AUTOR31
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1955
AÑO MÁS RECIENTE DE PUBLICACIÓN2000
ÍNDICE H3
  • Euripides and the Sophists

    Michael R Halleran, D J Conacher et al.•ARTICLE•Phoenix•2000

    This work describes how Euripides provides, in specific plays, a variety of original treatments of well-known views of his contemporaries, the Sophists. The emphasis is on Euripides as the creative virtuoso of dramatic ideas rather than as a philosopher. Euripides' adaptation covers a range of dramatic styles and approaches, from the tragic treatment of the nature in Hippolytus, to the near parody of Sophistic views on sense-perception in Helen

  • The Cambridge Companion to Greek Tragedy

    D J Conacher, P E Easterling•ARTICLE•Phoenix•1999

  • Sophocles' Trachiniae

    D J Conacher•ARTICLE•The American Journal of Philology•1997•Citada por: 1•Referencias: 4

    Sophocles’ Trachiniae: Some Observations D. J. Conacher In several ways Trachiniae seems almost a textbook of Sophoclean tragedy, so many elements of plot, theme, and even formal structure does it have in common with one or another (sometimes with several other) of the playwright’s works. The deceptive quality of oracles and prophecies, 1 the equally illusory nature of human happiness, the alternation between the familiar, even the domestic (inso…

  • Aeschylus

    David Schenker, D J Conacher•ARTICLE•Phoenix•1997

  • Aeschylus

    D J Conacher•BOOK•Aeschylus•1996

    Conacher's close readings of the text and sensitive analysis of the main problems in the plays will be of benefit to students, especially those encountering these plays for the first time, either in Greek or in translation

  • Aeschylus' Oresteia

    William C Scott, D J Conacher•ARTICLE•The American Journal of Philology•1989

  • Aeschylus' Oresteia

    Ann N Michelini, D J Conacher•ARTICLE•The Classical World•1989•Citada por: 7

    Traditionally, books on Greek tragedy tend to fall into two classes: scholarly editions with commentaries on textual, linguistic, and detailed interpretive points, and literary-critical studies which sometimes include summary treatments of questions involving a detailed study of the texts. Classics specialists tend, for obvious reasons, to concentrate on the former. Readers of translations have, of necessity, been limited to the latter kind of ai…

  • Aeschylus' Oresteia

    William G Thalmann, D J Conacher•ARTICLE•Phoenix•1989

  • Aeschylus' Oresteia

    D J Conacher•BOOK•Aeschylus' Oresteia•1987

    The major part of Conacher's work is a detailed running commentary on, and dramatic analysis of, the three plays. It is supplemented in notes and appendixes by discussions of the philological problems relevant to the interpretation, and by a sampling of other scholaraly views on a number of controversial points

  • Studies in Aeschylus

    D J Conacher, R P Winnington-Ingram et al.•ARTICLE•Phoenix•1985

  • On the Hymn to Zeus in Aeschylus' Agamemnon

    D J Conacher, Peter M Smith•ARTICLE•Phoenix•1983

  • Aeschylus' Prometheus Bound

    C J Herington, D J Conacher•ARTICLE•Phoenix•1982•Citada por: 9

  • Euripides

    D J Conacher, Christopher Collard•ARTICLE•Phoenix•1978

  • Euripides. Iphigeneia in Tauris

    D J Conacher, Euripides Euripides et al.•ARTICLE•The Classical World•1976

  • Interaction between Chorus and Characters in the Oresteia

    D J Conacher•ARTICLE•The American Journal of Philology•1974•Citada por: 3

  • The Bacchae by Euripides. A Translation with Commentary

    D J Conacher, Geoffrey S Kirk et al.•ARTICLE•Phoenix•1972

  • Agamemnon by Aeschylus

    D J Conacher, Aeschylu et al.•ARTICLE•Phoenix•1971

  • The Tragedies of Euripides

    D J Conacher, T B L Webster•ARTICLE•Phoenix•1970

  • Some Profane Variations on a Tragic Theme

    D J Conacher•ARTICLE•Phoenix•1969

    I PROPOSE TO DISCUSS in this paper' two plays which give, in very different ways, non-tragic, even profane, treatment to themes derived from the most profound of all Greek tragedies, Sophocles' Oedipus Tyrannus. The fate of Oedipus, doomed by Apollo's oracle before his life begins to commit in ignorance (before his play begins) his dreadful deeds of parricide and incest, is too well-known to need elaboration here. So, too, is the terrible cohesio…

  • Euripidean Drama

    Wesley D Smith, D J Conacher•ARTICLE•Phoenix•1969

  • Euripidean Drama

    Jacob Petroff, D J Conacher•ARTICLE•The Classical World•1968

  • Euripidean Drama

    D J Conacher, Desmond Conacher•BOOK•Euripidean Drama•1967

    All the extant Euripidean drama is examined in this book; the result is an intelligent guide to the plays for all students of dramatic literature, as well as a convincing defence of Euripides the creator

  • Themes in the "Exodus" of Euripides' "Phoenissae

    D J Conacher•ARTICLE•Phoenix•1967•Citada por: 2

    IT WOULD BE A BOLD CRITIC to-day who would defend the exodus of the Phoenissae in its entirety. Various elements in the final throes of the house of Laius appear in various other tragedies, some of which preceded the Phoenissae in time and fame; thus a scene dealing with a medley of this material, even if (as many critics doubt) its main lines are authentic, would be particularly vulnerable to change in later presentations of the play. The close …

  • Euripides

    D J Conacher, A M Dale et al.•ARTICLE•Phoenix•1967

  • Euripides

    D J Conacher, W S Barrett•ARTICLE•Phoenix•1965

Siguiente
  • Untersuchungen zum Deus ex Machina bei Sophokles und Euripides

    D J Conacher, Andreas Spira•ARTICLE•Phoenix•1962•Citada por: 11

    ANDREAS SPIRA presents a thorough and (with one possible exception) internally consistent defence of the deus ex machina as a device which, far from betraying any form of dramatic irresponsibility, brings into the open some truth or meaning which is already implicit in the theme and structure of the play. Perhaps the most successful of the author's discussions is that of the Philoctetes (pp. 12-30). A clear analysis of the play indicates that its…

  • Aeschylus' Prometheus Bound

    C J Herington, D J Conacher•ARTICLE•Phoenix•1982•Citada por: 9

  • Aeschylus' Oresteia

    Ann N Michelini, D J Conacher•ARTICLE•The Classical World•1989•Citada por: 7

    Traditionally, books on Greek tragedy tend to fall into two classes: scholarly editions with commentaries on textual, linguistic, and detailed interpretive points, and literary-critical studies which sometimes include summary treatments of questions involving a detailed study of the texts. Classics specialists tend, for obvious reasons, to concentrate on the former. Readers of translations have, of necessity, been limited to the latter kind of ai…

  • Interaction between Chorus and Characters in the Oresteia

    D J Conacher•ARTICLE•The American Journal of Philology•1974•Citada por: 3

  • Themes in the "Exodus" of Euripides' "Phoenissae

    D J Conacher•ARTICLE•Phoenix•1967•Citada por: 2

    IT WOULD BE A BOLD CRITIC to-day who would defend the exodus of the Phoenissae in its entirety. Various elements in the final throes of the house of Laius appear in various other tragedies, some of which preceded the Phoenissae in time and fame; thus a scene dealing with a medley of this material, even if (as many critics doubt) its main lines are authentic, would be particularly vulnerable to change in later presentations of the play. The close …

  • Sophocles

    D J Conacher, Sophocle et al.•ARTICLE•Phoenix•1957•Citada por: 2

  • Sophocles' Trachiniae

    D J Conacher•ARTICLE•The American Journal of Philology•1997•Citada por: 1•Referencias: 4

    Sophocles’ Trachiniae: Some Observations D. J. Conacher In several ways Trachiniae seems almost a textbook of Sophoclean tragedy, so many elements of plot, theme, and even formal structure does it have in common with one or another (sometimes with several other) of the playwright’s works. The deceptive quality of oracles and prophecies, 1 the equally illusory nature of human happiness, the alternation between the familiar, even the domestic (inso…

  • Theme, Plot, and Technique in the "Heracles" of Euripides

    D J Conacher•ARTICLE•Phoenix•1955

  • Essays on Euripidean Drama

    D J Conacher, Gilbert Norwood•ARTICLE•Phoenix•1956

  • Euripides II

    D J Conacher, Euripide et al.•ARTICLE•Phoenix•1957

  • Sophocles

    D J Conacher, Sophocle et al.•ARTICLE•Phoenix•1957•Citada por: 2

  • Untersuchungen zum Deus ex Machina bei Sophokles und Euripides

    D J Conacher, Andreas Spira•ARTICLE•Phoenix•1962•Citada por: 11

    ANDREAS SPIRA presents a thorough and (with one possible exception) internally consistent defence of the deus ex machina as a device which, far from betraying any form of dramatic irresponsibility, brings into the open some truth or meaning which is already implicit in the theme and structure of the play. Perhaps the most successful of the author's discussions is that of the Philoctetes (pp. 12-30). A clear analysis of the play indicates that its…

  • Vandoeuvres-Geneva

    D J Conacher, Euripide et al.•ARTICLE•Phoenix•1964

  • Euripides

    D J Conacher, W S Barrett•ARTICLE•Phoenix•1965

  • Euripidean Drama

    D J Conacher, Desmond Conacher•BOOK•Euripidean Drama•1967

    All the extant Euripidean drama is examined in this book; the result is an intelligent guide to the plays for all students of dramatic literature, as well as a convincing defence of Euripides the creator

  • Themes in the "Exodus" of Euripides' "Phoenissae

    D J Conacher•ARTICLE•Phoenix•1967•Citada por: 2

    IT WOULD BE A BOLD CRITIC to-day who would defend the exodus of the Phoenissae in its entirety. Various elements in the final throes of the house of Laius appear in various other tragedies, some of which preceded the Phoenissae in time and fame; thus a scene dealing with a medley of this material, even if (as many critics doubt) its main lines are authentic, would be particularly vulnerable to change in later presentations of the play. The close …

  • Euripides

    D J Conacher, A M Dale et al.•ARTICLE•Phoenix•1967

  • Euripidean Drama

    Jacob Petroff, D J Conacher•ARTICLE•The Classical World•1968

  • Some Profane Variations on a Tragic Theme

    D J Conacher•ARTICLE•Phoenix•1969

    I PROPOSE TO DISCUSS in this paper' two plays which give, in very different ways, non-tragic, even profane, treatment to themes derived from the most profound of all Greek tragedies, Sophocles' Oedipus Tyrannus. The fate of Oedipus, doomed by Apollo's oracle before his life begins to commit in ignorance (before his play begins) his dreadful deeds of parricide and incest, is too well-known to need elaboration here. So, too, is the terrible cohesio…

  • Euripidean Drama

    Wesley D Smith, D J Conacher•ARTICLE•Phoenix•1969

  • The Tragedies of Euripides

    D J Conacher, T B L Webster•ARTICLE•Phoenix•1970

  • Agamemnon by Aeschylus

    D J Conacher, Aeschylu et al.•ARTICLE•Phoenix•1971

  • The Bacchae by Euripides. A Translation with Commentary

    D J Conacher, Geoffrey S Kirk et al.•ARTICLE•Phoenix•1972

  • Interaction between Chorus and Characters in the Oresteia

    D J Conacher•ARTICLE•The American Journal of Philology•1974•Citada por: 3

  • Euripides. Iphigeneia in Tauris

    D J Conacher, Euripides Euripides et al.•ARTICLE•The Classical World•1976

  • Euripides

    D J Conacher, Christopher Collard•ARTICLE•Phoenix•1978

  • Aeschylus' Prometheus Bound

    C J Herington, D J Conacher•ARTICLE•Phoenix•1982•Citada por: 9

  • On the Hymn to Zeus in Aeschylus' Agamemnon

    D J Conacher, Peter M Smith•ARTICLE•Phoenix•1983

  • Studies in Aeschylus

    D J Conacher, R P Winnington-Ingram et al.•ARTICLE•Phoenix•1985

  • Aeschylus' Oresteia

    D J Conacher•BOOK•Aeschylus' Oresteia•1987

    The major part of Conacher's work is a detailed running commentary on, and dramatic analysis of, the three plays. It is supplemented in notes and appendixes by discussions of the philological problems relevant to the interpretation, and by a sampling of other scholaraly views on a number of controversial points

  • Aeschylus' Oresteia

    William C Scott, D J Conacher•ARTICLE•The American Journal of Philology•1989

  • Aeschylus' Oresteia

    Ann N Michelini, D J Conacher•ARTICLE•The Classical World•1989•Citada por: 7

    Traditionally, books on Greek tragedy tend to fall into two classes: scholarly editions with commentaries on textual, linguistic, and detailed interpretive points, and literary-critical studies which sometimes include summary treatments of questions involving a detailed study of the texts. Classics specialists tend, for obvious reasons, to concentrate on the former. Readers of translations have, of necessity, been limited to the latter kind of ai…

Art (26 obras) · Literature (18 obras) · Classical Antiquity Studies (16 obras) · History (16 obras) · Philosophy (12 obras) · History (10 obras) · Computer Science (8 obras) · Organic Chemistry Synthesis Methods (7 obras) · Biblical Studies and Interpretation (6 obras) · Families in Therapy and Culture (6 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae