Jack Douglas
Datos Biográficos
| ID | 109467 |
|---|---|
| NOMBRE | Jack Douglas |
| NOMBRES | Jack |
| APELLIDO | Douglas |
| FIRMA | DOUGLAS J |
| AFILIACIONES | RMIT University |
| ORCID | 0000-0002-4333-6052 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 20 |
| TOTAL DE CITAS | 95 |
| TOTAL COMO AUTOR | 20 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1950 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 4 |
Suicide and Its Nexus
In Indonesia, suicide research has largely overlooked structural factors at the meso and macro levels, whether as primary causes, contributing factors, or considerations for prevention strategies. The dominance of psychological and psychiatric approaches has marginalized sociological perspectives, limiting a more holistic understanding of suicide. Existing heuristic models primarily frame suicide as a consequence of mental health disorders or eco…
Subscription video-on-demand (SVOD) original production in Australia
Original production by subscription-video-on-demand services (SVOD) is often associated with a U.S. model of premium drama, characterized by high production values, edgy storytelling, and narrative complexity. Yet the internationalization of SVOD production in recent years has complicated this assumption, revealing diverse national experiences. In this article, we test the notion of 'SVOD exceptionalism' through a content and production analysis …
George Miller’s “old-fashioned Hollywood studio”
Australia’s George Miller, director of the Mad Max films and others, has an international reputation as a singular creative force. But this reputation overlooks key facts about Miller’s career and working methods, including his co-founding and stewardship of the production company Kennedy Miller (now Kennedy Miller Mitchell), which organized production along collaborative and collective lines. In this article, I undertake an organizational analys…
Gazing or glancing? Mapping student engagement when film studies moves online
This article presents the findings of a study undertaken by a team of three film studies teacher-researchers working with undergraduate students in a course titled ‘Histories of Film Theory’. In the context of the transition from face-to-face to remote learning during the COVID-19 pandemic, the authors observed that students’ approaches to understanding relevant film theories became increasingly inflected by their experiences of contrasting metho…
Cultural policy between television and digital platforms
As subscription video-on-demand (SVOD) services enter new markets, they become subject to national laws and regulations. This incorporation into national governance is driven by various priorities that include cultural diversity, censorship, and local protectionism. In this article, we provide a critical analysis of the attempted process of SVOD policy-making in Australia, where the entry of services including Netflix, Amazon Prime Video and Disn…
Autonomy and Independence in Screen Production under State Subsidy
Contemporary media industry and production studies takes a nuanced view of the relative independence and autonomy available to media producers. In this article, I apply this frame to the Australian independent screen production firm Kennedy Miller Mitchell. But rather than examining the firm through its commercial partnerships, I analyze its independence in respect of its historical relationship with Australian government agencies. I contend that…
Entrepreneurial navigation of the Australian screen industries
This article analyses the case of the short-lived Australian visual effects and animation enterprise Dr D Studios, which was co-founded by Australian film director, George Miller. Although Miller is an important figure in the history of the contemporary Australian screen industries, he has only rarely been the focus of significant scholarly analysis. Using the emerging scholarly concept of creative entrepreneurship, I analyse Dr D Studios as an i…
Kennedy Miller Mitchell and the relationality of Australian cinema – global film practice in Australia
Recent work in Australian screen scholarship has been focused on expanding the limitations of our national cinema discourse. Terms like Deb Verhoeven’s ‘Industry 3’ or Ben Goldsmith’s ‘outward-looking Australian cinema’, and the discourse of ‘transnationality’ more generally, exemplify a contemporary tendency that seeks out new conceptual foundations from which to analyse Australian film as interrelated with international industrial contexts. US …
Activities and Appointments
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button
Love, Intimacy, and Sex
The Sexual Modernist Revolt Against the Myth of Victorianism Learning to Love/Not to Love Becoming Insecure/Becoming Secure The Development of Love Falling In Love and Lust Falling Out of Love, Divorcing and Starting Over
Creative interviewing
Introduction to the Sociologies of Everyday Life
Official Deviance
Investigative social research
Theoretical Perspectives on Deviance
Deviance and Respectability
Understanding everyday life
The social meanings of suicide
Problems in Measuring Problem-Solving in Discussion
Problems in Measuring Problem-Solving in Discussion Get access Jack Douglas Jack Douglas 1University of Oklahoma Search for other works by this author on: Oxford Academic Google Scholar Journal of Communication, Volume 3, Issue 1, May 1953, Pages 20–24, https://doi.org/10.1111/j.1460-2466.1953.tb01065.x Published: 07 February 2006
Deux enquêtes nationales sur la maternité et sur la santé de l'enfant en Grande-Bretagne
Le Dr J.W.B. Douglas, B.A., B.Sc, B.M., B.Ch., est associé de recherche (« research associate ») au Population Investigation Committee du Royaume Uni, et responsable de la direction de la double enquête sur la maternité et le déve-loppement de l'enfance. Cette enquête récente, dont il présente les résultats, a été conduite avec un soin particulier. Elle apporte des données nouvelles d'un intérêt considérable, notamment sur le coût de l'accoucheme…
Understanding everyday life
The social meanings of suicide
Creative interviewing
Cultural policy between television and digital platforms
As subscription video-on-demand (SVOD) services enter new markets, they become subject to national laws and regulations. This incorporation into national governance is driven by various priorities that include cultural diversity, censorship, and local protectionism. In this article, we provide a critical analysis of the attempted process of SVOD policy-making in Australia, where the entry of services including Netflix, Amazon Prime Video and Disn…
Subscription video-on-demand (SVOD) original production in Australia
Original production by subscription-video-on-demand services (SVOD) is often associated with a U.S. model of premium drama, characterized by high production values, edgy storytelling, and narrative complexity. Yet the internationalization of SVOD production in recent years has complicated this assumption, revealing diverse national experiences. In this article, we test the notion of 'SVOD exceptionalism' through a content and production analysis …
Deviance and Respectability
Deux enquêtes nationales sur la maternité et sur la santé de l'enfant en Grande-Bretagne
Le Dr J.W.B. Douglas, B.A., B.Sc, B.M., B.Ch., est associé de recherche (« research associate ») au Population Investigation Committee du Royaume Uni, et responsable de la direction de la double enquête sur la maternité et le déve-loppement de l'enfance. Cette enquête récente, dont il présente les résultats, a été conduite avec un soin particulier. Elle apporte des données nouvelles d'un intérêt considérable, notamment sur le coût de l'accoucheme…
Problems in Measuring Problem-Solving in Discussion
Problems in Measuring Problem-Solving in Discussion Get access Jack Douglas Jack Douglas 1University of Oklahoma Search for other works by this author on: Oxford Academic Google Scholar Journal of Communication, Volume 3, Issue 1, May 1953, Pages 20–24, https://doi.org/10.1111/j.1460-2466.1953.tb01065.x Published: 07 February 2006
Understanding everyday life
The social meanings of suicide
Deviance and Respectability
Theoretical Perspectives on Deviance
Investigative social research
Official Deviance
Introduction to the Sociologies of Everyday Life
Creative interviewing
Love, Intimacy, and Sex
The Sexual Modernist Revolt Against the Myth of Victorianism Learning to Love/Not to Love Becoming Insecure/Becoming Secure The Development of Love Falling In Love and Lust Falling Out of Love, Divorcing and Starting Over
Activities and Appointments
An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button
Kennedy Miller Mitchell and the relationality of Australian cinema – global film practice in Australia
Recent work in Australian screen scholarship has been focused on expanding the limitations of our national cinema discourse. Terms like Deb Verhoeven’s ‘Industry 3’ or Ben Goldsmith’s ‘outward-looking Australian cinema’, and the discourse of ‘transnationality’ more generally, exemplify a contemporary tendency that seeks out new conceptual foundations from which to analyse Australian film as interrelated with international industrial contexts. US …
Autonomy and Independence in Screen Production under State Subsidy
Contemporary media industry and production studies takes a nuanced view of the relative independence and autonomy available to media producers. In this article, I apply this frame to the Australian independent screen production firm Kennedy Miller Mitchell. But rather than examining the firm through its commercial partnerships, I analyze its independence in respect of its historical relationship with Australian government agencies. I contend that…
Entrepreneurial navigation of the Australian screen industries
This article analyses the case of the short-lived Australian visual effects and animation enterprise Dr D Studios, which was co-founded by Australian film director, George Miller. Although Miller is an important figure in the history of the contemporary Australian screen industries, he has only rarely been the focus of significant scholarly analysis. Using the emerging scholarly concept of creative entrepreneurship, I analyse Dr D Studios as an i…
George Miller’s “old-fashioned Hollywood studio”
Australia’s George Miller, director of the Mad Max films and others, has an international reputation as a singular creative force. But this reputation overlooks key facts about Miller’s career and working methods, including his co-founding and stewardship of the production company Kennedy Miller (now Kennedy Miller Mitchell), which organized production along collaborative and collective lines. In this article, I undertake an organizational analys…
Gazing or glancing? Mapping student engagement when film studies moves online
This article presents the findings of a study undertaken by a team of three film studies teacher-researchers working with undergraduate students in a course titled ‘Histories of Film Theory’. In the context of the transition from face-to-face to remote learning during the COVID-19 pandemic, the authors observed that students’ approaches to understanding relevant film theories became increasingly inflected by their experiences of contrasting metho…
Cultural policy between television and digital platforms
As subscription video-on-demand (SVOD) services enter new markets, they become subject to national laws and regulations. This incorporation into national governance is driven by various priorities that include cultural diversity, censorship, and local protectionism. In this article, we provide a critical analysis of the attempted process of SVOD policy-making in Australia, where the entry of services including Netflix, Amazon Prime Video and Disn…
Suicide and Its Nexus
In Indonesia, suicide research has largely overlooked structural factors at the meso and macro levels, whether as primary causes, contributing factors, or considerations for prevention strategies. The dominance of psychological and psychiatric approaches has marginalized sociological perspectives, limiting a more holistic understanding of suicide. Existing heuristic models primarily frame suicide as a consequence of mental health disorders or eco…
Subscription video-on-demand (SVOD) original production in Australia
Original production by subscription-video-on-demand services (SVOD) is often associated with a U.S. model of premium drama, characterized by high production values, edgy storytelling, and narrative complexity. Yet the internationalization of SVOD production in recent years has complicated this assumption, revealing diverse national experiences. In this article, we test the notion of 'SVOD exceptionalism' through a content and production analysis …
Sociology (10 obras) · Political science (8 obras) · Art (7 obras) · Law (6 obras) · Cinema and Media Studies (5 obras) · Cultural Industries and Urban Development (5 obras) · Economics (5 obras) · Psychology (5 obras) · Visual arts (5 obras) · Computer Science (4 obras)