Virginia Mason Vaughan
Datos Biográficos
| ID | 1096720 |
|---|---|
| NOMBRE | Virginia Mason Vaughan |
| NOMBRES | Virginia Mason |
| APELLIDO | Vaughan |
| FIRMA | VAUGHAN V M |
| AFILIACIONES | Clark University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAS | 13 |
| TOTAL COMO AUTOR | 14 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1984 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2021 |
| ÍNDICE H | 1 |
The Tempest and Early Modern Conceptions of Race
The Tempest reflects early modern European trends in racial perceptions, especially in the play’s foregrounding of Caliban, who embodies many of the era’s cultural prejudices. Although Caliban was born on a remote island and is its sole human inhabitant when Prospero and Miranda arrive, his sexual assault on Miranda and their contempt for Caliban as savage, pagan, monstrous, and perhaps cannibalistic provokes Prospero to enslave him. This chapter…
Antony and Cleopatra
No abstract text is available for this title
Black Africans in Renaissance Europe Performing Blackness on English Stages, 1500-1800
Race Mattered
'When Paul Robeson stepped onto the stage for the very first time', Margaret Webster recalled, 'when he spoke his very first line, he immediately, by his very presence, brought an incalculable sense of reality to the entire play.' That reality emanated from Robeson's status as the first actor of African descent to impersonate Shakespeare's Othello on Broadway. Because of his biological heritage, Robeson was perceived as being more 'real' as the M…
Before Othello
Othello's yarns are symptomatic of the travelers' tales that circulated in England during the second half of the sixteenth century and beyond-narratives that ranged from mythical accounts of monstrous races and imaginary places to fact-filled reports of actual strangers and their remarkable homelands. Circulating in various written forms and, to a lesser extent, in visual embodiments on stages, in public pageants, and occasionally in graphic arts…
Shakespeare's Caliban
Shakespeare's Caliban
Shakespeare's Caliban
"Othello"
An Academic Columbian Exchange
Clamorous voices
Daughters of the game
Measure for Measure
England’s other countrymen
England’s Other Countrymen is a useful, if one-sided, examination of the status of Black Africans in early modern England. Onyeka insists that our perceptions of Africans in Tudor society “are dist
Before Othello
Othello's yarns are symptomatic of the travelers' tales that circulated in England during the second half of the sixteenth century and beyond-narratives that ranged from mythical accounts of monstrous races and imaginary places to fact-filled reports of actual strangers and their remarkable homelands. Circulating in various written forms and, to a lesser extent, in visual embodiments on stages, in public pageants, and occasionally in graphic arts…
England’s other countrymen
England’s Other Countrymen is a useful, if one-sided, examination of the status of Black Africans in early modern England. Onyeka insists that our perceptions of Africans in Tudor society “are dist
Shakespeare's Caliban
Measure for Measure
Daughters of the game
Clamorous voices
"Othello"
An Academic Columbian Exchange
Shakespeare's Caliban
Shakespeare's Caliban
Shakespeare's Caliban
Before Othello
Othello's yarns are symptomatic of the travelers' tales that circulated in England during the second half of the sixteenth century and beyond-narratives that ranged from mythical accounts of monstrous races and imaginary places to fact-filled reports of actual strangers and their remarkable homelands. Circulating in various written forms and, to a lesser extent, in visual embodiments on stages, in public pageants, and occasionally in graphic arts…
Race Mattered
'When Paul Robeson stepped onto the stage for the very first time', Margaret Webster recalled, 'when he spoke his very first line, he immediately, by his very presence, brought an incalculable sense of reality to the entire play.' That reality emanated from Robeson's status as the first actor of African descent to impersonate Shakespeare's Othello on Broadway. Because of his biological heritage, Robeson was perceived as being more 'real' as the M…
Black Africans in Renaissance Europe Performing Blackness on English Stages, 1500-1800
Antony and Cleopatra
No abstract text is available for this title
The Tempest and Early Modern Conceptions of Race
The Tempest reflects early modern European trends in racial perceptions, especially in the play’s foregrounding of Caliban, who embodies many of the era’s cultural prejudices. Although Caliban was born on a remote island and is its sole human inhabitant when Prospero and Miranda arrive, his sexual assault on Miranda and their contempt for Caliban as savage, pagan, monstrous, and perhaps cannibalistic provokes Prospero to enslave him. This chapter…
England’s other countrymen
England’s Other Countrymen is a useful, if one-sided, examination of the status of Black Africans in early modern England. Onyeka insists that our perceptions of Africans in Tudor society “are dist
History (11 obras) · Art (10 obras) · History (8 obras) · Literature (7 obras) · Sociology (7 obras) · Gender Studies (5 obras) · Art history (4 obras) · Philippine History and Culture (4 obras) · Cultural history (3 obras) · Gender Studies (3 obras)