Gerard Behague

Datos Biográficos

ID110566
NOMBREGerard Behague
NOMBRESGerard
APELLIDOBehague
FIRMABEHAGUE G
AFILIACIONESThe University of Texas at Austin
VERIFICADONo
TOTAL DE OBRAS133
TOTAL DE CITAS53
TOTAL COMO AUTOR133
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1966
AÑO MÁS RECIENTE DE PUBLICACIÓN2022
ÍNDICE H4

  • Jobim, Antônio Carlos

    Gerard BehagueCHAPTERThe new Grove dictionary of music…2022

  • Bossa nova

    Gerard BehagueCHAPTERThe new Grove dictionary of music…2022

  • Atabaque

    Gerard Behague, Alice L SatomiCHAPTERThe new Grove dictionary of music…2014

  • A Performance and Listener-Centered Approach to Musical Analysis

    Gerard Behague, Gerard B Amp Eacute Hague et al.ARTICLELatin American Music Review2006Referencias: 5

    A Performance and Listener-Centered Approach to Musical Analysis:Some Theoretical and Methodological Factors Gerard Béhague In traditional musicological studies, performance practice has tended to be treated separately from the main musical parameters that retain the analyst's attention. Musicologists have defined performance practice as "the way music is and has been performed (especially as regards the relationship between the written notes and…

  • Música 'erudita', 'folclórica' e 'popular' do Brasil

    Gerard Behague, Gerard B Amp Eacute Hague et al.ARTICLELatin American Music Review2006

    State of Research of Brazilian Music Música "erudita", "folclórica" e "popular" do Brasil: Interações e inferências para a musicologia e etnomusicologia modernas Gerard Béhague Lisboa (octubre 98) Nos seus famosos "desafios à musicologia", o professor Joseph Kerman (Contemplating Music, 1985) dedica um capítulo à etnomusicologia e "musicologia cultural" (um termo um tanto infeliz proposto em 1968 por Gilbert Chase numa das conferências inaugurais…

  • La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica

    Gerard Behague, Gerard B Amp Eacute Hague et al.ARTICLELatin American Music Review2006

    La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica Gerard Béhague La visión etnocéntrica europea del mundo y de la cultura tuvo una influencia muy negativa para el desarrollo de la música de tradición culta en Latinoamérica durante el siglo XX. Además de las consecuencias nefastas de la colonización, esta visión ha impedido durante casi todo el siglo una verdadera comprensión por parte de los composit…

  • Regional and National Trends in Afro-Brazilian Religious Musics

    Gerard Behague, Gerard B Amp Eacute Hague et al.ARTICLELatin American Music Review2006Citada por: 1

    Regional and National Trends in Afro-Brazilian Religious Musics:A Case of Cultural Pluralism Gerard Béhague One may wonder how music can be considered a reflection of cultural values and of worldviews in general. Ethnomusicology has taught us for some time now that musical styles are frequently the result of specific cultural determinants emanating from social and ethnohistorical factors of various kinds. Ethnomusicology concerns itself essential…

  • Rap, Reggae, Rock, or Samba

    Gerard Behague, Gerard B Amp Eacute Hague et al.ARTICLELatin American Music Review2006Citada por: 2

    Rap, Reggae, Rock, or Samba:The Local and the Global in Brazilian Popular Music (1985–95) Gerard Béhague The notion of the global village and of the globalization of pop culture in the 1980s and 1990s has been perhaps overtaxed; the word "globalization" itself keeps losing its edge and thus needs to be re-sharpened periodically. In tackling the Western impact on world music in the 1980s, Bruno Nettl reached the indisputable conclusion that our ce…

  • Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira

    Gerard Behague, Gerard B Amp Eacute Hague et al.ARTICLELatin American Music Review2006

    Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira Gerard Béhague É sabido que a música popular brasileira dos últimos 40 anos teve repercussão internacional que só se pode comparar com a das músicas caribenhas (especialmente Cuba e Jamaica). Desde o aparecimento da Bossa Nova, seguindo-se a tropicália, a música nordestina, as várias expressões do samba, a música sertaneja e as inúmeras variedades urbana…

  • Indianism in Latin American Art-Music Composition of the 1920s to 1940s

    Gerard Behague, Gerard B Amp Eacute Hague et al.ARTICLELatin American Music Review2006Citada por: 2

    Indianism in Latin American Art-Music Composition of the 1920s to 1940s:Case Studies from Mexico, Peru, and Brazil Gerard Béhague Strictly speaking, the concept of art music is anything but native in Latin America and the Caribbean, if by native we understand a tradition of expressive culture that originated and developed in "New World" territory. Historically, art music in Latin America is a reflection and an extension of the Western European tr…

  • La problemática de la identidad cultural en la música culta hispano-caribeña

    Gerard Behague, Gerard B Amp Eacute Hague et al.ARTICLELatin American Music Review2006

    La problemática de la identidad cultural en la música culta hispanocaribeña Gerard Béhague La trayectoria de la música de la llamada tradición culta en el Caribe de cultura hispánica desde los años 60 ha tenido bastante dificultad en cuanto a la identidad cultural de la mayoría de los compositores. Con unas poquísimas excepciones, la composición caribeña de vanguardia ha sufrido una crisis de identidad cuyos factores merecen una consideración pro…

  • Diversity and the Arts

    Gerard Behague, Gerard B Amp Eacute Hague et al.ARTICLELatin American Music Review2006

    Diversity and the Arts:Issues and Strategies Gerard Béhague Today, we are on the eve of a new century. The arts and humanities are more essential than ever to the endurance of our democratic values of tolerance, pluralism, and freedom, and to our understanding of where we are and where we need to go. At a momentous time in our history like this when so much is happening to change the way we work and live, the way we relate to one another and the …

  • String Quartets (review)

    Gerard BehagueARTICLELatin American Music Review2003

    This is the second time that the seventeen string quartets of Heitor Villa-Lobos appear as a complete series by the same performing group. The Hungarian Danubius Quartet was the first to record the complete cycle. In the late 1980s and early 1990s, the Bessler-Reis Quartet issued their own excellent recordings of most but not all of the quartets. Other professional quartets have done the same. The significance of these works in the composer's out…

  • This issue of Lamr is dedicated to the memory of José Maria Neves (20 August 1943ö27 November 2002)

    Gerard BehagueARTICLELatin American Music Review2003

    Brazilian musicologist, teacher, and conductor José Maria Neves passed away in Rio de Janeiro on 27 November 2002 after battling a lymphatic cancer. As a member of LAMR's Editorial Board, he spared no efforts in supporting the advancement of Brazilian and Latin American musicological studies

  • Brazil (opera)

    Gerard BehagueCHAPTERThe new Grove dictionary of music…2002

  • Azevedo, Luiz Heitor Corrêa de (opera)

    Gerard BehagueCHAPTERThe new Grove dictionary of music…2002

  • Guarnieri, (Mozart) Camargo (opera)

    Gerard BehagueCHAPTERThe new Grove dictionary of music…2002

  • Lôbo, Elias Alvares

    Gerard BehagueCHAPTERThe new Grove dictionary of music…2002

  • Schiavo, Lo

    Gerard BehagueCHAPTERThe new Grove dictionary of music…2002

  • Fernández, Oscar Lorenzo

    Gerard BehagueCHAPTERThe new Grove dictionary of music…2002

  • Shaping Society Through Dance

    Gerard BehagueARTICLELatin American Music Review2002

    This is a study of one of the most widespread and culturally significant performance events in the Peruvian highland, based on a revised and amplified version of the author's doctoral dissertation in anthropology defended in 1993 at The University of Chicago. The primary event under consideration is the patron-saint fiesta of the town of San Jerónimo, in the Cusco departamento of Peru. The result of two years of field research (1989-90), this ant…

  • Recent Studies of Brazilian Music

    Gerard BehagueARTICLELatin American Music Review2002

    Various aspects of Brazilian music and musicians continue to receive wide attention both in and out of Brazil. The selection of the titles above, which constitutes only a sample of the studies of the last few years, is meant as a representation of the different approaches and results of their authors or editors

  • Bridging South America and the United States in Black Music Research

    Gerard BehagueARTICLEBlack Music Research Journal2002Citada por: 2Referencias: 2

    Just as the idea of a as a symbolic construction of general is politically problematic, the concept of musical boundaries and borders within it is equally perplexing. Latin-American scholars have insisted on setting boundaries of musical traditions according to the existing social stratification at a given time and space. Most have perceived those traditions in a four-part model of stratification: primitive traditional indigenous communities, fol…

  • Colombia, Republic of

    Gerard Behague, George List et al.CHAPTERThe new Grove dictionary of music…2001

  • Mariz, Vasco

    Gerard BehagueCHAPTERThe new Grove dictionary of music…2001