Laurence Picken
Datos Biográficos
| ID | 111304 |
|---|---|
| NOMBRE | Laurence Picken |
| NOMBRES | Laurence |
| APELLIDO | Picken |
| FIRMA | PICKEN L |
| AFILIACIONES | Jesus University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 28 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 28 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1957 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2004 |
| ÍNDICE H | 1 |
World Musics in Context
Music from the Tang Court
The series of volumes of Music from the Tang Court considers a repertory of music at least 1400 years old. During the two centuries before 841 the Japanese Court borrowed a large amount of secular entertainment music from China. This 'Tang Music' (Togaku) survives in Japan in a substantial body of manuscripts, but is transformed in character in contemporary performance. This edition transcribes and comments on the music as it survives in its earl…
The Dunhuang lute-manuscript transcribed by Coralie Rockwell
As the only extended musical document in notation of 10th-century date from the north-western oasis of Dunhuang (Lanzhou, China), this manuscript has intrigued Sinologists and musicologists since its discovery by Paul Pelliot in the cave-library there. It is published here for the first time in complete transcription and facsimile. Its musical style is determined in part by the instrument, in part by function. The pieces it contains may be regard…
Music from the Tang Court
Musica Asiatica 4
Musica Asiatica 4
Music from the Tang Court
Musica Asiatica 2
Folk Musical Instruments of Turkey
Musica Asiatica 3
Musica Asiatica I
Musica Asiatica, Vol. 1, 1977
Japanese
Musica Asiatica, I
Folk Musical Instruments of Turkey
Chinese Music
Persian Performances
Japanese Music
The Waves of Kokonor
Between the sixth and ninth centuries, a massive importation of exotira in general and of music in particular into China occurred, as the cultural defenses of the Chinese fell before the rising popularity of Buddhism, among the population at large as well as in high places. This invasion of foreign cultural elements was conspicuous already in the Sui period, and it became even more marked during the T'ang dynasty (618-905). The title: 'Waves of K…
Some Chinese terms for musical repeats, sections, and forms, common to T'ang, Yüan, andTōgakuscores
Hayashi Kenzōhas presented evidence of close links between the notation-signs of the Tun-huang musical MS, Pelliot No. 3808 (henceforth P), and those forbiwaandshōin currentTōgakupart-books. In addition to this relationship, however, there are also extensive parallels in technical terms, not hitherto examined. In many instances, these same terms appear in the brief musical text preserved in early Yüan printings of theShih-lin kuang-chi(henceforth…
T'Ang Music and Musical Instruments
T'ANG MUSIC AND MUSICAL INSTRUMENTS BY L. E. R. PICKEN To say that Professor Shigeo Kishibe's surveys of the history of musical institutions in the T'ang period had set the stage for this ample study of the Yiieh-fu tsa-lu (henceforth Yftl) is in no way to belittle Dr Gimm's personal contribution. He has used a text of some fifteen folios as a point of departure for detailed and critical studies of the history of music, spectacle and dance; and h…
Ethiopia
The Musical Implications of Line-Sharing in the Book of Songs (Shih Ching)
Music and Musical Sources of the Sonq Dynasty
Music of Islam
A Note on Ethiopic Church Music
Ancient Egyptian Music
Türkische Musik
Music of Islam
T'Ang Music and Musical Instruments
T'ANG MUSIC AND MUSICAL INSTRUMENTS BY L. E. R. PICKEN To say that Professor Shigeo Kishibe's surveys of the history of musical institutions in the T'ang period had set the stage for this ample study of the Yiieh-fu tsa-lu (henceforth Yftl) is in no way to belittle Dr Gimm's personal contribution. He has used a text of some fifteen folios as a point of departure for detailed and critical studies of the history of music, spectacle and dance; and h…
Ethiopia
The Musical Implications of Line-Sharing in the Book of Songs (Shih Ching)
Music and Musical Sources of the Sonq Dynasty
Some Chinese terms for musical repeats, sections, and forms, common to T'ang, Yüan, andTōgakuscores
Hayashi Kenzōhas presented evidence of close links between the notation-signs of the Tun-huang musical MS, Pelliot No. 3808 (henceforth P), and those forbiwaandshōin currentTōgakupart-books. In addition to this relationship, however, there are also extensive parallels in technical terms, not hitherto examined. In many instances, these same terms appear in the brief musical text preserved in early Yüan printings of theShih-lin kuang-chi(henceforth…
Persian Performances
Japanese Music
The Waves of Kokonor
Between the sixth and ninth centuries, a massive importation of exotira in general and of music in particular into China occurred, as the cultural defenses of the Chinese fell before the rising popularity of Buddhism, among the population at large as well as in high places. This invasion of foreign cultural elements was conspicuous already in the Sui period, and it became even more marked during the T'ang dynasty (618-905). The title: 'Waves of K…
Chinese Music
Folk Musical Instruments of Turkey
Musica Asiatica, Vol. 1, 1977
Japanese
Musica Asiatica, I
Musica Asiatica I
Folk Musical Instruments of Turkey
Musica Asiatica 3
Musica Asiatica 2
Music from the Tang Court
Musica Asiatica 4
Musica Asiatica 4
Music from the Tang Court
Art (19 obras) · History (14 obras) · Musicology and Musical Analysis (11 obras) · Diverse Musicological Studies (10 obras) · Literature (10 obras) · Musical (7 obras) · Visual arts (6 obras) · Chinese history and philosophy (5 obras) · Philosophy (5 obras) · Archaeology (4 obras)