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Laurence Picken

Datos Biográficos

ID111304
NOMBRELaurence Picken
NOMBRESLaurence
APELLIDOPicken
FIRMAPICKEN L
AFILIACIONESJesus University
VERIFICADONo
TOTAL DE OBRAS28
TOTAL DE CITAS1
TOTAL COMO AUTOR28
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1957
AÑO MÁS RECIENTE DE PUBLICACIÓN2004
ÍNDICE H1
  • World Musics in Context

    Peter Fletcher, Laurence Picken•BOOK•World Musics in Context•2004

  • Music from the Tang Court

    Open Access•Laurence Picken, Laurence E R Picken et al.•BOOK•Music from the Tang Court•2000

    The series of volumes of Music from the Tang Court considers a repertory of music at least 1400 years old. During the two centuries before 841 the Japanese Court borrowed a large amount of secular entertainment music from China. This 'Tang Music' (Togaku) survives in Japan in a substantial body of manuscripts, but is transformed in character in contemporary performance. This edition transcribes and comments on the music as it survives in its earl…

  • The Dunhuang lute-manuscript transcribed by Coralie Rockwell

    Laurence Picken•ARTICLE•Musicology Australia•1997

    As the only extended musical document in notation of 10th-century date from the north-western oasis of Dunhuang (Lanzhou, China), this manuscript has intrigued Sinologists and musicologists since its discovery by Paul Pelliot in the cave-library there. It is published here for the first time in complete transcription and facsimile. Its musical style is determined in part by the instrument, in part by function. The pieces it contains may be regard…

  • Music from the Tang Court

    Joseph S C Lam, Laurence Picken•ARTICLE•Ethnomusicology•1989

  • Musica Asiatica 4

    Terry E Miller, Laurence Picken•ARTICLE•Ethnomusicology•1986

  • Musica Asiatica 4

    William P Malm, Laurence Picken•ARTICLE•Journal of the American Oriental…•1985

  • Music from the Tang Court

    Liang Mingyue, Laurence Picken•ARTICLE•Ethnomusicology•1984•Citada por: 1

  • Musica Asiatica 2

    Peter Row, Laurence Picken•ARTICLE•Ethnomusicology•1983

  • Folk Musical Instruments of Turkey

    Gilbert Rouget, Laurence Picken•ARTICLE•Revue de musicologie•1982

  • Musica Asiatica 3

    Donald A Lentz, Laurence Picken•ARTICLE•Ethnomusicology•1982

  • Musica Asiatica I

    Jackson Hill, Laurence Picken•ARTICLE•Ethnomusicology•1981

  • Musica Asiatica, Vol. 1, 1977

    Mireille Helffer, Laurence Picken•ARTICLE•Revue de musicologie•1980

  • Japanese

    Laurence Picken, Willem Adriaansz•ARTICLE•The Musical Times•1980

  • Musica Asiatica, I

    William F Malm, Laurence Picken•ARTICLE•Journal of the American Oriental…•1980

  • Folk Musical Instruments of Turkey

    Bonnie C Wade, Laurence Picken•ARTICLE•Journal of the American Oriental…•1978

  • Chinese Music

    Laurence Picken, Fredric Lieberman•ARTICLE•Ethnomusicology•1974

  • Persian Performances

    Laurence Picken, Bruno Nettl et al.•ARTICLE•The Musical Times•1973

  • Japanese Music

    Laurence Picken, Harich-Schneider Harich-Schneider•ARTICLE•The Musical Times•1973

  • The Waves of Kokonor

    R F Wolpert, Rembrandt Wolpert et al.•ARTICLE•Asian Music•1973

    Between the sixth and ninth centuries, a massive importation of exotira in general and of music in particular into China occurred, as the cultural defenses of the Chinese fell before the rising popularity of Buddhism, among the population at large as well as in high places. This invasion of foreign cultural elements was conspicuous already in the Sui period, and it became even more marked during the T'ang dynasty (618-905). The title: 'Waves of K…

  • Some Chinese terms for musical repeats, sections, and forms, common to T'ang, Yüan, andTōgakuscores

    Open Access•Laurence Picken, L E R Picken•ARTICLE•Bulletin of the School of…•1971•Referencias: 2

    Hayashi Kenzōhas presented evidence of close links between the notation-signs of the Tun-huang musical MS, Pelliot No. 3808 (henceforth P), and those forbiwaandshōin currentTōgakupart-books. In addition to this relationship, however, there are also extensive parallels in technical terms, not hitherto examined. In many instances, these same terms appear in the brief musical text preserved in early Yüan printings of theShih-lin kuang-chi(henceforth…

  • T'Ang Music and Musical Instruments

    Laurence Picken, L E R Picken•ARTICLE•T oung Pao•1969

    T'ANG MUSIC AND MUSICAL INSTRUMENTS BY L. E. R. PICKEN To say that Professor Shigeo Kishibe's surveys of the history of musical institutions in the T'ang period had set the stage for this ample study of the Yiieh-fu tsa-lu (henceforth Yftl) is in no way to belittle Dr Gimm's personal contribution. He has used a text of some fifteen folios as a point of departure for detailed and critical studies of the history of music, spectacle and dance; and h…

  • Ethiopia

    Laurence Picken, Michael Powne•ARTICLE•The Musical Times•1969

  • The Musical Implications of Line-Sharing in the Book of Songs (Shih Ching)

    Laurence Picken, L E R Picken•ARTICLE•Journal of the American Oriental…•1969

  • Music and Musical Sources of the Sonq Dynasty

    Laurence Picken, L E R Picken•ARTICLE•Journal of the American Oriental…•1969

  • Music of Islam

    Laurence Picken, Heinrich Besseler et al.•ARTICLE•The Musical Times•1967

Siguiente
  • Music from the Tang Court

    Liang Mingyue, Laurence Picken•ARTICLE•Ethnomusicology•1984•Citada por: 1

  • A Note on Ethiopic Church Music

    Laurence Picken•ARTICLE•Acta Musicologica•1957

  • Ancient Egyptian Music

    Laurence Picken, L E R Picken et al.•ARTICLE•The Musical Times•1962

  • Türkische Musik

    Laurence Picken, Kurt Reinhard•ARTICLE•Ethnomusicology•1964

  • Music of Islam

    Laurence Picken, Heinrich Besseler et al.•ARTICLE•The Musical Times•1967

  • T'Ang Music and Musical Instruments

    Laurence Picken, L E R Picken•ARTICLE•T oung Pao•1969

    T'ANG MUSIC AND MUSICAL INSTRUMENTS BY L. E. R. PICKEN To say that Professor Shigeo Kishibe's surveys of the history of musical institutions in the T'ang period had set the stage for this ample study of the Yiieh-fu tsa-lu (henceforth Yftl) is in no way to belittle Dr Gimm's personal contribution. He has used a text of some fifteen folios as a point of departure for detailed and critical studies of the history of music, spectacle and dance; and h…

  • Ethiopia

    Laurence Picken, Michael Powne•ARTICLE•The Musical Times•1969

  • The Musical Implications of Line-Sharing in the Book of Songs (Shih Ching)

    Laurence Picken, L E R Picken•ARTICLE•Journal of the American Oriental…•1969

  • Music and Musical Sources of the Sonq Dynasty

    Laurence Picken, L E R Picken•ARTICLE•Journal of the American Oriental…•1969

  • Some Chinese terms for musical repeats, sections, and forms, common to T'ang, Yüan, andTōgakuscores

    Open Access•Laurence Picken, L E R Picken•ARTICLE•Bulletin of the School of…•1971•Referencias: 2

    Hayashi Kenzōhas presented evidence of close links between the notation-signs of the Tun-huang musical MS, Pelliot No. 3808 (henceforth P), and those forbiwaandshōin currentTōgakupart-books. In addition to this relationship, however, there are also extensive parallels in technical terms, not hitherto examined. In many instances, these same terms appear in the brief musical text preserved in early Yüan printings of theShih-lin kuang-chi(henceforth…

  • Persian Performances

    Laurence Picken, Bruno Nettl et al.•ARTICLE•The Musical Times•1973

  • Japanese Music

    Laurence Picken, Harich-Schneider Harich-Schneider•ARTICLE•The Musical Times•1973

  • The Waves of Kokonor

    R F Wolpert, Rembrandt Wolpert et al.•ARTICLE•Asian Music•1973

    Between the sixth and ninth centuries, a massive importation of exotira in general and of music in particular into China occurred, as the cultural defenses of the Chinese fell before the rising popularity of Buddhism, among the population at large as well as in high places. This invasion of foreign cultural elements was conspicuous already in the Sui period, and it became even more marked during the T'ang dynasty (618-905). The title: 'Waves of K…

  • Chinese Music

    Laurence Picken, Fredric Lieberman•ARTICLE•Ethnomusicology•1974

  • Folk Musical Instruments of Turkey

    Bonnie C Wade, Laurence Picken•ARTICLE•Journal of the American Oriental…•1978

  • Musica Asiatica, Vol. 1, 1977

    Mireille Helffer, Laurence Picken•ARTICLE•Revue de musicologie•1980

  • Japanese

    Laurence Picken, Willem Adriaansz•ARTICLE•The Musical Times•1980

  • Musica Asiatica, I

    William F Malm, Laurence Picken•ARTICLE•Journal of the American Oriental…•1980

  • Musica Asiatica I

    Jackson Hill, Laurence Picken•ARTICLE•Ethnomusicology•1981

  • Folk Musical Instruments of Turkey

    Gilbert Rouget, Laurence Picken•ARTICLE•Revue de musicologie•1982

  • Musica Asiatica 3

    Donald A Lentz, Laurence Picken•ARTICLE•Ethnomusicology•1982

  • Musica Asiatica 2

    Peter Row, Laurence Picken•ARTICLE•Ethnomusicology•1983

  • Music from the Tang Court

    Liang Mingyue, Laurence Picken•ARTICLE•Ethnomusicology•1984•Citada por: 1

  • Musica Asiatica 4

    William P Malm, Laurence Picken•ARTICLE•Journal of the American Oriental…•1985

  • Musica Asiatica 4

    Terry E Miller, Laurence Picken•ARTICLE•Ethnomusicology•1986

  • Music from the Tang Court

    Joseph S C Lam, Laurence Picken•ARTICLE•Ethnomusicology•1989

Art (19 obras) · History (14 obras) · Musicology and Musical Analysis (11 obras) · Diverse Musicological Studies (10 obras) · Literature (10 obras) · Musical (7 obras) · Visual arts (6 obras) · Chinese history and philosophy (5 obras) · Philosophy (5 obras) · Archaeology (4 obras)

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