Frank D Gunderson
Datos Biográficos
| ID | 112841 |
|---|---|
| NOMBRE | Frank D Gunderson |
| NOMBRES | Frank D |
| APELLIDO | Gunderson |
| FIRMA | GUNDERSON F D |
| VERIFICADO | No |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 23 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1998 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2018 |
| ÍNDICE H | 2 |
The Oxford Handbook of Musical Repatriation
The Oxford Handbook of Musical Repatriation is an edited volume comprising thirty-eight chapters from contributors working in regions all over the world. This collection highlights studies exploring sonic repatriation in its broadest sense in the twentieth and twenty-first centuries. “Sonic” or “musical” repatriation refers primarily to the return of audiovisual archival materials to the communities from which they were initially recorded or coll…
Sukuma Labor Songs from Western Tanzania
This volume is an interpretive analysis of a collection of 335 song texts treated as primary historical sources. The collection highlights the cultural practices that link music with labor in Sukuma communities in northwestern Tanzania. These linkages are evident in the music of the elephant, snake, and porcupine hunting associations that flourished in the precolonial epoch, in the nineteenth-century regional and long-distance porter associations…
From "Dancing with Porcupines" to "Twirling a Hoe
In the Sukuma area of northwest Tanzania, farmer-musicians, or farmers who compose and perform music, introduce themselves in public interactions fi rst as farmers, with the phrase "I am a farmer, I hold a hoe," and second as performers, with the phrase "I am also a dancer, I twirl a hoe." Identifi cation with music operates on many psychological and cultural levels from childhood to old age, and is reinforced and expressed most cogently in their…
In the Time of Cannibals
The Oxford Handbook of Musical Repatriation
The Oxford Handbook of Musical Repatriation is an edited volume comprising thirty-eight chapters from contributors working in regions all over the world. This collection highlights studies exploring sonic repatriation in its broadest sense in the twentieth and twenty-first centuries. “Sonic” or “musical” repatriation refers primarily to the return of audiovisual archival materials to the communities from which they were initially recorded or coll…
Sukuma Labor Songs from Western Tanzania
This volume is an interpretive analysis of a collection of 335 song texts treated as primary historical sources. The collection highlights the cultural practices that link music with labor in Sukuma communities in northwestern Tanzania. These linkages are evident in the music of the elephant, snake, and porcupine hunting associations that flourished in the precolonial epoch, in the nineteenth-century regional and long-distance porter associations…
From "Dancing with Porcupines" to "Twirling a Hoe
In the Sukuma area of northwest Tanzania, farmer-musicians, or farmers who compose and perform music, introduce themselves in public interactions fi rst as farmers, with the phrase "I am a farmer, I hold a hoe," and second as performers, with the phrase "I am also a dancer, I twirl a hoe." Identifi cation with music operates on many psychological and cultural levels from childhood to old age, and is reinforced and expressed most cogently in their…
In the Time of Cannibals
From "Dancing with Porcupines" to "Twirling a Hoe
In the Sukuma area of northwest Tanzania, farmer-musicians, or farmers who compose and perform music, introduce themselves in public interactions fi rst as farmers, with the phrase "I am a farmer, I hold a hoe," and second as performers, with the phrase "I am also a dancer, I twirl a hoe." Identifi cation with music operates on many psychological and cultural levels from childhood to old age, and is reinforced and expressed most cogently in their…
Sukuma Labor Songs from Western Tanzania
This volume is an interpretive analysis of a collection of 335 song texts treated as primary historical sources. The collection highlights the cultural practices that link music with labor in Sukuma communities in northwestern Tanzania. These linkages are evident in the music of the elephant, snake, and porcupine hunting associations that flourished in the precolonial epoch, in the nineteenth-century regional and long-distance porter associations…
The Oxford Handbook of Musical Repatriation
The Oxford Handbook of Musical Repatriation is an edited volume comprising thirty-eight chapters from contributors working in regions all over the world. This collection highlights studies exploring sonic repatriation in its broadest sense in the twentieth and twenty-first centuries. “Sonic” or “musical” repatriation refers primarily to the return of audiovisual archival materials to the communities from which they were initially recorded or coll…
Music History and Culture (3 obras) · Anthropology (2 obras) · Art (2 obras) · Diverse Musicological Studies (2 obras) · History (2 obras) · Music (2 obras) · Musical (2 obras) · Political science (2 obras) · Sociology (2 obras) · Tanzania (2 obras)