Daniel Avorgbedor
Datos Biográficos
| ID | 115576 |
|---|---|
| NOMBRE | Daniel Avorgbedor |
| NOMBRES | Daniel |
| APELLIDO | Avorgbedor |
| FIRMA | AVORGBEDOR D |
| AFILIACIONES | The Ohio State University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 21 |
| TOTAL DE CITAS | 12 |
| TOTAL COMO AUTOR | 21 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1983 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2022 |
| ÍNDICE H | 2 |
Ruptures, Junctures, and Difference
Royal rituals and festivities are vibrant sites of cultural continuity among the Ewe of Ghana. The rituals exhibit elements of hyperreal, sonic, and sacred/secular sensibilities that frame performance and embodied affectivity. The royal event complex engages the multisensory, the carnivalesque and interstices of the sacred/secular in Ewe spirituality and religious outlook
Pathways in Christian Music Communication
Public Enemy, Or, Sensing Censorship
Public Enemy, Or, Sensing Censorship:Musical Performance and Semiotic Disobedience—Popular Music Censorship in African Music (2006) in Perspective Daniel Avorgbedor Popular Music Censorship in Africa. Ed. Michael Drewett and Martin Cloonan. Aldershot, Hampshire, England; Burlington, VT: Ashgate, 2006. 219 pp. Index, bibliog. Hardcover. Prelude to Play There is a growing sociocultural and sometimes psychological space in contemporary African socie…
In and Out of Song
In and Out of Song Daniel Avorgbedor Book Discussed Female Song Tradition and the Akan of Ghana: The Creative Process in Nnwonkoro By Kwasi Ampene. Aldershot, Hampshire, England; Burlington, VT, USA: Ashgate, 2005. ISBN 0-7546-3147-8. xxiv + 203. Append., bibliog., index, glossary. 1 compact disc. Disciplinary bifurcations and limited comprehension of the very ontological status—and hence partial definitions—of music in its sociocultural matrices…
Kuti [Ransome-Kuti; Anikulapo-Kuti], Fela
Euba, Akin
It's a Great Song!? Hal Performance as Literary Production
to the same goal. The definitions invariably retain and stress the essential qualities of halo: the spectacular, the unusual, the precarious, havoc, dan? ger, and challenge. These features and the rules or prescriptions governing the performance are shared and applied in a spontaneous fashion when factions engage in the war of insults and music. Halo can be summed up as a multimedia event, as well as a sociomusical drama that involves songs of in…
Competition and Conflict as a Framework for Understanding Performance Culture among the Urban Anlo-Ewe
L'A. tente d'identifier la competition et le conflit en tant que facteurs sociaux et interpersonnels signifiants structurant et qualifiant les performances musicales des groupes urbains anlo-ewe a Accra (Ghana). A partir de plusieurs etudes de cas, il montre comment la notion de competition et de conflit s'inscrit dans la dynamique des relations sociales et dans la qualite de ces relations. L'etendue des exemples decrits met en evidence la nature…
The Turner-Schechner Model of Performance as Social Drama
This essay isolates dramaturgic procedures in Anlo-Ewe haló performance and evaluates them along the hypothetical and theoretical ideas of Victor Turner and Richard Schechner. The procedures are situated in their significant social and aesthetic formulations and along the manner in which they enhance the communication of dramatic impulse. The influence of the social framework, the deliberate framing or staging (with set rules and procedures), and…
The Turner-Schechner Model of Performance as Social Drama
This essay isolates dramaturgic procedures in Anlo-Ewe haló performance and evaluates them along the hypothetical and theoretical ideas of Victor Turner and Richard Schechner. The procedures are situated in their significant social and aesthetic formulations and along the manner in which they enhance the communication of dramatic impulse. The influence of the social framework, the deliberate framing or staging (with set rules and procedures), and…
The Real Bahamas
Africa
Nightsong. Performance, Power, and Practice in South Africa
African Rhythm, a Northern Ewe Perspective
For Gerhard Kubik. Festschrift on the Occasion of His 60th Birthday
This volume in honour of Gerhard Kubik comprises a broad range of contributions from among his worldwide circle of friends and admirers. Its contents have been loosely assorted into four sections, reflecting different facets of Kubik's widely varied interests: African Music Studies, Extensions of African Cultures in the Americas, Towards Intercultural Understanding, and Miscellaneous. Gerhard Kubik, born in 1934 in Vienna, has done - and is still…
The impact of rural-urban migration on a village music culture
Rural-urban migration, which is becoming a unique phenomenon in developing countries, constitutes a special challenge in ethnomusicology. Consequently materials, methods, and theory building in ethnomusicology are now being forced to "face the music" in urban areas. It is therefore my purpose to provide a detailed aspect of how rural-urban migration affects musical practice in a particular village in Ghana; and, second, to address specific proble…
The construction and manipulation of temporal structures in Yeve cult music
The purpose of this paper is, therefore, to investigate in detail how musical time is arrived at, and how it interacts with and is influenced by social events and by the specific context under which the music is performed. The analysis will be based upon examples from Yeve cult music as practised among the Anlo-Ewe of Ghana. In addition, the paper will examine relationships that exist between the individual or composite (musical and extra-musical…
Cross Rhythms [2]
Malagasy Tale Index
Cross Rhythms
The place of the ‘folk’ in Ghanian popular music
(1983). The place of the ‘folk’ in Ghanian popular music. Popular Music and Society: Vol. 9, No. 2, pp. 35-44
The Turner-Schechner Model of Performance as Social Drama
This essay isolates dramaturgic procedures in Anlo-Ewe haló performance and evaluates them along the hypothetical and theoretical ideas of Victor Turner and Richard Schechner. The procedures are situated in their significant social and aesthetic formulations and along the manner in which they enhance the communication of dramatic impulse. The influence of the social framework, the deliberate framing or staging (with set rules and procedures), and…
African Rhythm, a Northern Ewe Perspective
It's a Great Song!? Hal Performance as Literary Production
to the same goal. The definitions invariably retain and stress the essential qualities of halo: the spectacular, the unusual, the precarious, havoc, dan? ger, and challenge. These features and the rules or prescriptions governing the performance are shared and applied in a spontaneous fashion when factions engage in the war of insults and music. Halo can be summed up as a multimedia event, as well as a sociomusical drama that involves songs of in…
Competition and Conflict as a Framework for Understanding Performance Culture among the Urban Anlo-Ewe
L'A. tente d'identifier la competition et le conflit en tant que facteurs sociaux et interpersonnels signifiants structurant et qualifiant les performances musicales des groupes urbains anlo-ewe a Accra (Ghana). A partir de plusieurs etudes de cas, il montre comment la notion de competition et de conflit s'inscrit dans la dynamique des relations sociales et dans la qualite de ces relations. L'etendue des exemples decrits met en evidence la nature…
The Turner-Schechner Model of Performance as Social Drama
This essay isolates dramaturgic procedures in Anlo-Ewe haló performance and evaluates them along the hypothetical and theoretical ideas of Victor Turner and Richard Schechner. The procedures are situated in their significant social and aesthetic formulations and along the manner in which they enhance the communication of dramatic impulse. The influence of the social framework, the deliberate framing or staging (with set rules and procedures), and…
Nightsong. Performance, Power, and Practice in South Africa
The impact of rural-urban migration on a village music culture
Rural-urban migration, which is becoming a unique phenomenon in developing countries, constitutes a special challenge in ethnomusicology. Consequently materials, methods, and theory building in ethnomusicology are now being forced to "face the music" in urban areas. It is therefore my purpose to provide a detailed aspect of how rural-urban migration affects musical practice in a particular village in Ghana; and, second, to address specific proble…
The place of the ‘folk’ in Ghanian popular music
(1983). The place of the ‘folk’ in Ghanian popular music. Popular Music and Society: Vol. 9, No. 2, pp. 35-44
Malagasy Tale Index
Cross Rhythms
Cross Rhythms [2]
The construction and manipulation of temporal structures in Yeve cult music
The purpose of this paper is, therefore, to investigate in detail how musical time is arrived at, and how it interacts with and is influenced by social events and by the specific context under which the music is performed. The analysis will be based upon examples from Yeve cult music as practised among the Anlo-Ewe of Ghana. In addition, the paper will examine relationships that exist between the individual or composite (musical and extra-musical…
The impact of rural-urban migration on a village music culture
Rural-urban migration, which is becoming a unique phenomenon in developing countries, constitutes a special challenge in ethnomusicology. Consequently materials, methods, and theory building in ethnomusicology are now being forced to "face the music" in urban areas. It is therefore my purpose to provide a detailed aspect of how rural-urban migration affects musical practice in a particular village in Ghana; and, second, to address specific proble…
African Rhythm, a Northern Ewe Perspective
For Gerhard Kubik. Festschrift on the Occasion of His 60th Birthday
This volume in honour of Gerhard Kubik comprises a broad range of contributions from among his worldwide circle of friends and admirers. Its contents have been loosely assorted into four sections, reflecting different facets of Kubik's widely varied interests: African Music Studies, Extensions of African Cultures in the Americas, Towards Intercultural Understanding, and Miscellaneous. Gerhard Kubik, born in 1934 in Vienna, has done - and is still…
Nightsong. Performance, Power, and Practice in South Africa
The Turner-Schechner Model of Performance as Social Drama
This essay isolates dramaturgic procedures in Anlo-Ewe haló performance and evaluates them along the hypothetical and theoretical ideas of Victor Turner and Richard Schechner. The procedures are situated in their significant social and aesthetic formulations and along the manner in which they enhance the communication of dramatic impulse. The influence of the social framework, the deliberate framing or staging (with set rules and procedures), and…
The Turner-Schechner Model of Performance as Social Drama
This essay isolates dramaturgic procedures in Anlo-Ewe haló performance and evaluates them along the hypothetical and theoretical ideas of Victor Turner and Richard Schechner. The procedures are situated in their significant social and aesthetic formulations and along the manner in which they enhance the communication of dramatic impulse. The influence of the social framework, the deliberate framing or staging (with set rules and procedures), and…
The Real Bahamas
Africa
Kuti [Ransome-Kuti; Anikulapo-Kuti], Fela
Euba, Akin
It's a Great Song!? Hal Performance as Literary Production
to the same goal. The definitions invariably retain and stress the essential qualities of halo: the spectacular, the unusual, the precarious, havoc, dan? ger, and challenge. These features and the rules or prescriptions governing the performance are shared and applied in a spontaneous fashion when factions engage in the war of insults and music. Halo can be summed up as a multimedia event, as well as a sociomusical drama that involves songs of in…
Competition and Conflict as a Framework for Understanding Performance Culture among the Urban Anlo-Ewe
L'A. tente d'identifier la competition et le conflit en tant que facteurs sociaux et interpersonnels signifiants structurant et qualifiant les performances musicales des groupes urbains anlo-ewe a Accra (Ghana). A partir de plusieurs etudes de cas, il montre comment la notion de competition et de conflit s'inscrit dans la dynamique des relations sociales et dans la qualite de ces relations. L'etendue des exemples decrits met en evidence la nature…
In and Out of Song
In and Out of Song Daniel Avorgbedor Book Discussed Female Song Tradition and the Akan of Ghana: The Creative Process in Nnwonkoro By Kwasi Ampene. Aldershot, Hampshire, England; Burlington, VT, USA: Ashgate, 2005. ISBN 0-7546-3147-8. xxiv + 203. Append., bibliog., index, glossary. 1 compact disc. Disciplinary bifurcations and limited comprehension of the very ontological status—and hence partial definitions—of music in its sociocultural matrices…
Public Enemy, Or, Sensing Censorship
Public Enemy, Or, Sensing Censorship:Musical Performance and Semiotic Disobedience—Popular Music Censorship in African Music (2006) in Perspective Daniel Avorgbedor Popular Music Censorship in Africa. Ed. Michael Drewett and Martin Cloonan. Aldershot, Hampshire, England; Burlington, VT: Ashgate, 2006. 219 pp. Index, bibliog. Hardcover. Prelude to Play There is a growing sociocultural and sometimes psychological space in contemporary African socie…
Pathways in Christian Music Communication
Ruptures, Junctures, and Difference
Royal rituals and festivities are vibrant sites of cultural continuity among the Ewe of Ghana. The rituals exhibit elements of hyperreal, sonic, and sacred/secular sensibilities that frame performance and embodied affectivity. The royal event complex engages the multisensory, the carnivalesque and interstices of the sacred/secular in Ewe spirituality and religious outlook
History (13 obras) · Art (12 obras) · Aesthetics (9 obras) · Music History and Culture (7 obras) · Sociology (7 obras) · Geography (6 obras) · Visual arts (6 obras) · Computer Science (5 obras) · Diverse Musicological Studies (5 obras) · History (5 obras)