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William Fitzgerald

Datos Biográficos

ID119771
NOMBREWilliam Fitzgerald
NOMBRESWilliam
APELLIDOFitzgerald
FIRMAFITZGERALD W
AFILIACIONESRutgers Sexual and Reproductive Health and Rights
ORCID0000-0003-2828-8432
VERIFICADOSí
TOTAL DE OBRAS41
TOTAL DE CITAS234
TOTAL COMO AUTOR40
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1950
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H7
  • The Muse of History

    William Fitzgerald•ARTICLE•Common Knowledge•2026

    Is all history history of the present, or is the past “another country,” to be valued for its otherness? If “presentism” runs the risk of navel-gazing, does the cultivation of a past that is alien to us make history irrelevant? Murray's magisterial history of (mainly ancient) historiography, from the Enlightenment to now, asks the big questions without skimping on the characters, institutions, and friendships that lie behind them.Particularly ale…

  • Metanoia

    Cory Geraths, William Fitzgerald•ARTICLE•Journal for the History of Rhetoric•2024

    Adam Ellwanger’s provocative and timely book opens with a simple, but compelling, assertion: “Changing minds is the central aim of rhetoric” (1). With Metanoia, Ellwanger shines a light on the history and utility of what he characterizes as “the rhetorical figure of rhetoric par excellence” (3)—metanoia (indicating a “change of mind”), which has been surprisingly neglected by rhetoric scholars in the modern era. His account is, consequently, a we…

  • Catullan Provocations

    Open Access•William Fitzgerald•BOOK•Catullan Provocations•2023•Citada por: 72

  • The Living Death of Antiquity

    William Fitzgerald•BOOK•Living Death of Antiquity•2022

    This book is about the idealization of an antiquity that exhibits, in the words of Johann Joachim Winckelmann, ‘a noble simplicity and quiet grandeur’. It discusses the aesthetics of this strain of neoclassicism as manifested in a range of work in different media and periods but focusing on the late eighteenth and early nineteenth centuries. John Flaxman’s engravings on the Iliad and the sculpture of Antonio Canova and Bertel Thorvaldsen are anal…

  • Voicing Antiquity

    William Fitzgerald•CHAPTER•Living Death of Antiquity•2022

    In this chapter, the ancient collection of anonymous poems known as the Anacreontea and the Horatian pastiches of the French Parnassian poet Charles Leconte de Lisle ( Études latines , 1852) are examined as ‘neoclassical’ versions of the ancient sympotic themes of drinking and loving. Here classicism meets cliché. Each of these collections is a stripped-down version of an earlier poet (the archaic Greek poet Anacreon and the Roman poet Horace) th…

  • Sculpture between the Graceful and the Heroic

    William Fitzgerald•CHAPTER•Living Death of Antiquity•2022

    This chapter discusses the focus of neoclassical idealization of antiquity on sculpture, comparing the work of Antonio Canova to that of Bertel Thorvaldsen. Antonio Canova’s Theseus and the Minotaur has been described as the first neoclassical sculpture. This chapter begins with a discussion of the fluctuating reputation of Canova as a diagnosis of the mixed feelings aroused by neoclassicism. It contains close reading of Canova’s Theseus as a neo…

  • Living Death of Antiquity

    William Fitzgerald•BOOK•Living Death of Antiquity•2021

  • Ennius Perennis

    William Fitzgerald, Emily Gowers•BOOK•Ennius Perennis•2020

  • Eloquence Divine

    William Fitzgerald, William T FitzGerald•ARTICLE•Rhetoric and Public Affairs•2020

  • Slaves and Roman Comedy

    Open Access•William Fitzgerald•CHAPTER•Cambridge Companion to Roman Comedy•2019

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Claiming Inferiority

    William Fitzgerald•CHAPTER•Complex Inferiorities•2018

    This chapter pinpoints engagements with alleged weakness as a central pre-occupation of Latin studies over the last thirty years and ponders the limitations of its conventional treatment and understanding by discussing a series of examples from Latin literature against the wider context of modern thought. Addressing central dimensions of the poetics of the weaker voice studied in detail in subsequent chapters—notably: authorial self-fashioning, h…

  • Pliny and Martial

    William Fitzgerald•CHAPTER•Roman Literature under Nerva,…•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • The Space of the Poem

    William Fitzgerald•BOOK•Production of Space in Latin…•2018

    Horace’s odes often make connections between different kinds of space, intimate and imperial, for instance, and it is noticeable that Horace tends to spatialize the poems themselves by putting geographical references at the beginning or end of the poem, and even by locating the lyric here and now in the middle. Ellen Oliensis has spoken of the relation between Horace’s lyric fines and ‘the larger cultural preoccupation with the masterful articula…

  • The Production of Space in Latin Literature

    William Fitzgerald, Efrossini Spentzou•BOOK•Production of Space in Latin…•2018•Citada por: 23

    This volume addresses, through a range of different authors and genres, Latin literature’s psychogeographical engagement with space. The volume’s title alludes to Henri Lefebvre’s La Production de l’espace of 1974, a seminal work in what is now called ‘the spatial turn’ in the humanities. Lefebvre stresses that space is to be included among the sites of hegemonic power and ideological contestation in a society and should not simply be thought of …

  • Augustan Gothic

    William Fitzgerald•CHAPTER•Augustan Poetry and the Irrational•2016

    This chapter considers Alexander Pope’s verse letter ‘Eloisa to Abelard’ in relation to Ovid’s Heroides and Horace’s Epistles. Eloisa’s allusion to a line from Horace’ Epistles 1.11 (oblitusque meorum, obliuiscendus et illis, 9) gives a very different tinge to Horace’s rejection of the lyric impulse. Similarly, her proud claim that she has not yet forgot herself to stone revises the statement of Ariadne in the Heroides (10.49–50) that she is more…

  • Spiritual Modalities

    William Fitzgerald•BOOK•Spiritual Modalities•2016

    A bold recasting of prayer as a rhetorical art, Spiritual Modalities investigates situations, strategies, and performative modes of discourse directed to divine audiences. Examining how prayer "works," Spiritual Modalities reads prayer's situations and strategies, its characteristic acts and attitudes, to advance an understanding of prayer as a basic expression of our rhetorical capacities for communication and communion. This groundbreaking anal…

  • Love, and a Genre

    William Fitzgerald•CHAPTER•How to Read a Latin Poem if You…•2013

    This chapter first analyzes a very unusual poem—unusual because the speaker is a woman, Sulpicia, though the poem belongs to a genre that is very emphatically male. Next, it explores the poetry of Ovid, arguing that his winking insincerity, his copious variety, and his sheer facility are at the opposite extreme to Sulpicia's laconic, sometimes awkward, intensity. Between them, Sulpicia and Ovid exemplify two expressive poles of Latin poetry. At o…

  • Epilogue

    William Fitzgerald•CHAPTER•How to Read a Latin Poem if You…•2013

    This chapter focuses on a little poem reputed to have been written by the emperor Hadrian (ad 117–38) on his deathbed. It shows that Hadrian's little poem has a very particular tone of voice, and its quiet intimacy in the face of death's separation is an appropriate place to bring the book's exploration of the Latin poets to an end.

  • How to Read a Latin Poem

    William Fitzgerald•BOOK•How to Read a Latin Poem if You…•2013

    Latin is very much alive in the poetry written by the great Latin poets, and this book is about their poetry, their language, and their culture. This book shows the reader with little or no knowledge of the Latin language how it works as a unique vehicle for poetic expression and thought. Moving between close analysis of particular Latin poems and more general discussions of Latin poets, literature, and society, the book gives the un-Latined read…

  • Spiritual Modalities

    William Fitzgerald•BOOK•Spiritual Modalities•2012

    "Explores prayer as a rhetorical art, examining situations, strategies, and performative modes of discourse directed to the divine"--Provided by publisher.

  • Vergil in Music

    Open Access•William Fitzgerald•OTHER•A Companion to Vergil's Aeneid…•2010

    This chapter contains sections titled: Further Reading

  • Listening, Ancient and Modern

    Open Access•William Fitzgerald•ARTICLE•Journal of the Royal Musical…•2010

    The purpose of this paper is to describe some aspects of the agenda of listening in the Western tradition. Ancient and modern versions of some of the myths of listening (Orpheus, the Sirens) are compared to illustrate what might be at stake in the activity of listening. A basic contrast is drawn between ancient rhetorical ideas of the power of music to affect the listener and the demand of instrumental music, from the late eighteenth century on, …

  • The Craft of Research, Third Edition

    Wayne C Booth, Gregory G Colomb et al.•BOOK•Craft of Research•2008

  • The Letter's the Thing (in Pliny, Book 7)

    William Fitzgerald•CHAPTER•Ancient letters•2007

    This chapter examines Pliny's Letter found in Book 7, with particular reference to its status and some of the ways in which the letter was seen as the thing itself, as well as a symbol for the relation between the first and last letters of the book. The question of the status of Pliny's Letters in his project of self-immortalization is not unrelated to the status of the Letter itself, which always raises, in some form or other, the question of wh…

  • A Synthesis of Progress and Uncertainties in Attributing the Sources of Mercury in Deposition

    S E Lindberg, Steve Lindberg et al.•ARTICLE•AMBIO•2007•Citada por: 12•Referencias: 105

    A panel of international experts was convened in Madison, Wisconsin, in 2005, as part of the 8th International Conference on Mercury as a Global Pollutant. Our charge was to address the state of science pertinent to source attribution, specifically our key question was: "For a given location, can we ascertain with confidence the relative contributions of local, regional, and global sources, and of natural versus anthropogenic emissions to mercury…

Siguiente
  • Catullan Provocations

    Open Access•William Fitzgerald•BOOK•Catullan Provocations•2023•Citada por: 72

  • Age differences in stable carbon and nitrogen isotope ratios in a population of prehistoric maize horticulturists

    Open Access•M Anne Katzenberg, Shelley R Saunders et al.•ARTICLE•American Journal of Physical…•1993•Citada por: 57•Referencias: 34

    Stable carbon isotope ratios in prehistoric human bone collagen have been used extensively to document the introduction and intensification of maize horticulture in northeastern North America. Most previous studies are based on small samples of adults who are assumed to characterize the diet of the population. In this study, all 29 individuals buried within an Ontario Iroquoian village site dated A.D. 1530–1580 were analysed for stable isotopes o…

  • Power and Impotence in Horace's Epodes

    Open Access•William Fitzgerald•ARTICLE•Ramus•1988•Citada por: 37

    Horace's Epodes are seldom considered as a whole. On the face of it, there would seem to be good reason for this fact. It is generally agreed that the poems were written over a period of ten years (from after Philippi to after Actium), during which time there was a great deal of change in the Roman world and in Horace's circumstances. Furthermore, the collection contains a considerable diversity of themes, genres and what, for lack of a better ex…

  • The Production of Space in Latin Literature

    William Fitzgerald, Efrossini Spentzou•BOOK•Production of Space in Latin…•2018•Citada por: 23

    This volume addresses, through a range of different authors and genres, Latin literature’s psychogeographical engagement with space. The volume’s title alludes to Henri Lefebvre’s La Production de l’espace of 1974, a seminal work in what is now called ‘the spatial turn’ in the humanities. Lefebvre stresses that space is to be included among the sites of hegemonic power and ideological contestation in a society and should not simply be thought of …

  • Late sixteenth-century basque banded copper kettles

    William Fitzgerald, William R Fitzgerald et al.•ARTICLE•Historical Archaeology•1993•Citada por: 17•Referencias: 8

  • A Synthesis of Progress and Uncertainties in Attributing the Sources of Mercury in Deposition

    S E Lindberg, Steve Lindberg et al.•ARTICLE•AMBIO•2007•Citada por: 12•Referencias: 105

    A panel of international experts was convened in Madison, Wisconsin, in 2005, as part of the 8th International Conference on Mercury as a Global Pollutant. Our charge was to address the state of science pertinent to source attribution, specifically our key question was: "For a given location, can we ascertain with confidence the relative contributions of local, regional, and global sources, and of natural versus anthropogenic emissions to mercury…

  • Psychological Adjustment and Coping Styles of Urban African American High School Students

    Open Access•Robbie J Steward, Han Ik Jo et al.•ARTICLE•Journal of Multicultural…•1998•Citada por: 9•Referencias: 12

    In a study of African American (n = 208) urban high school students, grade point average (GPA) and specific strategies for coping with day-to-day stressors were found to be significantly related to psychological adjustment. Students who had higher GPAs tended to use family members as a means of solving problems, minimized problems by the use of humor, and used relaxation activities less often were found to have the most positive psychological adj…

  • Labor and Laborer in Latin Poetry

    William Fitzgerald•ARTICLE•Arethusa•1996•Citada por: 4•Referencias: 8

    For most sections of the Roman population we possess no written account of their lives and experience as they themselves saw it: there are no slave narratives, no diaries, and no laborer poets from ancient Rome. 1 At the most we have inscriptions left by those commemorating the dead which tell us something about how the laboring poor, slave, freed or free, chose to identify themselves. 2 But these are extremely brief and formulaic and represent a…

  • The Questionability of Music

    William Fitzgerald•ARTICLE•Representations•1994•Citada por: 2•Referencias: 3

    Research Article| April 01 1994 The Questionability of Music William Fitzgerald William Fitzgerald Search for other works by this author on: This Site PubMed Google Scholar Representations (1994) 46: 121–147. https://doi.org/10.2307/2928781 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation William Fitz…

  • More (Or Less) on Iroquoian Stemware

    Open Access•Peter G Ramsden, William Fitzgerald et al.•ARTICLE•American Antiquity•1990•Citada por: 1•Referencias: 2

    This comment argues that Latta's (1987) recent interpretation of certain ceramic items on sixteenth- and seventeenth-century Ontario Iroquoian sites as imitations of Catholic chalices is contrary to the chronological distribution of the artifacts, is inconsistent with the nature of contemporaneous chalices, and ignores more-plausible alternative interpretations

  • The Holy Places of Palestine in History and in Politics

    William Fitzgerald•ARTICLE•International Affairs•1950

    ETWEEN the Mediterranean and the Mountains of Moab, hemmed in on the north by mighty Hermon and on the south by the desert and Sinai, lies that land dedicated to God, foiled by the folly of man, but still sacrosanct in the hearts of millions of bewildered human beings-the Holy Land, holy because of a people, holy because of a Book, and holy because of a Man. The word 'holy' in some ways is inadequate to express the emotions aroused by a contempla…

  • Radclyffe hall's the well of loneliness

    William Fitzgerald•ARTICLE•The Journal of Sex Research•1978

    Ever since the publication of Radclyffe Hall's The Well of Loneliness in 1928, social scientists have speculated on its autobiographical aspects. The thesis of this article is that Hall adapted her characterizations and storyline from the work of Richard Von Krafft‐Ebing. The uncanny similarity between Stephen Gordon and Count Sandor in terms of their physical attributes, their personal histories, and the sequence of events could hardly be coinci…

  • Lest the Beaver Run Loose

    William Fitzgerald•BOOK•Lest the Beaver Run Loose•1982

  • "Lucretius' Cure for Love in the "De Rerum Natura

    William Fitzgerald•ARTICLE•The Classical World•1984

  • Articulating the Unarticulated

    William Fitzgerald•ARTICLE•Modern Language Notes•1985

    Keats's To Autumn and Rilke's Sonnets to Orpheus share a concern with mortality as also with world of nature and things. This conjunction is not fortuitous for, as Blanchot has observed, the effort to elevate death to itself . .. implies an immense responsibility with regard to things.' The two poems that I will be considering show that Blanchot's statement is reversible and that effort to allow things to speak for themselves implies a recognitio…

  • Power and Impotence in Horace's Epodes

    Open Access•William Fitzgerald•ARTICLE•Ramus•1988•Citada por: 37

    Horace's Epodes are seldom considered as a whole. On the face of it, there would seem to be good reason for this fact. It is generally agreed that the poems were written over a period of ten years (from after Philippi to after Actium), during which time there was a great deal of change in the Roman world and in Horace's circumstances. Furthermore, the collection contains a considerable diversity of themes, genres and what, for lack of a better ex…

  • More (Or Less) on Iroquoian Stemware

    Open Access•Peter G Ramsden, William Fitzgerald et al.•ARTICLE•American Antiquity•1990•Citada por: 1•Referencias: 2

    This comment argues that Latta's (1987) recent interpretation of certain ceramic items on sixteenth- and seventeenth-century Ontario Iroquoian sites as imitations of Catholic chalices is contrary to the chronological distribution of the artifacts, is inconsistent with the nature of contemporaneous chalices, and ignores more-plausible alternative interpretations

  • Music Is Feeling, Then, Not Sound

    William Fitzgerald•ARTICLE•SubStance•1992

    fact that our listening goes beyond the sounds, to catch the quality of the performer's sensibility, an authenticity that transcends the mechanical demands of the instrument, so that the expression often occurs the form ...but he/she plays with feeling. Let us, however, allow ourselves to mishear the phrase and take and feeling their less respectable senses, turning our admirable performer into an irresponsible and self-indulgent connoisseur of t…

  • Late sixteenth-century basque banded copper kettles

    William Fitzgerald, William R Fitzgerald et al.•ARTICLE•Historical Archaeology•1993•Citada por: 17•Referencias: 8

  • Age differences in stable carbon and nitrogen isotope ratios in a population of prehistoric maize horticulturists

    Open Access•M Anne Katzenberg, Shelley R Saunders et al.•ARTICLE•American Journal of Physical…•1993•Citada por: 57•Referencias: 34

    Stable carbon isotope ratios in prehistoric human bone collagen have been used extensively to document the introduction and intensification of maize horticulture in northeastern North America. Most previous studies are based on small samples of adults who are assumed to characterize the diet of the population. In this study, all 29 individuals buried within an Ontario Iroquoian village site dated A.D. 1530–1580 were analysed for stable isotopes o…

  • The Questionability of Music

    William Fitzgerald•ARTICLE•Representations•1994•Citada por: 2•Referencias: 3

    Research Article| April 01 1994 The Questionability of Music William Fitzgerald William Fitzgerald Search for other works by this author on: This Site PubMed Google Scholar Representations (1994) 46: 121–147. https://doi.org/10.2307/2928781 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation William Fitz…

  • Corporate control and enterprise structure in the Canadian economy

    Open Access•S D Berkowitz, William Fitzgerald et al.•ARTICLE•Social Networks•1995

  • Labor and Laborer in Latin Poetry

    William Fitzgerald•ARTICLE•Arethusa•1996•Citada por: 4•Referencias: 8

    For most sections of the Roman population we possess no written account of their lives and experience as they themselves saw it: there are no slave narratives, no diaries, and no laborer poets from ancient Rome. 1 At the most we have inscriptions left by those commemorating the dead which tell us something about how the laboring poor, slave, freed or free, chose to identify themselves. 2 But these are extremely brief and formulaic and represent a…

  • Psychological Adjustment and Coping Styles of Urban African American High School Students

    Open Access•Robbie J Steward, Han Ik Jo et al.•ARTICLE•Journal of Multicultural…•1998•Citada por: 9•Referencias: 12

    In a study of African American (n = 208) urban high school students, grade point average (GPA) and specific strategies for coping with day-to-day stressors were found to be significantly related to psychological adjustment. Students who had higher GPAs tended to use family members as a means of solving problems, minimized problems by the use of humor, and used relaxation activities less often were found to have the most positive psychological adj…

  • Slavery and the Roman Literary Imagination

    Open Access•William Fitzgerald•BOOK•Slavery and the Roman Literary…•2000

    This book explores the presence of slaves and slavery in Roman literature and asks particularly what the free imagination made of the experience of living with slaves, beings who both were and were not fellow humans. As a shadow humanity, slaves furnished the free with other selves and imaginative alibis as well as mediators between and substitutes for their peers. As presences that witnessed their owners' most unguarded moments they possessed a …

  • Slavery and the Roman Literary Imagination

    Brent D Shaw, William Fitzgerald•ARTICLE•Phoenix•2001

  • The Letter's the Thing (in Pliny, Book 7)

    William Fitzgerald•CHAPTER•Ancient letters•2007

    This chapter examines Pliny's Letter found in Book 7, with particular reference to its status and some of the ways in which the letter was seen as the thing itself, as well as a symbol for the relation between the first and last letters of the book. The question of the status of Pliny's Letters in his project of self-immortalization is not unrelated to the status of the Letter itself, which always raises, in some form or other, the question of wh…

  • A Synthesis of Progress and Uncertainties in Attributing the Sources of Mercury in Deposition

    S E Lindberg, Steve Lindberg et al.•ARTICLE•AMBIO•2007•Citada por: 12•Referencias: 105

    A panel of international experts was convened in Madison, Wisconsin, in 2005, as part of the 8th International Conference on Mercury as a Global Pollutant. Our charge was to address the state of science pertinent to source attribution, specifically our key question was: "For a given location, can we ascertain with confidence the relative contributions of local, regional, and global sources, and of natural versus anthropogenic emissions to mercury…

  • The Craft of Research, Third Edition

    Wayne C Booth, Gregory G Colomb et al.•BOOK•Craft of Research•2008

  • Vergil in Music

    Open Access•William Fitzgerald•OTHER•A Companion to Vergil's Aeneid…•2010

    This chapter contains sections titled: Further Reading

  • Listening, Ancient and Modern

    Open Access•William Fitzgerald•ARTICLE•Journal of the Royal Musical…•2010

    The purpose of this paper is to describe some aspects of the agenda of listening in the Western tradition. Ancient and modern versions of some of the myths of listening (Orpheus, the Sirens) are compared to illustrate what might be at stake in the activity of listening. A basic contrast is drawn between ancient rhetorical ideas of the power of music to affect the listener and the demand of instrumental music, from the late eighteenth century on, …

  • Spiritual Modalities

    William Fitzgerald•BOOK•Spiritual Modalities•2012

    "Explores prayer as a rhetorical art, examining situations, strategies, and performative modes of discourse directed to the divine"--Provided by publisher.

  • Love, and a Genre

    William Fitzgerald•CHAPTER•How to Read a Latin Poem if You…•2013

    This chapter first analyzes a very unusual poem—unusual because the speaker is a woman, Sulpicia, though the poem belongs to a genre that is very emphatically male. Next, it explores the poetry of Ovid, arguing that his winking insincerity, his copious variety, and his sheer facility are at the opposite extreme to Sulpicia's laconic, sometimes awkward, intensity. Between them, Sulpicia and Ovid exemplify two expressive poles of Latin poetry. At o…

  • Epilogue

    William Fitzgerald•CHAPTER•How to Read a Latin Poem if You…•2013

    This chapter focuses on a little poem reputed to have been written by the emperor Hadrian (ad 117–38) on his deathbed. It shows that Hadrian's little poem has a very particular tone of voice, and its quiet intimacy in the face of death's separation is an appropriate place to bring the book's exploration of the Latin poets to an end.

  • How to Read a Latin Poem

    William Fitzgerald•BOOK•How to Read a Latin Poem if You…•2013

    Latin is very much alive in the poetry written by the great Latin poets, and this book is about their poetry, their language, and their culture. This book shows the reader with little or no knowledge of the Latin language how it works as a unique vehicle for poetic expression and thought. Moving between close analysis of particular Latin poems and more general discussions of Latin poets, literature, and society, the book gives the un-Latined read…

Art (26 obras) · Philosophy (21 obras) · Literature (19 obras) · History (18 obras) · Classical Antiquity Studies (17 obras) · Aesthetics (11 obras) · Computer Science (11 obras) · Linguistics (11 obras) · Poetry (10 obras) · Psychology (8 obras)

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