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Charles O Hartman

Datos Biográficos

ID1242223
NOMBRECharles O Hartman
NOMBRESCharles
APELLIDOO Hartman
FIRMAHARTMAN C O
VERIFICADONo
TOTAL DE OBRAS6
TOTAL DE CITAS1
TOTAL COMO AUTOR6
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1981
AÑO MÁS RECIENTE DE PUBLICACIÓN2015
ÍNDICE H1
  • Dylan's Bridges

    Charles O Hartman, Charles Hartman•ARTICLE•New Literary History•2015

    For more than half a century, Bob Dylan has explored the song forms offered by every branch of American popular music, elaborating them and investigating their expressive possibilities. He began with stanzaic "folk" and blues structures, refined and expanded the uses of refrains, and, after a certain point during his brief but preeminent "folk rock" period, added Tin Pan Alley devices such as the bridge. Ultimately concentrating on Blonde on Blon…

  • Free Verse

    Charles O Hartman, Charles Hartman•BOOK•Free Verse•2014

  • Jazz Text

    Priscilla Perkins, Priscilla A Perkins et al.•ARTICLE•American Literature•1993

    American arts since World War II have drawn power and mystery from the ideas of and of improvisation. These unite in modern jazz, which is America's special contribution to world culture. But American poetry, too, has been vitally motivated by the example of jazz musicians and their ideas of personal sound and spontaneous composition. Working from this crucial connection between arts, Charles Hartman shows how music like that of Lee Konitz and Or…

  • "JazzPoetry/Jazz-Poetry/"JazzPoetry

    Barry Wallenstein, Sascha Feinstein et al.•ARTICLE•African American Review•1993

  • Cognitive Metaphor

    Charles O Hartman, Charles Hartman•ARTICLE•New Literary History•1982•Citada por: 1

  • Free Verse

    J M Morrison, Charles O Hartman et al.•ARTICLE•World Literature Today•1981

  • Cognitive Metaphor

    Charles O Hartman, Charles Hartman•ARTICLE•New Literary History•1982•Citada por: 1

  • Free Verse

    J M Morrison, Charles O Hartman et al.•ARTICLE•World Literature Today•1981

  • Cognitive Metaphor

    Charles O Hartman, Charles Hartman•ARTICLE•New Literary History•1982•Citada por: 1

  • Jazz Text

    Priscilla Perkins, Priscilla A Perkins et al.•ARTICLE•American Literature•1993

    American arts since World War II have drawn power and mystery from the ideas of and of improvisation. These unite in modern jazz, which is America's special contribution to world culture. But American poetry, too, has been vitally motivated by the example of jazz musicians and their ideas of personal sound and spontaneous composition. Working from this crucial connection between arts, Charles Hartman shows how music like that of Lee Konitz and Or…

  • "JazzPoetry/Jazz-Poetry/"JazzPoetry

    Barry Wallenstein, Sascha Feinstein et al.•ARTICLE•African American Review•1993

  • Free Verse

    Charles O Hartman, Charles Hartman•BOOK•Free Verse•2014

  • Dylan's Bridges

    Charles O Hartman, Charles Hartman•ARTICLE•New Literary History•2015

    For more than half a century, Bob Dylan has explored the song forms offered by every branch of American popular music, elaborating them and investigating their expressive possibilities. He began with stanzaic "folk" and blues structures, refined and expanded the uses of refrains, and, after a certain point during his brief but preeminent "folk rock" period, added Tin Pan Alley devices such as the bridge. Ultimately concentrating on Blonde on Blon…

Art (5 obras) · Literature (4 obras) · Art history (3 obras) · Linguistics (3 obras) · Philosophy (3 obras) · Aesthetics (2 obras) · History (2 obras) · Jazz (2 obras) · Musicology and Musical Analysis (2 obras) · Poetry (2 obras)

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