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Michael W Thomas

Datos Biográficos

ID124723
NOMBREMichael W Thomas
NOMBRESMichael W
APELLIDOThomas
FIRMATHOMAS M W
AFILIACIONESUniversity of London
ORCID0000-0001-7955-3641
VERIFICADOSí
TOTAL DE OBRAS9
TOTAL DE CITAS9
TOTAL COMO AUTOR8
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1996
AÑO MÁS RECIENTE DE PUBLICACIÓN2021
ÍNDICE H2
  • Poetry

    Michael W Thomas•ARTICLE•Critical Survey•2021

    Even the hem of midsummer, by Michael W. Thomas

  • The New Americans? The Sino-African Relationship on Chinese and Ethiopian Screens

    Open Access•Michael W Thomas, C Berry•ARTICLE•Open Screens•2021•Referencias: 2

    China has forged substantial political and economic relations across Africa since the turn of the new millennium. This essay scrutinises the cultural representations of these relations from the perspectives of popular, locally produced cinemas in both the Chinese and Ethiopian contexts. We argue that cultural readings of the power relations between China and Africa help to nuance the often-over-simplified narratives that posit China as the new Am…

  • Cine-Ethiopia

    Michael W Thomas, A Jedlowski et al.•BOOK•Cine-Ethiopia•2018

  • Representing 'otherness' in African popular media

    A Jedlowski, Michael W Thomas•ARTICLE•Journal of African Cultural Studies•2017•Citada por: 6•Referencias: 29

  • Hermon Hailay, director. Price of Love. (YäFïqïr Wagaw). 2015. 99 minutes. Amharic. Ethiopia. International distribution limited to film festivals

    Open Access•Michael W Thomas•ARTICLE•African Studies Review•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Local Film Sensation in Ethiopia

    Michael W Thomas•ARTICLE•Black Camera•2015•Citada por: 3•Referencias: 3

    This article explores ways to bridge the critical divide between African cinema and the commercial, digital video films being produced on the continent, focusing specifically on the Amharic-language films of the Ethiopian film industry. Cinema in Ethiopia is distinct from other experiences of cinema in Africa and yet largely unstudied because of the inaccessibility of Amharic to many Western-based scholars. This article will present original rese…

  • The Athlete

    Michael W Thomas•ARTICLE•Journal of African Cultural Studies•2013

  • William Trevor's other Ireland

    Michael W Thomas•ARTICLE•Irish Studies Review•1998•Referencias: 2

  • Deep distances’

    Michael W Thomas•ARTICLE•Irish Studies Review•1996

  • Representing 'otherness' in African popular media

    A Jedlowski, Michael W Thomas•ARTICLE•Journal of African Cultural Studies•2017•Citada por: 6•Referencias: 29

  • The Local Film Sensation in Ethiopia

    Michael W Thomas•ARTICLE•Black Camera•2015•Citada por: 3•Referencias: 3

    This article explores ways to bridge the critical divide between African cinema and the commercial, digital video films being produced on the continent, focusing specifically on the Amharic-language films of the Ethiopian film industry. Cinema in Ethiopia is distinct from other experiences of cinema in Africa and yet largely unstudied because of the inaccessibility of Amharic to many Western-based scholars. This article will present original rese…

  • Deep distances’

    Michael W Thomas•ARTICLE•Irish Studies Review•1996

  • William Trevor's other Ireland

    Michael W Thomas•ARTICLE•Irish Studies Review•1998•Referencias: 2

  • The Athlete

    Michael W Thomas•ARTICLE•Journal of African Cultural Studies•2013

  • The Local Film Sensation in Ethiopia

    Michael W Thomas•ARTICLE•Black Camera•2015•Citada por: 3•Referencias: 3

    This article explores ways to bridge the critical divide between African cinema and the commercial, digital video films being produced on the continent, focusing specifically on the Amharic-language films of the Ethiopian film industry. Cinema in Ethiopia is distinct from other experiences of cinema in Africa and yet largely unstudied because of the inaccessibility of Amharic to many Western-based scholars. This article will present original rese…

  • Hermon Hailay, director. Price of Love. (YäFïqïr Wagaw). 2015. 99 minutes. Amharic. Ethiopia. International distribution limited to film festivals

    Open Access•Michael W Thomas•ARTICLE•African Studies Review•2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Representing 'otherness' in African popular media

    A Jedlowski, Michael W Thomas•ARTICLE•Journal of African Cultural Studies•2017•Citada por: 6•Referencias: 29

  • Cine-Ethiopia

    Michael W Thomas, A Jedlowski et al.•BOOK•Cine-Ethiopia•2018

  • Poetry

    Michael W Thomas•ARTICLE•Critical Survey•2021

    Even the hem of midsummer, by Michael W. Thomas

  • The New Americans? The Sino-African Relationship on Chinese and Ethiopian Screens

    Open Access•Michael W Thomas, C Berry•ARTICLE•Open Screens•2021•Referencias: 2

    China has forged substantial political and economic relations across Africa since the turn of the new millennium. This essay scrutinises the cultural representations of these relations from the perspectives of popular, locally produced cinemas in both the Chinese and Ethiopian contexts. We argue that cultural readings of the power relations between China and Africa help to nuance the often-over-simplified narratives that posit China as the new Am…

Art (7 obras) · African history and culture analysis (5 obras) · African history and culture studies (5 obras) · History (5 obras) · Political science (5 obras) · History (4 obras) · Law (4 obras) · Literature (4 obras) · Media studies (4 obras) · Sociology (4 obras)

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