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Akin Euba

Datos Biográficos

ID127065
NOMBREAkin Euba
NOMBRESAkin
APELLIDOEuba
FIRMAEUBA A
VERIFICADONo
TOTAL DE OBRAS11
TOTAL DE CITAS4
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1970
AÑO MÁS RECIENTE DE PUBLICACIÓN2011
ÍNDICE H2
  • Ancient Text Messages of the Yorùbá Bàtá Drum

    Akin Euba•ARTICLE•Ethnomusicology•2011

    Book Review| September 01 2011 Ancient Text Messages of the Yorùbá Bàtá Drum: Cracking the Code Ancient Text Messages of the Yorùbá Bàtá Drum: Cracking the Code. Amanda Villepastour. 2010. Farnham, Surrey, England: Ashgate Publishers, SOAS Musicology Series. xvii, 173 pp. illustrations, tables, music examples, appendices, bibliography, index, accompanying CD. Cloth, £27.50. Akin Euba Akin Euba Search for other works by this author on: This Site G…

  • Yoruba music

    Akin Euba•CHAPTER•The new Grove dictionary of music…•2001

  • Text Setting in African Composition

    Akin Euba•ARTICLE•Research in African Literatures•2001•Citada por: 2•Referencias: 3

    The strength of German Lieder (art songs) in the nineteenth century rested partly on the gifts of the poets who provided composers with the texts that they set to music. It occurred to me early in my composition career (in the mid 1960s) that African composers might equally look to African poets for the texts of their songs (see, e.g., Uzoigwe 25). This statement may seem to be self-evident, but the reader should consider the dilemma that I encou…

  • Nigerian Music Review

    Eileen Southern, Akin Euba et al.•ARTICLE•The Black Perspective in Music•1978

  • Nigerian Music Review

    Robert Kauffman, Akin Euba•ARTICLE•African Arts•1978

  • Obaluaye

    Tunji Vidal, Wale Ogunyemi et al.•ARTICLE•Ethnomusicology•1977

  • Six Yoruba Folk Songs

    Dominique-Rene De Lerma, Akin Euba et al.•ARTICLE•The Black Perspective in Music•1976

  • Music of Dawn and Day; Music and Dance Associations of the Igede of Nigeria

    Akin Euba, Björn Ranung•ARTICLE•Ethnomusicology•1976

  • Criteria for the Evaluation of New African Art Music

    Akin Euba•ARTICLE•Transition•1975•Citada por: 2

    The relationship of poetry and music is so close that few performances of music take place without the use of poetry in one form or another. It is doubtful that in the total repertoire of African traditional music, purely instrumental pieces outS number accompanied and unaccompanied vocal pieces. Moreover, even when voices are absent, musical instruments on their own are very often used to imitate speech, particularly in the music of African peop…

  • Music from the Villages of Northeastern Nigeria

    Akin Euba, Paul Newman et al.•ARTICLE•Ethnomusicology•1973

  • New Idioms of Music-Drama among the Yoruba

    Open Access•Akin Euba•ARTICLE•Yearbook of the International…•1970

    Traditional music in Yoruba society may to a considerable degree be regarded as music-drama. The dramatic element of this music is given its highest expression in situations of a ceremonial nature in which music, dance, speech, physical movement, costume, and art objects all combine to constitute the complete performance. Music in the context of traditional dance, even when the dance is not connected with ceremonial functions, illustrates another…

  • Text Setting in African Composition

    Akin Euba•ARTICLE•Research in African Literatures•2001•Citada por: 2•Referencias: 3

    The strength of German Lieder (art songs) in the nineteenth century rested partly on the gifts of the poets who provided composers with the texts that they set to music. It occurred to me early in my composition career (in the mid 1960s) that African composers might equally look to African poets for the texts of their songs (see, e.g., Uzoigwe 25). This statement may seem to be self-evident, but the reader should consider the dilemma that I encou…

  • Criteria for the Evaluation of New African Art Music

    Akin Euba•ARTICLE•Transition•1975•Citada por: 2

    The relationship of poetry and music is so close that few performances of music take place without the use of poetry in one form or another. It is doubtful that in the total repertoire of African traditional music, purely instrumental pieces outS number accompanied and unaccompanied vocal pieces. Moreover, even when voices are absent, musical instruments on their own are very often used to imitate speech, particularly in the music of African peop…

  • New Idioms of Music-Drama among the Yoruba

    Open Access•Akin Euba•ARTICLE•Yearbook of the International…•1970

    Traditional music in Yoruba society may to a considerable degree be regarded as music-drama. The dramatic element of this music is given its highest expression in situations of a ceremonial nature in which music, dance, speech, physical movement, costume, and art objects all combine to constitute the complete performance. Music in the context of traditional dance, even when the dance is not connected with ceremonial functions, illustrates another…

  • Music from the Villages of Northeastern Nigeria

    Akin Euba, Paul Newman et al.•ARTICLE•Ethnomusicology•1973

  • Criteria for the Evaluation of New African Art Music

    Akin Euba•ARTICLE•Transition•1975•Citada por: 2

    The relationship of poetry and music is so close that few performances of music take place without the use of poetry in one form or another. It is doubtful that in the total repertoire of African traditional music, purely instrumental pieces outS number accompanied and unaccompanied vocal pieces. Moreover, even when voices are absent, musical instruments on their own are very often used to imitate speech, particularly in the music of African peop…

  • Six Yoruba Folk Songs

    Dominique-Rene De Lerma, Akin Euba et al.•ARTICLE•The Black Perspective in Music•1976

  • Music of Dawn and Day; Music and Dance Associations of the Igede of Nigeria

    Akin Euba, Björn Ranung•ARTICLE•Ethnomusicology•1976

  • Obaluaye

    Tunji Vidal, Wale Ogunyemi et al.•ARTICLE•Ethnomusicology•1977

  • Nigerian Music Review

    Eileen Southern, Akin Euba et al.•ARTICLE•The Black Perspective in Music•1978

  • Nigerian Music Review

    Robert Kauffman, Akin Euba•ARTICLE•African Arts•1978

  • Yoruba music

    Akin Euba•CHAPTER•The new Grove dictionary of music…•2001

  • Text Setting in African Composition

    Akin Euba•ARTICLE•Research in African Literatures•2001•Citada por: 2•Referencias: 3

    The strength of German Lieder (art songs) in the nineteenth century rested partly on the gifts of the poets who provided composers with the texts that they set to music. It occurred to me early in my composition career (in the mid 1960s) that African composers might equally look to African poets for the texts of their songs (see, e.g., Uzoigwe 25). This statement may seem to be self-evident, but the reader should consider the dilemma that I encou…

  • Ancient Text Messages of the Yorùbá Bàtá Drum

    Akin Euba•ARTICLE•Ethnomusicology•2011

    Book Review| September 01 2011 Ancient Text Messages of the Yorùbá Bàtá Drum: Cracking the Code Ancient Text Messages of the Yorùbá Bàtá Drum: Cracking the Code. Amanda Villepastour. 2010. Farnham, Surrey, England: Ashgate Publishers, SOAS Musicology Series. xvii, 173 pp. illustrations, tables, music examples, appendices, bibliography, index, accompanying CD. Cloth, £27.50. Akin Euba Akin Euba Search for other works by this author on: This Site G…

Music History and Culture (10 obras) · Art (9 obras) · Diverse Musicological Studies (6 obras) · History (5 obras) · Linguistics (5 obras) · Philosophy (5 obras) · Visual arts (5 obras) · Literature (4 obras) · Theater, Performance, and Music History (4 obras) · Yoruba (4 obras)

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