Jasmine Hornabrook
Datos Biográficos
| ID | 1302160 |
|---|---|
| NOMBRE | Jasmine Hornabrook |
| NOMBRES | Jasmine |
| APELLIDO | Hornabrook |
| FIRMA | HORNABROOK J |
| AFILIACIONES | Loughborough University |
| ORCID | 0000-0003-0662-9822 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAS | 2 |
| TOTAL COMO AUTOR | 10 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2018 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 1 |
Researching postcolonial memory
This article sets out methodological principles for conducting postcolonial memory studies research. Pasts associated with colonialism and their contemporary social articulation can be empirically challenging for several reasons, including their uncertain, often inarticulable, contradictory, and painful nature, which materialise in social research encounters. To navigate such challenges, we argue for the value and application of creative methodol…
Partition at 75
In 2017, the 70th anniversary of the Partition of British India was widely discussed in the UK, not only within academic and cultural circles, but also in popular culture. Five years later, on the 75th anniversary of Partition, the scholarly, cultural and community interest in the events of 1947 intersected with the commemorations of the 50th anniversary of the expulsion of the South Asian population from Uganda, and the 70th anniversary of the L…
Introduction - Partition and the South Asian diaspora
This short piece introduces the special issue ‘Partition and the South Asian diaspora: exploring (inherited) memories and creative practices of remembering’. This issue was conceived at the juncture of intersecting commemorations of key historical events–1947 Partition of British India, 1971 Bangladesh independence and 1972 exodus from Uganda–in South Asia and its diasporas. By bringing together articles focused on practices of commemorating thes…
Getting louder
This article explores the “feedback loops” that constitute the Tamil transnational music scene. Comprising of musical, social, economic and political networks between South India, Sri Lanka and their diasporas, I consider how new music production loops around to highlight the multiplicity and fluidity of the scene. Having been built on practices of carnatic, devotional, folk, Kollywood music, hip-hop and R&B, these feedback loops are entangled in…
Mobilizing traditional music in the rural creative economy of Argyll and Bute, Scotland
This paper examines the key issues that emerge in the understanding of traditional music as micro-enterprise in the rural creative economy of Argyll and Bute, Scotland. Using evidence from detailed ethnographic fieldwork, with musicians, festival organisers, tour operators, business owners and civil servants, this paper examines how issues such as geographical and social distance, internet connectivity, and cultural tourism are understood in rela…
Migration, Arts and the Negotiation of Belonging
This article analyses the engagement in cultural and creative practices of people of South Asian heritage in the borough of Tower Hamlets in London and in Loughborough, East Midlands. Both locations are home to a number of community groups engaged in creative and cultural activities and, by focusing on selected case studies, we argue that the arts play a key role in maintaining and claiming South Asian heritage/s in Britain. Comparing these two s…
Televising the Partition of British India
2017 marked the 70th anniversary of the end of colonial rule in British India and of the division of the country into the two independent states of India and Pakistan. To commemorate the event, in August 2017, the BBC broadcast a series of programmes focused specifically on Partition. Focusing on My Family, Partition and Me: India 1947, this article analyses the programme’s structure and rhetorical strategies, with particular reference to its rep…
Gender, new creativity and Carnatic music in London
This article examines creative projects amongst second-generation, British Tamil diasporic female musicians (focused on Sri Lankan examples) located within London’s Carnatic music scene. Several scholars have suggested that the twentieth-century Indian nationalist project constructed ideals of femininity that positioned women as bearers of tradition during colonial rule to uphold the inner core of Indian culture [Bakrania 2013; Chatterjee 1989], …
Songs of the Saints
The songs of the Tamil saints are integral to ritual worship and musical and cultural practices in London's Tamil Hindu diaspora. Despite being written in the first millennium and detailing sites of pilgrimage in South India and Sri Lanka, the songs remain integral in Tamil Hindu diasporic rituals and in attaining a sense of Tamil cultural and religious belonging in London. This article examines the conventionalized order of the songs in performa…
The musical gift
During the twentieth century, music and dance in Sri Lanka became increasingly associated with distinct cultural identities, communal politics and territorial ideologies of the Sinhalese majority a
Songs of the Saints
The songs of the Tamil saints are integral to ritual worship and musical and cultural practices in London's Tamil Hindu diaspora. Despite being written in the first millennium and detailing sites of pilgrimage in South India and Sri Lanka, the songs remain integral in Tamil Hindu diasporic rituals and in attaining a sense of Tamil cultural and religious belonging in London. This article examines the conventionalized order of the songs in performa…
Songs of the Saints
The songs of the Tamil saints are integral to ritual worship and musical and cultural practices in London's Tamil Hindu diaspora. Despite being written in the first millennium and detailing sites of pilgrimage in South India and Sri Lanka, the songs remain integral in Tamil Hindu diasporic rituals and in attaining a sense of Tamil cultural and religious belonging in London. This article examines the conventionalized order of the songs in performa…
Gender, new creativity and Carnatic music in London
This article examines creative projects amongst second-generation, British Tamil diasporic female musicians (focused on Sri Lankan examples) located within London’s Carnatic music scene. Several scholars have suggested that the twentieth-century Indian nationalist project constructed ideals of femininity that positioned women as bearers of tradition during colonial rule to uphold the inner core of Indian culture [Bakrania 2013; Chatterjee 1989], …
Migration, Arts and the Negotiation of Belonging
This article analyses the engagement in cultural and creative practices of people of South Asian heritage in the borough of Tower Hamlets in London and in Loughborough, East Midlands. Both locations are home to a number of community groups engaged in creative and cultural activities and, by focusing on selected case studies, we argue that the arts play a key role in maintaining and claiming South Asian heritage/s in Britain. Comparing these two s…
Televising the Partition of British India
2017 marked the 70th anniversary of the end of colonial rule in British India and of the division of the country into the two independent states of India and Pakistan. To commemorate the event, in August 2017, the BBC broadcast a series of programmes focused specifically on Partition. Focusing on My Family, Partition and Me: India 1947, this article analyses the programme’s structure and rhetorical strategies, with particular reference to its rep…
Mobilizing traditional music in the rural creative economy of Argyll and Bute, Scotland
This paper examines the key issues that emerge in the understanding of traditional music as micro-enterprise in the rural creative economy of Argyll and Bute, Scotland. Using evidence from detailed ethnographic fieldwork, with musicians, festival organisers, tour operators, business owners and civil servants, this paper examines how issues such as geographical and social distance, internet connectivity, and cultural tourism are understood in rela…
Getting louder
This article explores the “feedback loops” that constitute the Tamil transnational music scene. Comprising of musical, social, economic and political networks between South India, Sri Lanka and their diasporas, I consider how new music production loops around to highlight the multiplicity and fluidity of the scene. Having been built on practices of carnatic, devotional, folk, Kollywood music, hip-hop and R&B, these feedback loops are entangled in…
Partition at 75
In 2017, the 70th anniversary of the Partition of British India was widely discussed in the UK, not only within academic and cultural circles, but also in popular culture. Five years later, on the 75th anniversary of Partition, the scholarly, cultural and community interest in the events of 1947 intersected with the commemorations of the 50th anniversary of the expulsion of the South Asian population from Uganda, and the 70th anniversary of the L…
The musical gift
During the twentieth century, music and dance in Sri Lanka became increasingly associated with distinct cultural identities, communal politics and territorial ideologies of the Sinhalese majority a
Introduction - Partition and the South Asian diaspora
This short piece introduces the special issue ‘Partition and the South Asian diaspora: exploring (inherited) memories and creative practices of remembering’. This issue was conceived at the juncture of intersecting commemorations of key historical events–1947 Partition of British India, 1971 Bangladesh independence and 1972 exodus from Uganda–in South Asia and its diasporas. By bringing together articles focused on practices of commemorating thes…
Researching postcolonial memory
This article sets out methodological principles for conducting postcolonial memory studies research. Pasts associated with colonialism and their contemporary social articulation can be empirically challenging for several reasons, including their uncertain, often inarticulable, contradictory, and painful nature, which materialise in social research encounters. To navigate such challenges, we argue for the value and application of creative methodol…
Art (7 obras) · Sociology (7 obras) · History (6 obras) · Political science (6 obras) · Anthropology (5 obras) · Diaspora (5 obras) · Gender Studies (5 obras) · Law (5 obras) · Literature (5 obras) · South asia (4 obras)