Yana Stainova
Datos Biográficos
| ID | 134897 |
|---|---|
| NOMBRE | Yana Stainova |
| NOMBRES | Yana |
| APELLIDO | Stainova |
| FIRMA | STAINOVA Y |
| AFILIACIONES | McMaster University |
| ORCID | 0000-0002-9599-3927 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAS | 14 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2019 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2024 |
| ÍNDICE H | 2 |
An ethnography of joy
How do people living at the intersection of various forms of injury seek out collective experiences of joy? I explore this question through fieldwork with Latinx female and queer artists and entrepreneurs, some of them undocumented, who consciously seek out and enact joy in their communities in East Los Angeles. At the same time, these communities face gentrification, racism, and discrimination. I rest on joy as a conceptual framework that arises…
Tuga
This flash ethnography explores the Bulgarian concept of tuga, translated as sorrow, through the prism of new motherhood and immigration
Sonorous Worlds
El Sistema is a nationwide, state-funded music education program in Venezuela. Founded in 1975 by economist and musician José Antonio Abreu, the institution has weathered seven jolting changes in government. Hugo Chávez and, after his death, president Nicolás Maduro enthusiastically included the institution into the political agenda of the socialist project and captured the affective power of music for their own aims. Fueled by the oil boom in th…
Tchaikovsky is ours
How do young people living in social exclusion in Venezuela negotiate their deep personal attachment to classical music and the genre’s association with dominant European culture? I approach this topic through my ethnographic fieldwork with young musicians who are members of Venezuela’s nation-wide classical music program El Sistema. The majority of these musicians are from the lower social classes in an unequal society deeply divided along the i…
Self Exposures
The papers for this special issue summon the concept of “exposure,” or the act of revealing something hidden before an audience, to understand the performances that animate ethnicity-based social movements across Latin America and the Caribbean. We introduce the phrase “arts of exposure” in order to articulate how social movements big and small are drawing a new politics out of enacting the representations of racial, ethnic, and class identities …
Dancing Energies
This article explores how Venezuelan musicians experience and speak about music's "ineffability," frequently contrasting it with the linguistically fixed state discourses about music. I approach this topic through my ethnographic work on El Sistema, a state-funded program that provides free classical music education and instruments to 900,000 young people across Venezuela. Studying the ways in which El Sistema participants experience and discuss …
Enchantment as Method
This article proposes enchantment as an ethnographic method that attunes us to the world-building potential of dreams and the imagination, as well as to the structural forces that simultaneously constitute human lives. To be enchanted is to experience wonder, to let oneself be moved. This concept emerges from my fieldwork with young musicians in Venezuela who, as residents of urban barrios, confront structural violence and sociopolitical crises. …
Enchantment as Method
This article proposes enchantment as an ethnographic method that attunes us to the world-building potential of dreams and the imagination, as well as to the structural forces that simultaneously constitute human lives. To be enchanted is to experience wonder, to let oneself be moved. This concept emerges from my fieldwork with young musicians in Venezuela who, as residents of urban barrios, confront structural violence and sociopolitical crises. …
An ethnography of joy
How do people living at the intersection of various forms of injury seek out collective experiences of joy? I explore this question through fieldwork with Latinx female and queer artists and entrepreneurs, some of them undocumented, who consciously seek out and enact joy in their communities in East Los Angeles. At the same time, these communities face gentrification, racism, and discrimination. I rest on joy as a conceptual framework that arises…
Self Exposures
The papers for this special issue summon the concept of “exposure,” or the act of revealing something hidden before an audience, to understand the performances that animate ethnicity-based social movements across Latin America and the Caribbean. We introduce the phrase “arts of exposure” in order to articulate how social movements big and small are drawing a new politics out of enacting the representations of racial, ethnic, and class identities …
Tchaikovsky is ours
How do young people living in social exclusion in Venezuela negotiate their deep personal attachment to classical music and the genre’s association with dominant European culture? I approach this topic through my ethnographic fieldwork with young musicians who are members of Venezuela’s nation-wide classical music program El Sistema. The majority of these musicians are from the lower social classes in an unequal society deeply divided along the i…
Dancing Energies
This article explores how Venezuelan musicians experience and speak about music's "ineffability," frequently contrasting it with the linguistically fixed state discourses about music. I approach this topic through my ethnographic work on El Sistema, a state-funded program that provides free classical music education and instruments to 900,000 young people across Venezuela. Studying the ways in which El Sistema participants experience and discuss …
Dancing Energies
This article explores how Venezuelan musicians experience and speak about music's "ineffability," frequently contrasting it with the linguistically fixed state discourses about music. I approach this topic through my ethnographic work on El Sistema, a state-funded program that provides free classical music education and instruments to 900,000 young people across Venezuela. Studying the ways in which El Sistema participants experience and discuss …
Enchantment as Method
This article proposes enchantment as an ethnographic method that attunes us to the world-building potential of dreams and the imagination, as well as to the structural forces that simultaneously constitute human lives. To be enchanted is to experience wonder, to let oneself be moved. This concept emerges from my fieldwork with young musicians in Venezuela who, as residents of urban barrios, confront structural violence and sociopolitical crises. …
Tchaikovsky is ours
How do young people living in social exclusion in Venezuela negotiate their deep personal attachment to classical music and the genre’s association with dominant European culture? I approach this topic through my ethnographic fieldwork with young musicians who are members of Venezuela’s nation-wide classical music program El Sistema. The majority of these musicians are from the lower social classes in an unequal society deeply divided along the i…
Self Exposures
The papers for this special issue summon the concept of “exposure,” or the act of revealing something hidden before an audience, to understand the performances that animate ethnicity-based social movements across Latin America and the Caribbean. We introduce the phrase “arts of exposure” in order to articulate how social movements big and small are drawing a new politics out of enacting the representations of racial, ethnic, and class identities …
Sonorous Worlds
El Sistema is a nationwide, state-funded music education program in Venezuela. Founded in 1975 by economist and musician José Antonio Abreu, the institution has weathered seven jolting changes in government. Hugo Chávez and, after his death, president Nicolás Maduro enthusiastically included the institution into the political agenda of the socialist project and captured the affective power of music for their own aims. Fueled by the oil boom in th…
Tuga
This flash ethnography explores the Bulgarian concept of tuga, translated as sorrow, through the prism of new motherhood and immigration
An ethnography of joy
How do people living at the intersection of various forms of injury seek out collective experiences of joy? I explore this question through fieldwork with Latinx female and queer artists and entrepreneurs, some of them undocumented, who consciously seek out and enact joy in their communities in East Los Angeles. At the same time, these communities face gentrification, racism, and discrimination. I rest on joy as a conceptual framework that arises…
Sociology (7 obras) · Anthropology (6 obras) · Art (6 obras) · Ethnography (6 obras) · Political science (5 obras) · Aesthetics (4 obras) · Gender Studies (4 obras) · Law (4 obras) · Politics (4 obras) · Gender Studies (3 obras)