Alan Thrasher
Datos Biográficos
| ID | 1352297 |
|---|---|
| NOMBRE | Alan Thrasher |
| NOMBRES | Alan |
| APELLIDO | Thrasher |
| FIRMA | THRASHER A |
| VERIFICADO | No |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAS | 8 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1978 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2008 |
| ÍNDICE H | 2 |
Sizhu instrumental music of South China ethos, theory and practice
According to a reader's report, this is "one of the finest studies on (any kind of) Chinese music to emerge in recent years." Based on extensive fieldwork and a thorough knowledge of the scholarly literature, the author examines the theoretical underpinnings of the 'silk and bamboo' instrumental ensemble traditions of the Chaozhou, Hakka and Cantonese peoples of South China. Stepping back far into history, the book opens with a penetrating examin…
A Discussion on Chinese National Musical Traditions
By all accounts, the second Durham (England) Oriental Music Festival (4-17 August 1979) was a great success. Ensembles from eight Asian countries gave a total of eighteen performances, ten scholars delivered fifteen lectures, and, perhaps most important, participants in the Festival (performers, scholars, and residents) spent much of the two weeks communing informally over meals, tea, and warm English ale. Although the concerts were perhaps its m…
The Transverse Flute in Traditional Chinese Music
known by the name di-dze_ i 4 . Chinese musicologists frequently begin discussion of its early development with the imported heng-chui i r~' , of the Han dynasty (206 B.C.220 A.D.) or the eearlier indigenous chih flute. Some writers, in following the time-honored Chinese tradition, as cri4be the origin to the 2698 B.C. culture hero Huang ti , who ordered Ling lun f~4) , as the story goes, to cut some bamboo and make a flute imitating the sound of…
A Discussion on Chinese National Musical Traditions
By all accounts, the second Durham (England) Oriental Music Festival (4-17 August 1979) was a great success. Ensembles from eight Asian countries gave a total of eighteen performances, ten scholars delivered fifteen lectures, and, perhaps most important, participants in the Festival (performers, scholars, and residents) spent much of the two weeks communing informally over meals, tea, and warm English ale. Although the concerts were perhaps its m…
Sizhu instrumental music of South China ethos, theory and practice
According to a reader's report, this is "one of the finest studies on (any kind of) Chinese music to emerge in recent years." Based on extensive fieldwork and a thorough knowledge of the scholarly literature, the author examines the theoretical underpinnings of the 'silk and bamboo' instrumental ensemble traditions of the Chaozhou, Hakka and Cantonese peoples of South China. Stepping back far into history, the book opens with a penetrating examin…
The Transverse Flute in Traditional Chinese Music
known by the name di-dze_ i 4 . Chinese musicologists frequently begin discussion of its early development with the imported heng-chui i r~' , of the Han dynasty (206 B.C.220 A.D.) or the eearlier indigenous chih flute. Some writers, in following the time-honored Chinese tradition, as cri4be the origin to the 2698 B.C. culture hero Huang ti , who ordered Ling lun f~4) , as the story goes, to cut some bamboo and make a flute imitating the sound of…
The Transverse Flute in Traditional Chinese Music
known by the name di-dze_ i 4 . Chinese musicologists frequently begin discussion of its early development with the imported heng-chui i r~' , of the Han dynasty (206 B.C.220 A.D.) or the eearlier indigenous chih flute. Some writers, in following the time-honored Chinese tradition, as cri4be the origin to the 2698 B.C. culture hero Huang ti , who ordered Ling lun f~4) , as the story goes, to cut some bamboo and make a flute imitating the sound of…
A Discussion on Chinese National Musical Traditions
By all accounts, the second Durham (England) Oriental Music Festival (4-17 August 1979) was a great success. Ensembles from eight Asian countries gave a total of eighteen performances, ten scholars delivered fifteen lectures, and, perhaps most important, participants in the Festival (performers, scholars, and residents) spent much of the two weeks communing informally over meals, tea, and warm English ale. Although the concerts were perhaps its m…
Sizhu instrumental music of South China ethos, theory and practice
According to a reader's report, this is "one of the finest studies on (any kind of) Chinese music to emerge in recent years." Based on extensive fieldwork and a thorough knowledge of the scholarly literature, the author examines the theoretical underpinnings of the 'silk and bamboo' instrumental ensemble traditions of the Chaozhou, Hakka and Cantonese peoples of South China. Stepping back far into history, the book opens with a penetrating examin…
Art (3 obras) · Musicology and Musical Analysis (3 obras) · Chinese history and philosophy (2 obras) · History (2 obras) · History (2 obras) · Literature (2 obras) · Musical (2 obras) · Acoustics (1 obras) · Aesthetics (1 obras) · Archaeology (1 obras)