Vera Shevzov
Datos Biográficos
| ID | 137406 |
|---|---|
| NOMBRE | Vera Shevzov |
| NOMBRES | Vera |
| APELLIDO | Shevzov |
| FIRMA | SHEVZOV V |
| AFILIACIONES | Smith College |
| VERIFICADO | No |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAS | 13 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 1 |
| PRIMER AÑO DE PUBLICACIÓN | 1996 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 2 |
Unfinished conversations
Dedicated to Philipp (b. 2007), Vera (b. 2010), and Lukas (b. 2016).Sonja Luehrmann, anthropologist and historian, passed away from cancer in Vancouver Canada on August 24, 2019. As her colleagues
Framing Mary
Despite the continued fascination with the Virgin Mary in modern and contemporary times, very little of the resulting scholarship on this topic extends to Russia. Russia's Mary, however, who is virtually unknown in the West, has long played a formative role in Russian society and culture. Framing Mary introduces readers to the cultural life of Mary from the seventeenth century to the post-Soviet era. It examines a broad spectrum of engagements am…
Women on the Fault Lines of Faith
This article examines the explosive reaction to ‘Punk Prayer’ as a religious act. It argues that the power of the performance as iconoclash resulted from the fact that it tapped, resonated with and disturbed Russia’s Orthodox culture through its appropriation of Orthodox sound, space and symbols – namely, the image of Mary, the Mother of God. The perceived position of its performers as insiders or outsiders to Orthodoxy, the evaluation of the sin…
Women on the Fault Lines of Faith
This article examines the explosive reaction to ‘Punk Prayer’ as a religious act. It argues that the power of the performance as iconoclash resulted from the fact that it tapped, resonated with, and disturbed Russia’s Orthodox culture through its appropriation of Orthodox sound, space, and symbols – namely, the image of Mary, the Mother of God. The perceived position of its performers as insiders or outsiders to Orthodoxy, the evaluation of the s…
Russian Orthodoxy on the Eve of Revolution
This book explores the religious lives of Orthodox Christians in Russia before the revolution. It examines how Orthodox communal identity was fostered and sustained through the spaces, places, times, and images around which believers ordered their religious lives. It looks at debates between ecclesiastical officials. It argues that the challenge to Orthodoxy not only came from outsiders such as Marxists revolutionaries, but also from the faith co…
Icons, Miracles, and the Ecclesial Identity of Laity in Late Imperial Russian Orthodoxy
During the late nineteenth and early twentieth centuries, clergy and professional theologians in the Orthodox Church in Russia found themselves engrossed in debates over the theological nature and "proper" institutional fashioning of the sacred community called "church." Insofar as this intensive reflection on communal life heatedly addressed issues of religious authority and the role of laypeople in that life, this period in Russian Orthodoxy in…
Miracle-Working Icons, Laity, and Authority in the Russian Orthodox Church, 1861-1917
Chapels and the Ecclesial World of Prerevolutionary Russian Peasants
Russia's peasants and their culture in postreform Russia have enjoyed the attention of an ever-increasing number of scholars over the past two decades. One central aspect of that culture, however, has remained virtually unexplored: Eastern Orthodox Christianity as it was practiced and understood by peasant believers, and especially by peasants who considered themselves members of the official Orthodox Church. At least two explanations may exist f…
Women on the Fault Lines of Faith
This article examines the explosive reaction to ‘Punk Prayer’ as a religious act. It argues that the power of the performance as iconoclash resulted from the fact that it tapped, resonated with, and disturbed Russia’s Orthodox culture through its appropriation of Orthodox sound, space, and symbols – namely, the image of Mary, the Mother of God. The perceived position of its performers as insiders or outsiders to Orthodoxy, the evaluation of the s…
Miracle-Working Icons, Laity, and Authority in the Russian Orthodox Church, 1861-1917
Women on the Fault Lines of Faith
This article examines the explosive reaction to ‘Punk Prayer’ as a religious act. It argues that the power of the performance as iconoclash resulted from the fact that it tapped, resonated with and disturbed Russia’s Orthodox culture through its appropriation of Orthodox sound, space and symbols – namely, the image of Mary, the Mother of God. The perceived position of its performers as insiders or outsiders to Orthodoxy, the evaluation of the sin…
Icons, Miracles, and the Ecclesial Identity of Laity in Late Imperial Russian Orthodoxy
During the late nineteenth and early twentieth centuries, clergy and professional theologians in the Orthodox Church in Russia found themselves engrossed in debates over the theological nature and "proper" institutional fashioning of the sacred community called "church." Insofar as this intensive reflection on communal life heatedly addressed issues of religious authority and the role of laypeople in that life, this period in Russian Orthodoxy in…
Chapels and the Ecclesial World of Prerevolutionary Russian Peasants
Russia's peasants and their culture in postreform Russia have enjoyed the attention of an ever-increasing number of scholars over the past two decades. One central aspect of that culture, however, has remained virtually unexplored: Eastern Orthodox Christianity as it was practiced and understood by peasant believers, and especially by peasants who considered themselves members of the official Orthodox Church. At least two explanations may exist f…
Unfinished conversations
Dedicated to Philipp (b. 2007), Vera (b. 2010), and Lukas (b. 2016).Sonja Luehrmann, anthropologist and historian, passed away from cancer in Vancouver Canada on August 24, 2019. As her colleagues
Chapels and the Ecclesial World of Prerevolutionary Russian Peasants
Russia's peasants and their culture in postreform Russia have enjoyed the attention of an ever-increasing number of scholars over the past two decades. One central aspect of that culture, however, has remained virtually unexplored: Eastern Orthodox Christianity as it was practiced and understood by peasant believers, and especially by peasants who considered themselves members of the official Orthodox Church. At least two explanations may exist f…
Miracle-Working Icons, Laity, and Authority in the Russian Orthodox Church, 1861-1917
Icons, Miracles, and the Ecclesial Identity of Laity in Late Imperial Russian Orthodoxy
During the late nineteenth and early twentieth centuries, clergy and professional theologians in the Orthodox Church in Russia found themselves engrossed in debates over the theological nature and "proper" institutional fashioning of the sacred community called "church." Insofar as this intensive reflection on communal life heatedly addressed issues of religious authority and the role of laypeople in that life, this period in Russian Orthodoxy in…
Russian Orthodoxy on the Eve of Revolution
This book explores the religious lives of Orthodox Christians in Russia before the revolution. It examines how Orthodox communal identity was fostered and sustained through the spaces, places, times, and images around which believers ordered their religious lives. It looks at debates between ecclesiastical officials. It argues that the challenge to Orthodoxy not only came from outsiders such as Marxists revolutionaries, but also from the faith co…
Women on the Fault Lines of Faith
This article examines the explosive reaction to ‘Punk Prayer’ as a religious act. It argues that the power of the performance as iconoclash resulted from the fact that it tapped, resonated with and disturbed Russia’s Orthodox culture through its appropriation of Orthodox sound, space and symbols – namely, the image of Mary, the Mother of God. The perceived position of its performers as insiders or outsiders to Orthodoxy, the evaluation of the sin…
Women on the Fault Lines of Faith
This article examines the explosive reaction to ‘Punk Prayer’ as a religious act. It argues that the power of the performance as iconoclash resulted from the fact that it tapped, resonated with, and disturbed Russia’s Orthodox culture through its appropriation of Orthodox sound, space, and symbols – namely, the image of Mary, the Mother of God. The perceived position of its performers as insiders or outsiders to Orthodoxy, the evaluation of the s…
Framing Mary
Despite the continued fascination with the Virgin Mary in modern and contemporary times, very little of the resulting scholarship on this topic extends to Russia. Russia's Mary, however, who is virtually unknown in the West, has long played a formative role in Russian society and culture. Framing Mary introduces readers to the cultural life of Mary from the seventeenth century to the post-Soviet era. It examines a broad spectrum of engagements am…
Unfinished conversations
Dedicated to Philipp (b. 2007), Vera (b. 2010), and Lukas (b. 2016).Sonja Luehrmann, anthropologist and historian, passed away from cancer in Vancouver Canada on August 24, 2019. As her colleagues
Political science (6 obras) · Law (5 obras) · Art (4 obras) · History (4 obras) · Orthodoxy (4 obras) · Religion and Society Interactions (4 obras) · Sociology (4 obras) · Theology (4 obras) · Faith (3 obras) · Philosophy (3 obras)