Therese Fuhrer
Datos Biográficos
| ID | 1421838 |
|---|---|
| NOMBRE | Therese Fuhrer |
| NOMBRES | Therese |
| APELLIDO | Fuhrer |
| FIRMA | FUHRER T |
| AFILIACIONES | Ludwig-Maximilians-Universität München |
| VERIFICADO | No |
| TOTAL DE OBRAS | 23 |
| TOTAL DE CITAS | 40 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 5 |
| PRIMER AÑO DE PUBLICACIÓN | 1988 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 2 |
Introduction
This introduction maps the field of transtextual characters: what are such characters, how have they been approached in scholarship, especially narrative theory and media studies, and why can a perspective on premodern material in particular give new impulses to their analysis? We discuss, first, the relevance of distinguishing between text and work. In premodern contexts, texts are often unstable and transmitted in various witnesses, versions, a…
Transtextualität und Typologie in der römischen Literatur
The article examines transtextual figures that are endowed with supra-individual characteristics and can therefore be related to figures or persons from different epochs and different imagined or narrated worlds. The texts in which they appear allow for a ›typological reading‹, as practised in the exegesis of the New Testament: figures or persons of the New Testament storyworld are associated with figures or persons who ›lived‹ in different histo…
Romulus
The Cambridge Critical Guide to Latin Literature
The Cambridge Critical Guide to Latin Literature offers a critical overview of work on Latin literature. Where are we? How did we get here? Where to next? Fifteen commissioned chapters, along with an extensive introduction and Mary Beard's postscript, approach these questions from a range of angles. They aim not to codify the field, but to give snapshots of the discipline from different perspectives, and to offer provocations for future developme…
The Gendered ‘I’ in Ancient Literature
Considering the ubiquity of rhetorical training in antiquity, the volume starts from the premise that every first-person statement in ancient literature is in some way rhetorically modelled and aesthetically shaped. Focusing on different types of Greek and Latin literature, poetry and prose, from the Archaic Age to Late Antiquity, the contributions analyse the use and modelling of gender-specific elements in different types of first-person speech…
Unsettling Effects and Disconcertment — Strategies of Enacting Interpretations in Tacitusʼ Annals
Disconcertment or the intention to cause it can, in the production of literature and art, be considered the defining feature of the modern era. My paper is based on the premise that such an approach in ancient literature presupposes a distinct rhetorical and poetic practice that can be revealed by textual analysis focussing specifically on these features. Its object are the moments (moventia or triggers) that produce ambiguity in the process of c…
Strategies of Ambiguity in Ancient Literature
Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a…
Cityscaping
The term ‘cityscaping’ is here introduced to characterise the creative process through which the image of the city is created and represented in various media – text, film and artefacts. It thus turns attention away from built urban spaces and onto mental images of cities. One focus is on the question of which literary, visual and acoustic means prompt their recipients’ spatial imagination; another is to inquire into the semantics and functions t…
Cityscaping
"The term 'cityscaping' is here introduced to characterise the creative process through which the image of the city is created and represented in various media--text, film and artefacts. It thus turns attention away from built urban spaces and onto mental images of cities. One focus is on the question of which literary, visual and acoustic means prompt their recipients' spatial imagination; another is to inquire into the semantics and functions t…
Hypertexts and Auxiliary Texts
Augustine's Moulding of the Manichaean Idea of God in the Confessions
The present study aims to ask whether Augustine utilised elements of Manichaean theology to give an account of and profile to the Nicene Christian doctrinal system. In the Confessions Augustine links his narrative of the encounter with the Manichaeans, right from the start, to an epistemologically grounded critique of their idea of God (conf. 3.10f.). Whereas the pagan myths can be assigned the function of referring to non-fictional and thus 'tru…
Der apokryphe Briefwechsel zwischen Seneca und Paulus
In der zweiten Hälfte des 4. Jahrhunderts erfand ein unbekannter Autor einen Briefwechsel zwischen Seneca und Paulus. Die vierzehn kurzen Briefe, acht vom Philosophen, sechs vom Apostel, sind in unbeholfenem Latein geschrieben und weitgehend inhaltslos. Ihr Ziel ist es, mittels eines Austauschs von freundschaftlichen Billetts, wie er unter den Intellektuellen der Spätantike üblich war, Seneca zum Freund des Paulus zu machen und so das hohe Ansehe…
Inszenierungen von Göttlichkeit. Die politische Rolle von Dionysos/Bacchus in der römischen Literatur
Saint Augustine and the Fall of the Soul. Beyond O'Connell and His Critics
Der apokryphe Briefwechsel zwischen Seneca und Paulus
In der zweiten Hälfte des 4. Jahrhunderts erfand ein unbekannter Autor einen Briefwechsel zwischen Seneca und Paulus. Die vierzehn kurzen Briefe, acht vom Philosophen, sechs vom Apostel, sind in sehr schlechtem spätantikem Latein geschrieben und weitgehend inhaltslos. Ihr Ziel ist es, mittels eines Austauschs von freundschaftlichen Billetts, wie er unter den Intellektuellen der Spätantike üblich war, Seneca zum Freund des Paulus zu machen und so …
Augustine on Rhetoric and Dialectic in theory and practice
Da retórica e dialética de Agostinho na teoria e na prática. Agostinho não era apenas um brilhante orador, como também um argumentador sofisticado e bem preparado, cujos argumentos revelam grande domínio das regras da lógica. Emprega tais regras nas discussões das questões fundamentais de filosofia e teologia. Enquanto em ambos os sistemas da lógica aristotélica e estoicista uma conclusão válida baseia-se em afirmações cuja veracidade deve ser at…
Augustin, Contra Academicos (vel De Academicis), Bucher 2 und 3, Einleitung und Kommentar
Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos
Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos
"Das Kriterium der Wahrheit in Augustins "Contra Academicos
Das Kriterium Der Wahrheit in Augustins Contra Academicos
A Pindaric Feature in the Poems of Callimachus
Callimachus expounds his poetic program mainly in the prologue to the Aetia, in Epigr. 27and 28 P., and in the Hymn to Apollo 105-12.There he makes it clear that in his poetry he aims at stylistic refinement and technical polish (λεπτότης) on the one hand, and at όλιγοστιχία on the other hand.It is understood that this implies the discontinuity of form consisting of a more or less loose series of units of a few lines and the organisation of the m…
Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos
A Pindaric Feature in the Poems of Callimachus
Callimachus expounds his poetic program mainly in the prologue to the Aetia, in Epigr. 27and 28 P., and in the Hymn to Apollo 105-12.There he makes it clear that in his poetry he aims at stylistic refinement and technical polish (λεπτότης) on the one hand, and at όλιγοστιχία on the other hand.It is understood that this implies the discontinuity of form consisting of a more or less loose series of units of a few lines and the organisation of the m…
Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos
Strategies of Ambiguity in Ancient Literature
Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a…
A Pindaric Feature in the Poems of Callimachus
Callimachus expounds his poetic program mainly in the prologue to the Aetia, in Epigr. 27and 28 P., and in the Hymn to Apollo 105-12.There he makes it clear that in his poetry he aims at stylistic refinement and technical polish (λεπτότης) on the one hand, and at όλιγοστιχία on the other hand.It is understood that this implies the discontinuity of form consisting of a more or less loose series of units of a few lines and the organisation of the m…
"Das Kriterium der Wahrheit in Augustins "Contra Academicos
Das Kriterium Der Wahrheit in Augustins Contra Academicos
Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos
Die Auseinandersetzung mit den Chorlyrikern in den Epinikien des Kallimachos
Augustin, Contra Academicos (vel De Academicis), Bucher 2 und 3, Einleitung und Kommentar
Der apokryphe Briefwechsel zwischen Seneca und Paulus
In der zweiten Hälfte des 4. Jahrhunderts erfand ein unbekannter Autor einen Briefwechsel zwischen Seneca und Paulus. Die vierzehn kurzen Briefe, acht vom Philosophen, sechs vom Apostel, sind in sehr schlechtem spätantikem Latein geschrieben und weitgehend inhaltslos. Ihr Ziel ist es, mittels eines Austauschs von freundschaftlichen Billetts, wie er unter den Intellektuellen der Spätantike üblich war, Seneca zum Freund des Paulus zu machen und so …
Augustine on Rhetoric and Dialectic in theory and practice
Da retórica e dialética de Agostinho na teoria e na prática. Agostinho não era apenas um brilhante orador, como também um argumentador sofisticado e bem preparado, cujos argumentos revelam grande domínio das regras da lógica. Emprega tais regras nas discussões das questões fundamentais de filosofia e teologia. Enquanto em ambos os sistemas da lógica aristotélica e estoicista uma conclusão válida baseia-se em afirmações cuja veracidade deve ser at…
Saint Augustine and the Fall of the Soul. Beyond O'Connell and His Critics
Inszenierungen von Göttlichkeit. Die politische Rolle von Dionysos/Bacchus in der römischen Literatur
Der apokryphe Briefwechsel zwischen Seneca und Paulus
In der zweiten Hälfte des 4. Jahrhunderts erfand ein unbekannter Autor einen Briefwechsel zwischen Seneca und Paulus. Die vierzehn kurzen Briefe, acht vom Philosophen, sechs vom Apostel, sind in unbeholfenem Latein geschrieben und weitgehend inhaltslos. Ihr Ziel ist es, mittels eines Austauschs von freundschaftlichen Billetts, wie er unter den Intellektuellen der Spätantike üblich war, Seneca zum Freund des Paulus zu machen und so das hohe Ansehe…
Hypertexts and Auxiliary Texts
Augustine's Moulding of the Manichaean Idea of God in the Confessions
The present study aims to ask whether Augustine utilised elements of Manichaean theology to give an account of and profile to the Nicene Christian doctrinal system. In the Confessions Augustine links his narrative of the encounter with the Manichaeans, right from the start, to an epistemologically grounded critique of their idea of God (conf. 3.10f.). Whereas the pagan myths can be assigned the function of referring to non-fictional and thus 'tru…
Cityscaping
The term ‘cityscaping’ is here introduced to characterise the creative process through which the image of the city is created and represented in various media – text, film and artefacts. It thus turns attention away from built urban spaces and onto mental images of cities. One focus is on the question of which literary, visual and acoustic means prompt their recipients’ spatial imagination; another is to inquire into the semantics and functions t…
Cityscaping
"The term 'cityscaping' is here introduced to characterise the creative process through which the image of the city is created and represented in various media--text, film and artefacts. It thus turns attention away from built urban spaces and onto mental images of cities. One focus is on the question of which literary, visual and acoustic means prompt their recipients' spatial imagination; another is to inquire into the semantics and functions t…
Unsettling Effects and Disconcertment — Strategies of Enacting Interpretations in Tacitusʼ Annals
Disconcertment or the intention to cause it can, in the production of literature and art, be considered the defining feature of the modern era. My paper is based on the premise that such an approach in ancient literature presupposes a distinct rhetorical and poetic practice that can be revealed by textual analysis focussing specifically on these features. Its object are the moments (moventia or triggers) that produce ambiguity in the process of c…
Strategies of Ambiguity in Ancient Literature
Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a…
The Gendered ‘I’ in Ancient Literature
Considering the ubiquity of rhetorical training in antiquity, the volume starts from the premise that every first-person statement in ancient literature is in some way rhetorically modelled and aesthetically shaped. Focusing on different types of Greek and Latin literature, poetry and prose, from the Archaic Age to Late Antiquity, the contributions analyse the use and modelling of gender-specific elements in different types of first-person speech…
Romulus
The Cambridge Critical Guide to Latin Literature
The Cambridge Critical Guide to Latin Literature offers a critical overview of work on Latin literature. Where are we? How did we get here? Where to next? Fifteen commissioned chapters, along with an extensive introduction and Mary Beard's postscript, approach these questions from a range of angles. They aim not to codify the field, but to give snapshots of the discipline from different perspectives, and to offer provocations for future developme…
Introduction
This introduction maps the field of transtextual characters: what are such characters, how have they been approached in scholarship, especially narrative theory and media studies, and why can a perspective on premodern material in particular give new impulses to their analysis? We discuss, first, the relevance of distinguishing between text and work. In premodern contexts, texts are often unstable and transmitted in various witnesses, versions, a…
Transtextualität und Typologie in der römischen Literatur
The article examines transtextual figures that are endowed with supra-individual characteristics and can therefore be related to figures or persons from different epochs and different imagined or narrated worlds. The texts in which they appear allow for a ›typological reading‹, as practised in the exegesis of the New Testament: figures or persons of the New Testament storyworld are associated with figures or persons who ›lived‹ in different histo…
Philosophy (15 obras) · Art (11 obras) · Classical Antiquity Studies (11 obras) · Historical, Religious, and Philosophical Studies (8 obras) · Literature (8 obras) · Augustinian Studies and Theology (7 obras) · History (7 obras) · Linguistics (7 obras) · Epistemology (5 obras) · Humanities (5 obras)