Pauline Albenda

Datos Biográficos

ID1440468
NOMBREPauline Albenda
NOMBRESPauline
APELLIDOAlbenda
FIRMAALBENDA P
AFILIACIONESFilm Independent
VERIFICADONo
TOTAL DE OBRAS20
TOTAL DE CITAS4
TOTAL COMO AUTOR20
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN1970
AÑO MÁS RECIENTE DE PUBLICACIÓN2021
ÍNDICE H1

  • Royal Gardens, Parks, and the Architecture Within: Assyrian Views

    Open AccessPauline AlbendaARTICLEJournal of the American Oriental…2021Referencias: 1

    Inscriptions of Assyrian kings disclose that these rulers maintained and improved the land near the palace. This paper brings together the pictorial versions of what may be described as the "Assyrian royal landscape," that is, outdoor scenery designed for royal purposes and represented on the stone panels that lined the walls of the palaces at Nimrud, Nineveh, and Dur-Sharrukin. The royal landscapes differ from reign to reign, since they each ref…

  • Gardens in the ancient Near East

    Open AccessPauline AlbendaCHAPTERThe Encyclopedia of Ancient History2018

    Gardens were a means of producing food, and they also served as pleasure gardens. Inscriptions of Assyrian kings mention the tree and flower varieties that were planted in the royal gardens and parks. The pictorial record provides evidence of how gardens may have appeared during the Neo‐Assyrian period.

  • Dur‐Sharrukin (Khorsabad)

    Open AccessPauline AlbendaCHAPTERThe Encyclopedia of Ancient History2012

    The ancient city of Dur‐Sharrukin (Khorsabad) is located in the northeast region of modern‐day Iraq. It was built as a new royal city for the Assyrian king sargon II (721–705 BCE ).

  • Assyrian Royal Hunts: Antlered and Horned Animals from Distant Lands

    Pauline AlbendaARTICLEBulletin of the American Schools…2008

    Assyrian royal texts disclose the rich variety of wildlife encountered in distant landscapes during military campaigns. The royal hunts of wild animals are illustrated in the visual arts of Assyria, which include species of Cervidae and Bovidae. Singled out are the deer (fallow deer, red deer), wild mountain goat (ibex, Kuban tur), and gazelle. These non-aggressive herbivores, represented in different contexts and media of ancient Near Eastern ar…

  • Mirror

    Pauline Albenda, Jenny F So et al.CHAPTER2003

  • The Lie Became Great: The Forgery of Ancient Near Eastern Cultures

    Pauline Albenda, Oscar White MuscarellaARTICLEJournal of the American Oriental…2002

    The Lie Became Great explores the closed society of international plunderers and forgers which thrives as a subculture of the Art World. These multi-cultural denizens include antiquity dealers, collectors, museum curators, forgers working in conjunction with auction houses, museums and galleries. Forgeries are made to be sold, and a great number pass into the Art World - collections, exhibitions, catalogues, and popular and scholarly journals - c…

  • Ein vergoldeter Silberbecher der Zeit Assurbanipals im Miho Museum: Historische Darstellungen des 7. Jahrhunderts v. Chr

    Pauline Albenda, Erika BleibtreuARTICLEJournal of the American Oriental…2001

  • Monumental Art of the Assyrian Empire: Dynamics of Composition Styles

    Karen Polinger Foster, Pauline AlbendaARTICLEJournal of the American Oriental…2000

  • Assyrian Sacred Trees in the Brooklyn Museum

    Pauline AlbendaARTICLEIraq1994

  • Decorated Assyrian Knob-Plates in the British Museum

    Pauline AlbendaARTICLEIraq1991

    This article deals with a class of shaped clay fragments, previously unpublished, taken from several Assyrian sites in the nineteenth century and now kept in the Department of Western Asiatic Antiquities of the British Museum. The individual fragments belong to knob-plates originally designed for attachment to the wall surface. In addition to the fragments of plates, the ceramic assemblage includes several large wall pegs whose knobs in shape res…

  • The Gateway and Portal Stone Reliefs from Arslan Tash

    Pauline AlbendaARTICLEBulletin of the American Schools…1988

    There were varying North Syrian responses to the Assyrian presence. This article focuses on the artistic response of a single site, Arslan Tash (ancient Hadatu). Two groups of Assyrian stone sculptures are studied: the human figures carved in relief and the animal sculptures. The sculptures are a disparate collection; many were moved before their recorded recovery. North Syrian subject matter, craftsmanship, and prediliction are at times interjec…

  • Some Fragments of Stone Reliefs from Khorsabad

    Pauline Albenda, Eleanor GuralnickARTICLEJournal of Near Eastern Studies1986Citada por: 2

  • The Persians

    Pauline Albenda, Jim Hicks et al.ARTICLEJournal of the American Oriental…1978

  • Landscape Bas-Reliefs in the Bīt-Ḫilāni of Ashurbanipal

    Pauline AlbendaARTICLEBulletin of the American Schools…1977

  • Landscape Bas-Reliefs in the Bīt-Ḫilāni of Ashurbanipal

    Pauline AlbendaARTICLEBulletin of the American Schools…1976Citada por: 1

  • Grapevines in Ashurbanipal's Garden

    Pauline AlbendaARTICLEBulletin of the American Schools…1974

    Albenda, P, (1974), Grapevines in Ashurbanipal's Garden, Bulletin of the American Schools of Oriental Research, No. 215, pp. 5-17

  • The Chronology of Neo-Assyrian Art . T. A. Madhloom

    Pauline AlbendaARTICLEJournal of Near Eastern Studies1972

  • A Syro-Palestinian (?) City on a Ninth Century B. C. Assyrian Relief

    Pauline AlbendaARTICLEBulletin of the American Schools…1972

  • Ashurnasirpal II Lion Hunt Relief BM124534

    Pauline AlbendaARTICLEJournal of Near Eastern Studies1972Citada por: 1

  • An Assyrian Relief Depicting a Nude Captive in Wellesley College

    Pauline AlbendaARTICLEJournal of Near Eastern Studies1970