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Piotr Taracha

Datos Biográficos

ID1443743
NOMBREPiotr Taracha
NOMBRESPiotr
APELLIDOTaracha
FIRMATARACHA P
AFILIACIONESUniversity of Warsaw
ORCID0000-0003-4246-2281
VERIFICADOSí
TOTAL DE OBRAS4
TOTAL DE CITAS1
OBRAS COMO AUTOR4
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2003
AÑO MÁS RECIENTE DE PUBLICACIÓN2012
ÍNDICE H1
  • The Sculptures of Alacahöyük

    Piotr Taracha•ARTICLE•Near Eastern Archaeology•2012•Referencias: 3

    This article presents a new interpretation of the monumental sculptured friezes of the Sphinx Gate of Alacahöyük in northern Anatolia, an important site of the Hittite Empire. Historical and cultural arguments support a date in the second half of the thirteenth century b.c.e. for the Sphinx Gate. On the basis of a comparison of the scenes with other representations in Hittite art, it is argued that the cult and hunting scenes reflect the concept …

  • The Iconographic Program of the Sculptures of Alacahöyük

    Piotr Taracha•ARTICLE•Journal of Ancient Near Eastern…•2011•Citada por: 1

    The iconographic program of the sculptured friezes flanking the Sphinx Gate of Alacahöyük is analyzed based on numerous representations in Hittite art that may contribute to the understanding of the context and meaning of these carvings. It is argued that the cult and hunting scenes reflect the concept of the main triad of the Hittite state pantheon—Sun-goddess, Storm-god and Tutelary God, combining it with the new ideology of kingship of the lat…

  • Zur Entwicklung des offiziellen Pantheons im Staats- und dynastischen Kult der hethitischen Grossreichszeit

    Piotr Taracha•ARTICLE•Journal of Ancient Near Eastern…•2005

  • Ersetzen und Entsühnen

    Gary Beckman, Piotr Taracha•ARTICLE•Journal of the American Oriental…•2003

  • The Iconographic Program of the Sculptures of Alacahöyük

    Piotr Taracha•ARTICLE•Journal of Ancient Near Eastern…•2011•Citada por: 1

    The iconographic program of the sculptured friezes flanking the Sphinx Gate of Alacahöyük is analyzed based on numerous representations in Hittite art that may contribute to the understanding of the context and meaning of these carvings. It is argued that the cult and hunting scenes reflect the concept of the main triad of the Hittite state pantheon—Sun-goddess, Storm-god and Tutelary God, combining it with the new ideology of kingship of the lat…

  • Ersetzen und Entsühnen

    Gary Beckman, Piotr Taracha•ARTICLE•Journal of the American Oriental…•2003

  • Zur Entwicklung des offiziellen Pantheons im Staats- und dynastischen Kult der hethitischen Grossreichszeit

    Piotr Taracha•ARTICLE•Journal of Ancient Near Eastern…•2005

  • The Iconographic Program of the Sculptures of Alacahöyük

    Piotr Taracha•ARTICLE•Journal of Ancient Near Eastern…•2011•Citada por: 1

    The iconographic program of the sculptured friezes flanking the Sphinx Gate of Alacahöyük is analyzed based on numerous representations in Hittite art that may contribute to the understanding of the context and meaning of these carvings. It is argued that the cult and hunting scenes reflect the concept of the main triad of the Hittite state pantheon—Sun-goddess, Storm-god and Tutelary God, combining it with the new ideology of kingship of the lat…

  • The Sculptures of Alacahöyük

    Piotr Taracha•ARTICLE•Near Eastern Archaeology•2012•Referencias: 3

    This article presents a new interpretation of the monumental sculptured friezes of the Sphinx Gate of Alacahöyük in northern Anatolia, an important site of the Hittite Empire. Historical and cultural arguments support a date in the second half of the thirteenth century b.c.e. for the Sphinx Gate. On the basis of a comparison of the scenes with other representations in Hittite art, it is argued that the cult and hunting scenes reflect the concept …

Ancient Near East History (4 obras) · Ancient Egypt and Archaeology (3 obras) · Eurasian Exchange Networks (3 obras) · Philosophy (3 obras) · Ancient history (2 obras) · Archaeology (2 obras) · Art (2 obras) · Cult (2 obras) · Frieze (2 obras) · History (2 obras)

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