Bernard Zelechow
Datos Biográficos
| ID | 1444587 |
|---|---|
| NOMBRE | Bernard Zelechow |
| NOMBRES | Bernard |
| APELLIDO | Zelechow |
| FIRMA | ZELECHOW B |
| AFILIACIONES | York University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 23 |
| TOTAL DE CITAS | 5 |
| TOTAL COMO AUTOR | 23 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1989 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2004 |
| ÍNDICE H | 1 |
Proust
The self as the identification of the self with itself is a product of the dynamic transformation of European culture beginning in the Renaissance. The self, or absolute ego, was an outgrowth of the consciously rationalist spirit. However, modernity's Faustian drive was conscious paradoxically without being self conscious of itself or its cultural creations. Modernism deconstructed the values and assumptions of modernity. A casualty was the probl…
Revelations/Derrida
Pseudoscientific Reasoning and Social Competitiveness in Art
Religion and science
(1996). Religion and science: The Nietzschean version. The European Legacy: Vol. 1, Science and Religion in Modern Western Thought, pp. 1740-1751
Crossroads between culture and mind
Introduction to the essays on post-modern criticism
Introduction to the essays on post-modern criticism." History of European Ideas, 20(4-6), pp. 783–784
The languages of paradise
Neo-Baroque
(1995). Neo-Baroque: A sign of the times. History of European Ideas: Vol. 21, No. 2, pp. 271-280
Memories of the blind
(1995). Memories of the blind: The self-portrait and other ruins. History of European Ideas: Vol. 21, No. 4, pp. 618-620
The return of thematic criticism
(1995). The return of thematic criticism. History of European Ideas: Vol. 21, No. 2, pp. 271-280
The concept of the self
A painting is a painting? Some cracks in the armour of formalist aesthetics and analytic philosophy
Biblical speech and modern consciousness in the post-modern age
Le present article pose le probleme des relations entre l'epistemologie et les valeurs bibliques. L'A. montre que les textes bibliques fournissent l'epistemologie propre a fonder la connaissance et le raisonnement qui transcendent le dualisme inherent a l'hermeneutique contemporaine
The opera
The post-modern and the post-industrial
(1992). The post-modern and the post-industrial. History of European Ideas: Vol. 14, No. 5, pp. 723-723
The surrealist mind
Art and enlightenment
Art and enlightenment: Aesthetic theory after Adorno." History of European Ideas, 14(3), pp. 459–460
Subject and consciousness
The prophetic role of the arts, especially opera, in nineteenth-century culture 1
The Opera
Hegel's idealism
Fear and trembling and joyful wisdom 1 — The same book; A look at metaphoric communication
Derrida, deconstructionism and Nietzsche
(1989). Derrida, deconstructionism and Nietzsche: The tree of knowledge and the tree of life. History of European Ideas: Vol. 11, No. 1-6, pp. 901-905
Hegel's idealism
The opera
Art and enlightenment
Art and enlightenment: Aesthetic theory after Adorno." History of European Ideas, 14(3), pp. 459–460
Derrida, deconstructionism and Nietzsche
(1989). Derrida, deconstructionism and Nietzsche: The tree of knowledge and the tree of life. History of European Ideas: Vol. 11, No. 1-6, pp. 901-905
Fear and trembling and joyful wisdom 1 — The same book; A look at metaphoric communication
Subject and consciousness
The prophetic role of the arts, especially opera, in nineteenth-century culture 1
The Opera
Hegel's idealism
The post-modern and the post-industrial
(1992). The post-modern and the post-industrial. History of European Ideas: Vol. 14, No. 5, pp. 723-723
The surrealist mind
Art and enlightenment
Art and enlightenment: Aesthetic theory after Adorno." History of European Ideas, 14(3), pp. 459–460
The opera
The concept of the self
A painting is a painting? Some cracks in the armour of formalist aesthetics and analytic philosophy
Biblical speech and modern consciousness in the post-modern age
Le present article pose le probleme des relations entre l'epistemologie et les valeurs bibliques. L'A. montre que les textes bibliques fournissent l'epistemologie propre a fonder la connaissance et le raisonnement qui transcendent le dualisme inherent a l'hermeneutique contemporaine
Crossroads between culture and mind
Introduction to the essays on post-modern criticism
Introduction to the essays on post-modern criticism." History of European Ideas, 20(4-6), pp. 783–784
The languages of paradise
Neo-Baroque
(1995). Neo-Baroque: A sign of the times. History of European Ideas: Vol. 21, No. 2, pp. 271-280
Memories of the blind
(1995). Memories of the blind: The self-portrait and other ruins. History of European Ideas: Vol. 21, No. 4, pp. 618-620
The return of thematic criticism
(1995). The return of thematic criticism. History of European Ideas: Vol. 21, No. 2, pp. 271-280
Religion and science
(1996). Religion and science: The Nietzschean version. The European Legacy: Vol. 1, Science and Religion in Modern Western Thought, pp. 1740-1751
Revelations/Derrida
Pseudoscientific Reasoning and Social Competitiveness in Art
Proust
The self as the identification of the self with itself is a product of the dynamic transformation of European culture beginning in the Renaissance. The self, or absolute ego, was an outgrowth of the consciously rationalist spirit. However, modernity's Faustian drive was conscious paradoxically without being self conscious of itself or its cultural creations. Modernism deconstructed the values and assumptions of modernity. A casualty was the probl…
Philosophy (16 obras) · Art (13 obras) · Philosophy (13 obras) · Epistemology (12 obras) · Aesthetics (9 obras) · Sociology (7 obras) · Art history (6 obras) · History (6 obras) · History (6 obras) · Literature (6 obras)