Safoi Babana-Hampton
Datos Biográficos
| ID | 1448840 |
|---|---|
| NOMBRE | Safoi Babana-Hampton |
| NOMBRES | Safoi |
| APELLIDO | Babana-Hampton |
| FIRMA | BABANA-HAMPTON S |
| AFILIACIONES | Michigan State University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAS | 0 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2002 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2016 |
| ÍNDICE H | 0 |
Introduction Les Vies multiples d’Abdellatif Laâbi
Introduction Les Vies multiples d’Abdellatif Laâbi Safoi Babana-Hampton (bio) Poète avant-gardiste, romancier intimiste, défricheur d’une nouvelle culture des revues littéraires dans le Maroc postcolonial, écrivain cosmopolite, intellectuel engagé et ancien détenu politique, l’éminent poète marocain et prix Goncourt Abdellatif Laâbi marqua singulièrement par son long et riche parcours le paysage littéraire du Maroc postcolonial, aussi bien que l’…
Translating the Postcolonial Condition in Souffles-Anfas
Engaging with recent postcolonial scholarship on translation, this article attempts to shed light on the manner in which Souffles-Anfas’s translation practice, though situated in the peak of Arab nationalist and Pan-Africanist movements and in the Cold War climate, enabled it to function in ways that recent scholarship in postcolonial and global studies attributes primarily to cultural practices, reading trends and discursive strategies that are …
Bringing into focus narrative text and subtext in Moroccan film
As a reading of a (forbidden) Moroccan love story, this article examines the ways in which the narrative structure of Laila Marrakchi's Marock (2005) creates meaning by presenting the image not only as a ‘story’ (or content), but also as ‘narration’ (or an act of enunciation) that delivers ‘new images’ (in the Deuleuzian sense) of Moroccan society. In addition to the emblematic title, which expresses the notion of identity formation through proce…
Littrature-monde
This article proposes a reading of the Manifeste pour une littrature-monde en franais and the book version of it as a Babelian event, in order to discern the underlying assumptions of the authors' definition of littrature-monde. Central to this analysis is the recognition and exploration of the problematic use of the term monde and its qualifier en franais. The critical potential of the manifesto is explored and the limitations of its rhetoric ar…
The Postcolonial Arabic Novel
Muhsin Jassim Al-Musawi’s book offers a fresh contribution not only tostudies in Arabic literature but also to postcolonial critique, cultural criticism,comparative literature, and cross-cultural studies. Its interest lies inthe fact that it introduces a relatively less explored territory in postcolonialthought and cultural criticism: namely, Arabic literature. Theattention of many western and non-western scholars in the field has long been direc…
Literary Representations of Female Identity
The essay examines the texts of the two women writers - Leila Abouzeid (from Morocco) and Nawal El Saadawi (from Egypt) - as offering two female perspectives within what is commonly referred to as "feminine" writing in the Arab Muslim world. My main interest is to explore the various discursive articulations of female identity that are challenged or foregrounded as a positive model. The essay points to the serious pitfalls of some feminist narrat…
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Literary Representations of Female Identity
The essay examines the texts of the two women writers - Leila Abouzeid (from Morocco) and Nawal El Saadawi (from Egypt) - as offering two female perspectives within what is commonly referred to as "feminine" writing in the Arab Muslim world. My main interest is to explore the various discursive articulations of female identity that are challenged or foregrounded as a positive model. The essay points to the serious pitfalls of some feminist narrat…
The Postcolonial Arabic Novel
Muhsin Jassim Al-Musawi’s book offers a fresh contribution not only tostudies in Arabic literature but also to postcolonial critique, cultural criticism,comparative literature, and cross-cultural studies. Its interest lies inthe fact that it introduces a relatively less explored territory in postcolonialthought and cultural criticism: namely, Arabic literature. Theattention of many western and non-western scholars in the field has long been direc…
Littrature-monde
This article proposes a reading of the Manifeste pour une littrature-monde en franais and the book version of it as a Babelian event, in order to discern the underlying assumptions of the authors' definition of littrature-monde. Central to this analysis is the recognition and exploration of the problematic use of the term monde and its qualifier en franais. The critical potential of the manifesto is explored and the limitations of its rhetoric ar…
Bringing into focus narrative text and subtext in Moroccan film
As a reading of a (forbidden) Moroccan love story, this article examines the ways in which the narrative structure of Laila Marrakchi's Marock (2005) creates meaning by presenting the image not only as a ‘story’ (or content), but also as ‘narration’ (or an act of enunciation) that delivers ‘new images’ (in the Deuleuzian sense) of Moroccan society. In addition to the emblematic title, which expresses the notion of identity formation through proce…
Introduction Les Vies multiples d’Abdellatif Laâbi
Introduction Les Vies multiples d’Abdellatif Laâbi Safoi Babana-Hampton (bio) Poète avant-gardiste, romancier intimiste, défricheur d’une nouvelle culture des revues littéraires dans le Maroc postcolonial, écrivain cosmopolite, intellectuel engagé et ancien détenu politique, l’éminent poète marocain et prix Goncourt Abdellatif Laâbi marqua singulièrement par son long et riche parcours le paysage littéraire du Maroc postcolonial, aussi bien que l’…
Translating the Postcolonial Condition in Souffles-Anfas
Engaging with recent postcolonial scholarship on translation, this article attempts to shed light on the manner in which Souffles-Anfas’s translation practice, though situated in the peak of Arab nationalist and Pan-Africanist movements and in the Cold War climate, enabled it to function in ways that recent scholarship in postcolonial and global studies attributes primarily to cultural practices, reading trends and discursive strategies that are …
Art (5 obras) · Sociology (5 obras) · Literature (4 obras) · Aesthetics (3 obras) · African history and culture studies (3 obras) · Gender Studies (3 obras) · History (3 obras) · History (3 obras) · Identity (music (3 obras) · Philosophy (3 obras)