Said Chemlal
Datos Biográficos
| ID | 1449023 |
|---|---|
| NOMBRE | Said Chemlal |
| NOMBRES | Said |
| APELLIDO | Chemlal |
| FIRMA | CHEMLAL S |
| AFILIACIONES | Sidi Mohamed Ben Abdellah University |
| ORCID | 0000-0003-4789-5561 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAS | 2 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2019 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 1 |
Farida Benlyazid and Moroccan Cinema, by Florence Martin
Rhythms of coexistence
Moroccan Cinema Uncut
Review of: Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives , Will Higbee, Florence Martin and Jamal Bahmad (2020) Edinburgh: Edinburgh University Press, 277 pp., ISBN 978-1-47447-793-2, h/bk, USD 80
Screening femininity and Amazighness in Narjiss Nejjar'sDry Eyes
This article aims to cast light on one of Moroccan women's cinematic voices: Narjiss Nejjar. Thanks to her growing filmography, she is nowadays considered a promising member of women's film community in the country. Her debut feature film Al-Oyoun Al-Jaffa (Les Yeux Secs/Dry Eyes, Morocco and France, 2003) has been widely acclaimed. I argue that this work negotiates female spectatorship through two main strategies. First, it represents Amazigh (B…
Arab World Cinemas
Arab Modernism as World Cinema
Screening femininity and Amazighness in Narjiss Nejjar'sDry Eyes
This article aims to cast light on one of Moroccan women's cinematic voices: Narjiss Nejjar. Thanks to her growing filmography, she is nowadays considered a promising member of women's film community in the country. Her debut feature film Al-Oyoun Al-Jaffa (Les Yeux Secs/Dry Eyes, Morocco and France, 2003) has been widely acclaimed. I argue that this work negotiates female spectatorship through two main strategies. First, it represents Amazigh (B…
Screening femininity and Amazighness in Narjiss Nejjar'sDry Eyes
This article aims to cast light on one of Moroccan women's cinematic voices: Narjiss Nejjar. Thanks to her growing filmography, she is nowadays considered a promising member of women's film community in the country. Her debut feature film Al-Oyoun Al-Jaffa (Les Yeux Secs/Dry Eyes, Morocco and France, 2003) has been widely acclaimed. I argue that this work negotiates female spectatorship through two main strategies. First, it represents Amazigh (B…
Moroccan Cinema Uncut
Review of: Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives , Will Higbee, Florence Martin and Jamal Bahmad (2020) Edinburgh: Edinburgh University Press, 277 pp., ISBN 978-1-47447-793-2, h/bk, USD 80
Arab World Cinemas
Arab Modernism as World Cinema
Farida Benlyazid and Moroccan Cinema, by Florence Martin
Rhythms of coexistence
Art (5 obras) · Middle East Politics and Society (5 obras) · Movie theater (5 obras) · Art history (4 obras) · Sociology (4 obras) · Jewish and Middle Eastern Studies (3 obras) · Political science (3 obras) · Aesthetics (2 obras) · African history and culture studies (2 obras) · History (2 obras)