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Paul D Greene

Datos Biográficos

ID144982
NOMBREPaul D Greene
NOMBRESPaul D
APELLIDOGreene
FIRMAGREENE P D
AFILIACIONESPennsylvania State University
VERIFICADONo
TOTAL DE OBRAS13
TOTAL DE CITAS29
TOTAL COMO AUTOR12
TOTAL COMO EDITOR1
PRIMER AÑO DE PUBLICACIÓN1999
AÑO MÁS RECIENTE DE PUBLICACIÓN2012
ÍNDICE H3
  • Finding Grace in the Concert Hall

    Open Access•Paul D Greene•ARTICLE•American Ethnologist•2012

  • Metal Rules the Globe

    Jeremy Wallach, Harris M Berger et al.•BOOK•Metal Rules the Globe•2011

  • Folk Songs of Nepal

    Paul D Greene•ARTICLE•Ethnomusicology•2008

    Book Review| January 01 2008 Folk Songs of Nepal Folk Songs of Nepal, Stefano Castelli. Paul D. Greene Paul D. Greene Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (1): 147–150. https://doi.org/10.2307/20174578 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Paul D. Greene; Folk Songs of Nepal. Ethnomusicology 1 January 2008; 52 (1): 147–150. doi: https://doi…

  • "If Each Comes Halfway"

    Paul D Greene•ARTICLE•Asian Music•2006

    Reviewed by: "If Each Comes Halfway": Meeting Tamang Women in Nepal Paul D. Greene (bio) "If Each Comes Halfway": Meeting Tamang Women in Nepal. Kathryn S. March. Ithaca: Cornell University Press, 2002. xvi + 271 pp., photographs, figures, map, glossary, bibliography, index, CD (36 tracks) of field recordings of Tamang women's narratives and songs, recorded by Kathryn S. March and David H. Holmberg, together with recorded introductions in English…

  • Masterdrummers of Nepal Present Auspicious Drumming Traditions of Bhaktapur

    Paul D Greene, Gert-Matthias Wegner et al.•ARTICLE•Ethnomusicology•2003

  • Ordering a Sacred Terrain

    Paul D Greene•ARTICLE•Ethnomusicology•2003•Citada por: 3•Referencias: 3

    A partir de l'exemple des pelerinages musicaux dans la vallee de Katmandu pendant le mois saint Gunlā des bouddhistes newar, l'A. examine le pouvoir de la pratique musicale dans la construction du lieu du point de vue des praticiens. Il soutient que le pelerinage musical - la musique comme une riviere - peut eclairer, d'une maniere que d'autres pelerinages ne peuvent pas, le mārg bouddhiste et son pouvoir dans l'assignation d'un ordre a un terrai…

  • Mixed messages

    Open Access•Paul Greene, Paul D Greene•ARTICLE•Popular Music•2001•Citada por: 11•Referencias: 3

    This is an age of jazz . This is an age of having long, tangled hair, and of [young men] wearing an earring, and of wearing caps backwards [with the visor in the back]. And it is also a period of rap . Some raps are known as bhatti rap and some are known as party rap . And some are meaningless raps . But at this moment it is a time of deusee rap . Deusee rap !! Opening rap in ‘Deusee rey extended mix’ by Brazesh Khanal (translated from Nepali; un…

  • Sounding the Center

    Paul D Greene, Deborah Wong•ARTICLE•Yearbook for Traditional Music•2001

    Sounding the Centre is an in-depth look at the power behind classical music and dance in Bangkok, the capital and sacred centre of Buddhist Thailand. Focusing on the ritual honouring teachers of music and dance, Deborah A. Wong reveals a complex network of connections among kings, teachers, knowledge and performance that underlies the classical court arts. Drawing on her extensive fieldwork, Wong lays out the ritual in detail: the way it is enact…

  • Authoring the Folk

    Paul D Greene•ARTICLE•Journal of Intercultural Studies•2001•Citada por: 1•Referencias: 4

    This is a case study of gramiya songs in the Indian state of Tamil Nadu. Gramiya songs are village folksongs collected and reworked into commercially viable music and marketed on audio cassettes. The songs are cultural vehicles, and also political vehicles, which allow villagers throughout the region to imagine and celebrate a shared Tamil rural culture. I examine how gramiya singer-producer-scholar Pushpavanam Kuppuswamy transforms a field recor…

  • Handheld Computers as Tools for Writing and Managing Field Data

    Open Access•Paul D Greene•ARTICLE•CAM•2001•Citada por: 7•Referencias: 2

    Pocket-size handheld computers are powerful, versatile, and rugged tools for taking down and managing ethnographic information. They can increase the speed of writing field data, allowing an ethnographer to take more detailed notes and retain information that might otherwise be lost. They also facilitate new, specifically electronic styles of data collection and management. As nonlinear inscription technologies, they can search, cross-reference, …

  • At the crossroads of languages, musics, and emotions in Kathmandu

    Paul D Greene, David R Henderson•ARTICLE•Popular Music & Society•2000•Citada por: 3•Referencias: 10

  • India

    Paul D Greene, Keiji Azami•ARTICLE•Yearbook for Traditional Music•1999

  • Sound Engineering in a Tamil Village

    Paul D Greene•ARTICLE•Ethnomusicology•1999•Citada por: 4

    today is the widespread incorporation of electronic sound technology into even the most remote cultural settings. As people of the world use this technology, new, culture-specific meanings and functions for the music emerge in immediate cultural settings. Ethnographers are beginning to document the many ways that technology and sounds are refunctioned (in the sense of Penley and Ross 1991:xi), and this new research is informing and perhaps challe…

  • Mixed messages

    Open Access•Paul Greene, Paul D Greene•ARTICLE•Popular Music•2001•Citada por: 11•Referencias: 3

    This is an age of jazz . This is an age of having long, tangled hair, and of [young men] wearing an earring, and of wearing caps backwards [with the visor in the back]. And it is also a period of rap . Some raps are known as bhatti rap and some are known as party rap . And some are meaningless raps . But at this moment it is a time of deusee rap . Deusee rap !! Opening rap in ‘Deusee rey extended mix’ by Brazesh Khanal (translated from Nepali; un…

  • Handheld Computers as Tools for Writing and Managing Field Data

    Open Access•Paul D Greene•ARTICLE•CAM•2001•Citada por: 7•Referencias: 2

    Pocket-size handheld computers are powerful, versatile, and rugged tools for taking down and managing ethnographic information. They can increase the speed of writing field data, allowing an ethnographer to take more detailed notes and retain information that might otherwise be lost. They also facilitate new, specifically electronic styles of data collection and management. As nonlinear inscription technologies, they can search, cross-reference, …

  • Sound Engineering in a Tamil Village

    Paul D Greene•ARTICLE•Ethnomusicology•1999•Citada por: 4

    today is the widespread incorporation of electronic sound technology into even the most remote cultural settings. As people of the world use this technology, new, culture-specific meanings and functions for the music emerge in immediate cultural settings. Ethnographers are beginning to document the many ways that technology and sounds are refunctioned (in the sense of Penley and Ross 1991:xi), and this new research is informing and perhaps challe…

  • Ordering a Sacred Terrain

    Paul D Greene•ARTICLE•Ethnomusicology•2003•Citada por: 3•Referencias: 3

    A partir de l'exemple des pelerinages musicaux dans la vallee de Katmandu pendant le mois saint Gunlā des bouddhistes newar, l'A. examine le pouvoir de la pratique musicale dans la construction du lieu du point de vue des praticiens. Il soutient que le pelerinage musical - la musique comme une riviere - peut eclairer, d'une maniere que d'autres pelerinages ne peuvent pas, le mārg bouddhiste et son pouvoir dans l'assignation d'un ordre a un terrai…

  • At the crossroads of languages, musics, and emotions in Kathmandu

    Paul D Greene, David R Henderson•ARTICLE•Popular Music & Society•2000•Citada por: 3•Referencias: 10

  • Authoring the Folk

    Paul D Greene•ARTICLE•Journal of Intercultural Studies•2001•Citada por: 1•Referencias: 4

    This is a case study of gramiya songs in the Indian state of Tamil Nadu. Gramiya songs are village folksongs collected and reworked into commercially viable music and marketed on audio cassettes. The songs are cultural vehicles, and also political vehicles, which allow villagers throughout the region to imagine and celebrate a shared Tamil rural culture. I examine how gramiya singer-producer-scholar Pushpavanam Kuppuswamy transforms a field recor…

  • India

    Paul D Greene, Keiji Azami•ARTICLE•Yearbook for Traditional Music•1999

  • Sound Engineering in a Tamil Village

    Paul D Greene•ARTICLE•Ethnomusicology•1999•Citada por: 4

    today is the widespread incorporation of electronic sound technology into even the most remote cultural settings. As people of the world use this technology, new, culture-specific meanings and functions for the music emerge in immediate cultural settings. Ethnographers are beginning to document the many ways that technology and sounds are refunctioned (in the sense of Penley and Ross 1991:xi), and this new research is informing and perhaps challe…

  • At the crossroads of languages, musics, and emotions in Kathmandu

    Paul D Greene, David R Henderson•ARTICLE•Popular Music & Society•2000•Citada por: 3•Referencias: 10

  • Mixed messages

    Open Access•Paul Greene, Paul D Greene•ARTICLE•Popular Music•2001•Citada por: 11•Referencias: 3

    This is an age of jazz . This is an age of having long, tangled hair, and of [young men] wearing an earring, and of wearing caps backwards [with the visor in the back]. And it is also a period of rap . Some raps are known as bhatti rap and some are known as party rap . And some are meaningless raps . But at this moment it is a time of deusee rap . Deusee rap !! Opening rap in ‘Deusee rey extended mix’ by Brazesh Khanal (translated from Nepali; un…

  • Sounding the Center

    Paul D Greene, Deborah Wong•ARTICLE•Yearbook for Traditional Music•2001

    Sounding the Centre is an in-depth look at the power behind classical music and dance in Bangkok, the capital and sacred centre of Buddhist Thailand. Focusing on the ritual honouring teachers of music and dance, Deborah A. Wong reveals a complex network of connections among kings, teachers, knowledge and performance that underlies the classical court arts. Drawing on her extensive fieldwork, Wong lays out the ritual in detail: the way it is enact…

  • Authoring the Folk

    Paul D Greene•ARTICLE•Journal of Intercultural Studies•2001•Citada por: 1•Referencias: 4

    This is a case study of gramiya songs in the Indian state of Tamil Nadu. Gramiya songs are village folksongs collected and reworked into commercially viable music and marketed on audio cassettes. The songs are cultural vehicles, and also political vehicles, which allow villagers throughout the region to imagine and celebrate a shared Tamil rural culture. I examine how gramiya singer-producer-scholar Pushpavanam Kuppuswamy transforms a field recor…

  • Handheld Computers as Tools for Writing and Managing Field Data

    Open Access•Paul D Greene•ARTICLE•CAM•2001•Citada por: 7•Referencias: 2

    Pocket-size handheld computers are powerful, versatile, and rugged tools for taking down and managing ethnographic information. They can increase the speed of writing field data, allowing an ethnographer to take more detailed notes and retain information that might otherwise be lost. They also facilitate new, specifically electronic styles of data collection and management. As nonlinear inscription technologies, they can search, cross-reference, …

  • Masterdrummers of Nepal Present Auspicious Drumming Traditions of Bhaktapur

    Paul D Greene, Gert-Matthias Wegner et al.•ARTICLE•Ethnomusicology•2003

  • Ordering a Sacred Terrain

    Paul D Greene•ARTICLE•Ethnomusicology•2003•Citada por: 3•Referencias: 3

    A partir de l'exemple des pelerinages musicaux dans la vallee de Katmandu pendant le mois saint Gunlā des bouddhistes newar, l'A. examine le pouvoir de la pratique musicale dans la construction du lieu du point de vue des praticiens. Il soutient que le pelerinage musical - la musique comme une riviere - peut eclairer, d'une maniere que d'autres pelerinages ne peuvent pas, le mārg bouddhiste et son pouvoir dans l'assignation d'un ordre a un terrai…

  • "If Each Comes Halfway"

    Paul D Greene•ARTICLE•Asian Music•2006

    Reviewed by: "If Each Comes Halfway": Meeting Tamang Women in Nepal Paul D. Greene (bio) "If Each Comes Halfway": Meeting Tamang Women in Nepal. Kathryn S. March. Ithaca: Cornell University Press, 2002. xvi + 271 pp., photographs, figures, map, glossary, bibliography, index, CD (36 tracks) of field recordings of Tamang women's narratives and songs, recorded by Kathryn S. March and David H. Holmberg, together with recorded introductions in English…

  • Folk Songs of Nepal

    Paul D Greene•ARTICLE•Ethnomusicology•2008

    Book Review| January 01 2008 Folk Songs of Nepal Folk Songs of Nepal, Stefano Castelli. Paul D. Greene Paul D. Greene Search for other works by this author on: This Site Google Ethnomusicology (2008) 52 (1): 147–150. https://doi.org/10.2307/20174578 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Paul D. Greene; Folk Songs of Nepal. Ethnomusicology 1 January 2008; 52 (1): 147–150. doi: https://doi…

  • Metal Rules the Globe

    Jeremy Wallach, Harris M Berger et al.•BOOK•Metal Rules the Globe•2011

  • Finding Grace in the Concert Hall

    Open Access•Paul D Greene•ARTICLE•American Ethnologist•2012

History (9 obras) · Art (8 obras) · Literature (7 obras) · Diverse Musicological Studies (6 obras) · Musical (6 obras) · Visual arts (6 obras) · Anthropological Studies and Insights (5 obras) · Sociology (5 obras) · Aesthetics (4 obras) · History (4 obras)

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