Deborah Pacini Hernandez
Datos Biográficos
| ID | 145245 |
|---|---|
| NOMBRE | Deborah Pacini Hernandez |
| NOMBRES | Deborah Pacini |
| APELLIDO | Hernandez |
| FIRMA | HERNANDEZ D P |
| AFILIACIONES | Tufts University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 22 |
| TOTAL DE CITAS | 19 |
| TOTAL COMO AUTOR | 21 |
| TOTAL COMO EDITOR | 2 |
| PRIMER AÑO DE PUBLICACIÓN | 1990 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2017 |
| ÍNDICE H | 2 |
The Name Game
Petra Rivera-Rideau,Remixing reggaeton
Remixing Reggaeton focuses on the socio-cultural implications of a popular music that coalesced as a genre in the 1990s in San Juan, Puerto Rico. Reggaeton’s origins and subsequent developments hav
Urban Bachata and Dominican Racial Identity in New York
Bachata is a guitar-centered style characterized by romantic lyrics and a highly emotional singing style that coalesced as a style in the Dominican Republic in the 1970s. Bachata’s fans and practitioners were primarily of African descent, but due to the Dominican Republic’s history of repudiating its African heritage, bachata was considered poor people’s music rather than a form of black music. Bachata’s social profile began to change when it was…
Musical Dialogues Between the Dominican Republic and New York
Las políticas de hibridez y mestizaje en la música popular de los latinos en los Estados Unidos
Por mucho tiempo, las teorías del mestizaje han sido utilizadas para analizar e interpretar la hibridez de las identidades y culturas latinoamericanas, pero el mestizaje –al igual que sus críticas– no es un concepto adecuado en el caso de los espacios sociales, culturales y políticos que ocupan en los Estados Unidos las comunidades latinas y sus producciones musicales. A través del análisis de las profundas líneas de falla que existen en la inter…
Reggaeton
Reggaeton
Building Bridges Across the Digital Divide
Amalgamating Musics
Latin American popular musics have long been recognized as one of the more felicitous consequences of racial and cultural mestizaje that followed the otherwise violent and repressive post-1492 encounters between European, Amerindian, and African cultures. Recently, the study of this rich and diverse musical domain and its recent U.S. offshoots has come of age, as the plethora of books and articles being published on the topic within the last few …
From Bomba to Hip Hop
Deborah Pacini Hernandez and Reebee Garofalo
New perspectives on music and identity in the African Diaspora
Dibango, Manu, in collaboration with Danielle Rouard (translated by Beth G. Raps). Three Kilos of Coffee: An Autobiography. Chicago: University of Chicago Press, 1994. xi + 148 pp. including discography and index. $13.95 paper. Béhague, Gerard, ed. Music and Black Ethnicity: The Caribbean and South America, Miami: University of Miami North‐South Center, 1994. 330 pp. including chapter references and index. $24.95 paper
Dancing with the Enemy
Up until 1959, Cuba was one of the most influential sources of popular music styles in the world: Cuban dance crazes such as the mambo, chacha, and rumba had swept the Americas and Europe, while in extensive regions of Africa the Cuban son had dominated the popular music landscape. Cuban rhythms had also left a profound imprint on U.S. jazz (J. S. Roberts, 1985; Boggs, 1992) and even, to a lesser extent, rock music (Palmer, 1988). Indeed, only Af…
Bachata
Bachata
Salsa! Havana Heat, Bronx Beat
A journey through the development of modern Salsa music. Evocative use of song lyrics bring colour and passion to this lively profile of Latin dance music
Salsa! Havana Heat, Bronx Beat
Sound Systems, World Beat and Diasporan Identity in Cartagena, Colombia
Diaspora 5:3 1996 Sound Systems, World Beat and Diasporan Identity in Cartagena, Colombia Deborah Pacini Hernandez Brown University In the early 1990s, anthropologists such as James Clifford and Arjun Appadurai began examining transnational cultural exchanges , in which people, capital, ideas, and culture flowed freely across boundaries and changed the relationship not only between center and periphery but also between different locations along t…
Rethinking the Popular
Bachata
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Cumbia Cumbia
La lucha sonora
Cantando la cama vacía
Several patterns emerge in bachata's discussions of love, sex and relationships with women. There is little sense of place in the songs - rarely is a specific place name mentioned or invoked, in marked contrast to other Caribbean musical genres associated with listeners of rural origins, in which place names are constantly invoked for affective purposes. The people in bachata songs do not seem to exist anywhere - except the bar, which, I suggest,…
Bachata
Sound Systems, World Beat and Diasporan Identity in Cartagena, Colombia
Diaspora 5:3 1996 Sound Systems, World Beat and Diasporan Identity in Cartagena, Colombia Deborah Pacini Hernandez Brown University In the early 1990s, anthropologists such as James Clifford and Arjun Appadurai began examining transnational cultural exchanges , in which people, capital, ideas, and culture flowed freely across boundaries and changed the relationship not only between center and periphery but also between different locations along t…
Urban Bachata and Dominican Racial Identity in New York
Bachata is a guitar-centered style characterized by romantic lyrics and a highly emotional singing style that coalesced as a style in the Dominican Republic in the 1970s. Bachata’s fans and practitioners were primarily of African descent, but due to the Dominican Republic’s history of repudiating its African heritage, bachata was considered poor people’s music rather than a form of black music. Bachata’s social profile began to change when it was…
Dancing with the Enemy
Up until 1959, Cuba was one of the most influential sources of popular music styles in the world: Cuban dance crazes such as the mambo, chacha, and rumba had swept the Americas and Europe, while in extensive regions of Africa the Cuban son had dominated the popular music landscape. Cuban rhythms had also left a profound imprint on U.S. jazz (J. S. Roberts, 1985; Boggs, 1992) and even, to a lesser extent, rock music (Palmer, 1988). Indeed, only Af…
Rethinking the Popular
Bachata
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
La lucha sonora
Cantando la cama vacía
Several patterns emerge in bachata's discussions of love, sex and relationships with women. There is little sense of place in the songs - rarely is a specific place name mentioned or invoked, in marked contrast to other Caribbean musical genres associated with listeners of rural origins, in which place names are constantly invoked for affective purposes. The people in bachata songs do not seem to exist anywhere - except the bar, which, I suggest,…
La lucha sonora
Bachata
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Cumbia Cumbia
Salsa! Havana Heat, Bronx Beat
A journey through the development of modern Salsa music. Evocative use of song lyrics bring colour and passion to this lively profile of Latin dance music
Salsa! Havana Heat, Bronx Beat
Sound Systems, World Beat and Diasporan Identity in Cartagena, Colombia
Diaspora 5:3 1996 Sound Systems, World Beat and Diasporan Identity in Cartagena, Colombia Deborah Pacini Hernandez Brown University In the early 1990s, anthropologists such as James Clifford and Arjun Appadurai began examining transnational cultural exchanges , in which people, capital, ideas, and culture flowed freely across boundaries and changed the relationship not only between center and periphery but also between different locations along t…
Rethinking the Popular
Bachata
New perspectives on music and identity in the African Diaspora
Dibango, Manu, in collaboration with Danielle Rouard (translated by Beth G. Raps). Three Kilos of Coffee: An Autobiography. Chicago: University of Chicago Press, 1994. xi + 148 pp. including discography and index. $13.95 paper. Béhague, Gerard, ed. Music and Black Ethnicity: The Caribbean and South America, Miami: University of Miami North‐South Center, 1994. 330 pp. including chapter references and index. $24.95 paper
Dancing with the Enemy
Up until 1959, Cuba was one of the most influential sources of popular music styles in the world: Cuban dance crazes such as the mambo, chacha, and rumba had swept the Americas and Europe, while in extensive regions of Africa the Cuban son had dominated the popular music landscape. Cuban rhythms had also left a profound imprint on U.S. jazz (J. S. Roberts, 1985; Boggs, 1992) and even, to a lesser extent, rock music (Palmer, 1988). Indeed, only Af…
Bachata
Deborah Pacini Hernandez and Reebee Garofalo
From Bomba to Hip Hop
Amalgamating Musics
Latin American popular musics have long been recognized as one of the more felicitous consequences of racial and cultural mestizaje that followed the otherwise violent and repressive post-1492 encounters between European, Amerindian, and African cultures. Recently, the study of this rich and diverse musical domain and its recent U.S. offshoots has come of age, as the plethora of books and articles being published on the topic within the last few …
Building Bridges Across the Digital Divide
Reggaeton
Reggaeton
Las políticas de hibridez y mestizaje en la música popular de los latinos en los Estados Unidos
Por mucho tiempo, las teorías del mestizaje han sido utilizadas para analizar e interpretar la hibridez de las identidades y culturas latinoamericanas, pero el mestizaje –al igual que sus críticas– no es un concepto adecuado en el caso de los espacios sociales, culturales y políticos que ocupan en los Estados Unidos las comunidades latinas y sus producciones musicales. A través del análisis de las profundas líneas de falla que existen en la inter…
Musical Dialogues Between the Dominican Republic and New York
Urban Bachata and Dominican Racial Identity in New York
Bachata is a guitar-centered style characterized by romantic lyrics and a highly emotional singing style that coalesced as a style in the Dominican Republic in the 1970s. Bachata’s fans and practitioners were primarily of African descent, but due to the Dominican Republic’s history of repudiating its African heritage, bachata was considered poor people’s music rather than a form of black music. Bachata’s social profile began to change when it was…
Petra Rivera-Rideau,Remixing reggaeton
Remixing Reggaeton focuses on the socio-cultural implications of a popular music that coalesced as a genre in the 1990s in San Juan, Puerto Rico. Reggaeton’s origins and subsequent developments hav
The Name Game
Art (13 obras) · History (12 obras) · Music History and Culture (12 obras) · Sociology (12 obras) · Political science (10 obras) · Caribbean history, culture, and politics (9 obras) · Cuban History and Society (7 obras) · Latin American and Latino Studies (7 obras) · Computer Science (6 obras) · Gender Studies (6 obras)