Paul Harkins
Datos Biográficos
| ID | 1462232 |
|---|---|
| NOMBRE | Paul Harkins |
| NOMBRES | Paul |
| APELLIDO | Harkins |
| FIRMA | HARKINS P |
| AFILIACIONES | Edinburgh Napier University |
| ORCID | 0000-0001-7377-6879 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAS | 23 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1959 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2025 |
| ÍNDICE H | 3 |
Introduction to Special Issue
In this introduction to this special issue we make the case for a domestic turn in popular music studies, a programmatic invitation for a direct and sustained pivot to the home in all its variable forms and leaky complexity. We point to the lack of concerted treatment of the home in popular music studies while identifying its centrality to debates about creative labor, the changing nature of (live) music, and gendered inequalities in musical prac…
(Dis)locating Democratization
This article examines the concept of democratization and explains why it has been applied in unhelpful ways to the study of music. We focus on three examples to illustrate the real-world complexities involved in the adoption of new technologies that are often seen as democratic by dint of their widespread use. We argue for a close-reading of the participatory practices of socially-located actors with music-making devices – one that asks detailed …
Popular Music and the Anthropocene
Ribac, F., & Harkins, P. (2020). Popular Music and the Anthropocene. Popular Music, 39(1), 1-21. https://doi.org/10.1017/s0261143019000539
Cult Sound Studies
No abstract available
Popular Music and the Anthropocene
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Extending the Term
After the UK government commissioned a review of intellectual property in 2005, a campaign to “Extend the Term” of copyright in sound recordings was orchestrated by trade magazine Music Week on behalf of the recording industry and performing artists. Alan McGee was one of the few dissenting voices and stated quite explicitly that the campaign was motivated by major record companies wanting to protect their profits from the back catalogs of herita…
La transmission perdue et retrouvée
Selon Brian Eno le studio d'enregistrement est un outil de composition qui a permis aux musiciens de bénéficier d'une relation plus directe avec le son. Cet article se propose d'examiner le rôle du sampler en tant que technologie intimement lié au processus de création. La plupart des publications universitaires sur le sampling dévient de leur sujet initial pour s'intéresser aux conséquences de l'utilisation de ces outils sur les droits d'auteur.…
Contextual incongruity and musical congruity
The academic literature on mash-ups has been dominated by discussions about issues relating to their illegal nature and infringement of copyright. We aim to appraise this musical style with a socio-musicological approach to focus on its aesthetics. We argue that mash-ups are characterised by two underlying principles, namely contextual incongruity of recognisable samples and musical congruity between the mashed tracks. Through our close analyses …
Discourses against judaizing Christians
Galen
"This translation of the two treatises of Galen, On the passions of the soul, and On the errors of the soul, is based ... on the text of Wilko de Boer, which appears in the fifth volume of the Corpus Medicorum Graecorum."
Autoallegory in Catullus 63 and 64
Contextual incongruity and musical congruity
The academic literature on mash-ups has been dominated by discussions about issues relating to their illegal nature and infringement of copyright. We aim to appraise this musical style with a socio-musicological approach to focus on its aesthetics. We argue that mash-ups are characterised by two underlying principles, namely contextual incongruity of recognisable samples and musical congruity between the mashed tracks. Through our close analyses …
Autoallegory in Catullus 63 and 64
(Dis)locating Democratization
This article examines the concept of democratization and explains why it has been applied in unhelpful ways to the study of music. We focus on three examples to illustrate the real-world complexities involved in the adoption of new technologies that are often seen as democratic by dint of their widespread use. We argue for a close-reading of the participatory practices of socially-located actors with music-making devices – one that asks detailed …
Popular Music and the Anthropocene
Ribac, F., & Harkins, P. (2020). Popular Music and the Anthropocene. Popular Music, 39(1), 1-21. https://doi.org/10.1017/s0261143019000539
Popular Music and the Anthropocene
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Extending the Term
After the UK government commissioned a review of intellectual property in 2005, a campaign to “Extend the Term” of copyright in sound recordings was orchestrated by trade magazine Music Week on behalf of the recording industry and performing artists. Alan McGee was one of the few dissenting voices and stated quite explicitly that the campaign was motivated by major record companies wanting to protect their profits from the back catalogs of herita…
Autoallegory in Catullus 63 and 64
Galen
"This translation of the two treatises of Galen, On the passions of the soul, and On the errors of the soul, is based ... on the text of Wilko de Boer, which appears in the fifth volume of the Corpus Medicorum Graecorum."
Discourses against judaizing Christians
Extending the Term
After the UK government commissioned a review of intellectual property in 2005, a campaign to “Extend the Term” of copyright in sound recordings was orchestrated by trade magazine Music Week on behalf of the recording industry and performing artists. Alan McGee was one of the few dissenting voices and stated quite explicitly that the campaign was motivated by major record companies wanting to protect their profits from the back catalogs of herita…
La transmission perdue et retrouvée
Selon Brian Eno le studio d'enregistrement est un outil de composition qui a permis aux musiciens de bénéficier d'une relation plus directe avec le son. Cet article se propose d'examiner le rôle du sampler en tant que technologie intimement lié au processus de création. La plupart des publications universitaires sur le sampling dévient de leur sujet initial pour s'intéresser aux conséquences de l'utilisation de ces outils sur les droits d'auteur.…
Contextual incongruity and musical congruity
The academic literature on mash-ups has been dominated by discussions about issues relating to their illegal nature and infringement of copyright. We aim to appraise this musical style with a socio-musicological approach to focus on its aesthetics. We argue that mash-ups are characterised by two underlying principles, namely contextual incongruity of recognisable samples and musical congruity between the mashed tracks. Through our close analyses …
Popular Music and the Anthropocene
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Cult Sound Studies
No abstract available
Popular Music and the Anthropocene
Ribac, F., & Harkins, P. (2020). Popular Music and the Anthropocene. Popular Music, 39(1), 1-21. https://doi.org/10.1017/s0261143019000539
(Dis)locating Democratization
This article examines the concept of democratization and explains why it has been applied in unhelpful ways to the study of music. We focus on three examples to illustrate the real-world complexities involved in the adoption of new technologies that are often seen as democratic by dint of their widespread use. We argue for a close-reading of the participatory practices of socially-located actors with music-making devices – one that asks detailed …
Introduction to Special Issue
In this introduction to this special issue we make the case for a domestic turn in popular music studies, a programmatic invitation for a direct and sustained pivot to the home in all its variable forms and leaky complexity. We point to the lack of concerted treatment of the home in popular music studies while identifying its centrality to debates about creative labor, the changing nature of (live) music, and gendered inequalities in musical prac…
Art (7 obras) · Music History and Culture (6 obras) · Visual arts (6 obras) · Diverse Musicological Studies (4 obras) · History (4 obras) · Philosophy (4 obras) · History (3 obras) · Musical (3 obras) · Popular music (3 obras) · Sociology (3 obras)