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Kirstin Gwyer

Datos Biográficos

ID1485791
NOMBREKirstin Gwyer
NOMBRESKirstin
APELLIDOGwyer
FIRMAGWYER K
AFILIACIONESModern Languages and Literature, Jesus College, Oxford OX1 3DW, UK
ORCID0000-0002-8110-3620
VERIFICADOSí
TOTAL DE OBRAS4
TOTAL DE CITAS3
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2014
AÑO MÁS RECIENTE DE PUBLICACIÓN2018
ÍNDICE H1
  • ‘You think your writing belongs to you?’

    Open Access•Kirstin Gwyer•ARTICLE•Humanities•2018

    This article examines a sub-category of recent Jewish post-Holocaust fiction that engages with the absent memory of the persecution its authors did not personally witness through the medium of intertextuality, but with intertextual recourse not to testimonial writing but to literature only unwittingly or retrospectively shadowed by the Holocaust. It will be proposed that this practice of intertextuality constitutes a response to the post-Holocaus…

  • Beyond Lateness? "Postmemory" and the Late(st) German-Language Family Novel

    Kirstin Gwyer•ARTICLE•New German Critique•2015•Citada por: 3

    Once a corollary of modernity, a response to innovation and acceleration, manifesting itself as decadence, pessimism, or an apocalyptic sense of living in an age nearing its end, lateness in our more recent-postmodern(ist), posthistorical, posttraumatic-times has been revaluated. No longer considered a cultural affliction, it has come to be viewed less as the inevitable condition of memory than, problematically, as a position of privilege from wh…

  • Encrypting the Past

    Kirstin Gwyer•BOOK•Encrypting the Past•2014

    Encrypting the Past' puts forward the interpretative category of the first-generation German-Jewish Holocaust novel and examines its representational strategies. With reference to works by H.G. Adler, Jenny Aloni, Elisabeth Augustin, Erich Fried, and Wolfgang Hildesheimer, and a concluding section on W.G. Sebald, it shows how Holocaust literature was being written decades before postwar authors such as Sebald were credited with having found new w…

  • The Unhoused Past

    Kirstin Gwyer•CHAPTER•Encrypting the Past•2014

  • Beyond Lateness? "Postmemory" and the Late(st) German-Language Family Novel

    Kirstin Gwyer•ARTICLE•New German Critique•2015•Citada por: 3

    Once a corollary of modernity, a response to innovation and acceleration, manifesting itself as decadence, pessimism, or an apocalyptic sense of living in an age nearing its end, lateness in our more recent-postmodern(ist), posthistorical, posttraumatic-times has been revaluated. No longer considered a cultural affliction, it has come to be viewed less as the inevitable condition of memory than, problematically, as a position of privilege from wh…

  • Encrypting the Past

    Kirstin Gwyer•BOOK•Encrypting the Past•2014

    Encrypting the Past' puts forward the interpretative category of the first-generation German-Jewish Holocaust novel and examines its representational strategies. With reference to works by H.G. Adler, Jenny Aloni, Elisabeth Augustin, Erich Fried, and Wolfgang Hildesheimer, and a concluding section on W.G. Sebald, it shows how Holocaust literature was being written decades before postwar authors such as Sebald were credited with having found new w…

  • The Unhoused Past

    Kirstin Gwyer•CHAPTER•Encrypting the Past•2014

  • Beyond Lateness? "Postmemory" and the Late(st) German-Language Family Novel

    Kirstin Gwyer•ARTICLE•New German Critique•2015•Citada por: 3

    Once a corollary of modernity, a response to innovation and acceleration, manifesting itself as decadence, pessimism, or an apocalyptic sense of living in an age nearing its end, lateness in our more recent-postmodern(ist), posthistorical, posttraumatic-times has been revaluated. No longer considered a cultural affliction, it has come to be viewed less as the inevitable condition of memory than, problematically, as a position of privilege from wh…

  • ‘You think your writing belongs to you?’

    Open Access•Kirstin Gwyer•ARTICLE•Humanities•2018

    This article examines a sub-category of recent Jewish post-Holocaust fiction that engages with the absent memory of the persecution its authors did not personally witness through the medium of intertextuality, but with intertextual recourse not to testimonial writing but to literature only unwittingly or retrospectively shadowed by the Holocaust. It will be proposed that this practice of intertextuality constitutes a response to the post-Holocaus…

Art (3 obras) · German History and Society (3 obras) · History (3 obras) · Literature (3 obras) · Literature and Cultural Memory (3 obras) · Philosophy (3 obras) · The Holocaust (3 obras) · Aesthetics (2 obras) · Epistemology (2 obras) · German (2 obras)

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