Claire Sponsler
Datos Biográficos
| ID | 1508811 |
|---|---|
| NOMBRE | Claire Sponsler |
| NOMBRES | Claire |
| APELLIDO | Sponsler |
| FIRMA | SPONSLER C |
| AFILIACIONES | University of Iowa |
| VERIFICADO | No |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAS | 11 |
| TOTAL COMO AUTOR | 17 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 1987 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2019 |
| ÍNDICE H | 2 |
Ritual Imports
Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled tha…
Arras Hanging
Rebecca Olson. Arras Hanging: The Textile That Determined Early Modern Literature and Drama. Newark, DE: University of Delaware Press, 2013. viii + 172 pp. $70. ISBN: 978-1-61149-468-6. - Volume 67 Issue 2
Knowing Poetry
This ambitious and rewarding book has as its starting point the early thirteenth-century canard that ‘No rhymed story is true,’ a claim promulgated by prose writers who held up their own form of writing as unvarnished truth that contrasted with the untrustworthy utterances of rhymed verse. Adrian Armstrong and Sarah Kay take aim against this self-serving assumption by charting what happened to poetry after prose seized the privileged position of …
Shakespeare and the Grammar of Forgiveness (review)
Reviewed by: Shakespeare and the Grammar of Forgiveness Claire Sponsler Shakespeare and the Grammar of Forgiveness. By Sarah Beckwith. Ithaca, NY: Cornell University Press, 2011; pp. 232. In the crowded field of Shakespeare studies, Sarah Beckwith has found an opening on two seldom-linked fronts. This study makes a new contribution both to studies of the enduring, universal, themes in Shakespeare’s works, and to studies of the specific cultural a…
Reading in the Wilderness
Love and Conflict in Medieval Drama
Robin Hood. The Early Poems, 1465-1560
John Lydgate
The Ambivalences of Medieval Religious Drama . Rainer Warning , Steven Rendall
In Transit
Journal of Medieval and Early Modern Studies - Volume 32, Number 1, Winter 2002
All the World's a Stage
Reviewed by: All The World’s A Stage: Www Links For Theatre History And Early Music Claire Sponsler All The World’s A Stage: Www Links For Theatre History And Early Music. By Abigail Ann Young. [Internet, WWW], ADDRESS: www.epas.utoronto.ca/~reed/stage Created and maintained by Abigail Ann Young for the Centre for Research in Early Drama and the Records of Early English Drama project (REED) [End Page 478] and based at the University of Toronto, A…
Queer Play
New Literary History - Volume 28, Number 2, Spring 1997
Beyond the Ruins
Although its heyday is over, cyberpunk’s influence continues in contemporary SF. This paper examines one of cyberpunk’s legacies—the blighted urban landscape as cyberpunk’s preferred setting. In classic post-holocaust fictions such as Pat Frank’s Alas, Babylon, Walter M. Miller, Jr’s A Canticle for Leibowitz, and Russell Hoban’s Riddley Walker, the ruined landscape is a sign of alienation, inhospitable and dangerous. In such cyberpunk-inspired no…
Cyberpunk and the Dilemmas of Postmodern Narrative
n recent years science fiction has with some success struggled against its ghettoization as lowbrow genre fiction. Readers and critics have defended science fiction as having not only tradition of its own but also considerable overlap with modernist and postmodernist literature. Simultaneously, theorists like Fredric Jameson, Jean Baudrillard, and Donna Haraway have turned to as, in Annette Kuhn's words, a privileged cultural site for enactments …
The Culture of the Spectator
In recent years, the drama of medieval Europe has received an unusual amount of attention, somewhat surprisingly given the marginalization it suffered for most of the twentieth century.' With, however, the decline of the ahistorical formalist paradigm, which favored the more obviously plays of the renaissance and later periods, the study of medieval drama has finally come into its own. An important though often undervalued strain of this new inte…
The Theatre of Medieval Europe
Society’s image
Ritual Imports
Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled tha…
The Culture of the Spectator
In recent years, the drama of medieval Europe has received an unusual amount of attention, somewhat surprisingly given the marginalization it suffered for most of the twentieth century.' With, however, the decline of the ahistorical formalist paradigm, which favored the more obviously plays of the renaissance and later periods, the study of medieval drama has finally come into its own. An important though often undervalued strain of this new inte…
Society’s image
The Theatre of Medieval Europe
Cyberpunk and the Dilemmas of Postmodern Narrative
n recent years science fiction has with some success struggled against its ghettoization as lowbrow genre fiction. Readers and critics have defended science fiction as having not only tradition of its own but also considerable overlap with modernist and postmodernist literature. Simultaneously, theorists like Fredric Jameson, Jean Baudrillard, and Donna Haraway have turned to as, in Annette Kuhn's words, a privileged cultural site for enactments …
The Culture of the Spectator
In recent years, the drama of medieval Europe has received an unusual amount of attention, somewhat surprisingly given the marginalization it suffered for most of the twentieth century.' With, however, the decline of the ahistorical formalist paradigm, which favored the more obviously plays of the renaissance and later periods, the study of medieval drama has finally come into its own. An important though often undervalued strain of this new inte…
Beyond the Ruins
Although its heyday is over, cyberpunk’s influence continues in contemporary SF. This paper examines one of cyberpunk’s legacies—the blighted urban landscape as cyberpunk’s preferred setting. In classic post-holocaust fictions such as Pat Frank’s Alas, Babylon, Walter M. Miller, Jr’s A Canticle for Leibowitz, and Russell Hoban’s Riddley Walker, the ruined landscape is a sign of alienation, inhospitable and dangerous. In such cyberpunk-inspired no…
Queer Play
New Literary History - Volume 28, Number 2, Spring 1997
All the World's a Stage
Reviewed by: All The World’s A Stage: Www Links For Theatre History And Early Music Claire Sponsler All The World’s A Stage: Www Links For Theatre History And Early Music. By Abigail Ann Young. [Internet, WWW], ADDRESS: www.epas.utoronto.ca/~reed/stage Created and maintained by Abigail Ann Young for the Centre for Research in Early Drama and the Records of Early English Drama project (REED) [End Page 478] and based at the University of Toronto, A…
In Transit
Journal of Medieval and Early Modern Studies - Volume 32, Number 1, Winter 2002
The Ambivalences of Medieval Religious Drama . Rainer Warning , Steven Rendall
John Lydgate
Love and Conflict in Medieval Drama
Robin Hood. The Early Poems, 1465-1560
Reading in the Wilderness
Knowing Poetry
This ambitious and rewarding book has as its starting point the early thirteenth-century canard that ‘No rhymed story is true,’ a claim promulgated by prose writers who held up their own form of writing as unvarnished truth that contrasted with the untrustworthy utterances of rhymed verse. Adrian Armstrong and Sarah Kay take aim against this self-serving assumption by charting what happened to poetry after prose seized the privileged position of …
Shakespeare and the Grammar of Forgiveness (review)
Reviewed by: Shakespeare and the Grammar of Forgiveness Claire Sponsler Shakespeare and the Grammar of Forgiveness. By Sarah Beckwith. Ithaca, NY: Cornell University Press, 2011; pp. 232. In the crowded field of Shakespeare studies, Sarah Beckwith has found an opening on two seldom-linked fronts. This study makes a new contribution both to studies of the enduring, universal, themes in Shakespeare’s works, and to studies of the specific cultural a…
Arras Hanging
Rebecca Olson. Arras Hanging: The Textile That Determined Early Modern Literature and Drama. Newark, DE: University of Delaware Press, 2013. viii + 172 pp. $70. ISBN: 978-1-61149-468-6. - Volume 67 Issue 2
Ritual Imports
Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled tha…
Art (15 obras) · History (14 obras) · Literature (11 obras) · History (9 obras) · Art history (6 obras) · Classics (6 obras) · Computer Science (6 obras) · Drama (6 obras) · Medieval Literature and History (6 obras) · Classics (5 obras)