Maris Gillette
Datos Biográficos
| ID | 151287 |
|---|---|
| NOMBRE | Maris Gillette |
| NOMBRES | Maris |
| APELLIDO | Gillette |
| FIRMA | GILLETTE M |
| AFILIACIONES | Haverford College, Haverford, PA, USA, |
| VERIFICADO | No |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAS | 11 |
| OBRAS COMO AUTOR | 10 |
| OBRAS COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2000 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 2 |
Toward Partnership Ethics for Generative Artificial Intelligence in Higher Education
Since generative artificial intelligence (genAI) applications became widely available in November 2022, university students and teachers have confronted choices about using genAI in coursework, research, and other tasks. In this article, we investigate Swedish university students’ and teachers’ perspectives on the ethics of genAI (non)use in higher education. Data comes from anonymous responses to voluntary online surveys and five focus group int…
Documenting, Dramatizing, and Representing C hina's Porcelain World in Broken Pots Broken Dreams
In this essay, I argue that a successful ethnographic film, like a good story, responds both to its film subjects and to its audience's expectations. I discuss why I made a film about J ingdezhen's porcelain workers (as opposed to a text) and the relationships, goals, ideas, and constraints that influenced the final film. I contextualize my process in a broader discussion of documentary and ethnographic filmmaking, looking at representation in do…
Chinese Entertainments, Filmed
The New Chinese Documentary Film Movement
Berry, Chris, Lu Xinyu, and Lisa Rofel, eds. The New Chinese Documentary Film Movement: For the Public Record. Hong Kong: Hong Kong University Press, 2010; 304 + xiv pp., ill. Hbk. ISBN 978-988-802
Process and Product in Collaborative Media
For two years between 2008 and 2010, I worked as a facilitator for a Philadelphia-based non-profit community media organization on a project where local people spoke out about the value of their own communities through the creation of a short documentary films. My job was to help community members tell the story that they wanted to tell, while ensuring that it met scholarly standards for historical and ethnographic research. In each of the two fi…
Copying, Counterfeiting, and Capitalism in Contemporary China
Eight months of ethnographic fieldwork in Jingdezhen between 2003 and 2006 revealed that copying and counterfeiting dominated porcelain production. Ideas about markets and the organization of production encouraged ceramists to copy and counterfeit in search of profit. At the same time, producers responded to others’ fraudulent acts by personalizing their market participation. Their network building was motivated by the belief that individuals wit…
Violence, the State, and a Chinese Muslim Ritual Remembrance
This article discusses how contemporary Chinese Muslims in the city of Xi'an remember a massive conflict between Muslims and non-Muslims that devastated northwest China in the Tongzhi period (1862–74) of the Qing dynasty. Every year on the seventeenth day of the fifth lunar month, local Hui hold a series of mourning rituals for the Muslims who died at that time. They recount stories about these events during the ritual and in other settings. The …
Women's Stories, Discourse, and "the Power of Feelings" in China
In this essay I investigate the interplay of personal, cultural, and official meanings in a brief autobiographical narrative told to me by a 79 year-old Chinese Muslim (Hui) woman from the old Muslim district of Xi'an in Shaanxi Province (China). Ethnographers of China have investigated the role that state discourse plays in Chinese citizens' historical narratives. Official discourse is said to constitute Chinese citizens' subjectivity and Chines…
East Asia Section
Four What's in a Dress? Brides in the Hui Quarter of Xi'an
Copying, Counterfeiting, and Capitalism in Contemporary China
Eight months of ethnographic fieldwork in Jingdezhen between 2003 and 2006 revealed that copying and counterfeiting dominated porcelain production. Ideas about markets and the organization of production encouraged ceramists to copy and counterfeit in search of profit. At the same time, producers responded to others’ fraudulent acts by personalizing their market participation. Their network building was motivated by the belief that individuals wit…
Violence, the State, and a Chinese Muslim Ritual Remembrance
This article discusses how contemporary Chinese Muslims in the city of Xi'an remember a massive conflict between Muslims and non-Muslims that devastated northwest China in the Tongzhi period (1862–74) of the Qing dynasty. Every year on the seventeenth day of the fifth lunar month, local Hui hold a series of mourning rituals for the Muslims who died at that time. They recount stories about these events during the ritual and in other settings. The …
Documenting, Dramatizing, and Representing C hina's Porcelain World in Broken Pots Broken Dreams
In this essay, I argue that a successful ethnographic film, like a good story, responds both to its film subjects and to its audience's expectations. I discuss why I made a film about J ingdezhen's porcelain workers (as opposed to a text) and the relationships, goals, ideas, and constraints that influenced the final film. I contextualize my process in a broader discussion of documentary and ethnographic filmmaking, looking at representation in do…
Women's Stories, Discourse, and "the Power of Feelings" in China
In this essay I investigate the interplay of personal, cultural, and official meanings in a brief autobiographical narrative told to me by a 79 year-old Chinese Muslim (Hui) woman from the old Muslim district of Xi'an in Shaanxi Province (China). Ethnographers of China have investigated the role that state discourse plays in Chinese citizens' historical narratives. Official discourse is said to constitute Chinese citizens' subjectivity and Chines…
Four What's in a Dress? Brides in the Hui Quarter of Xi'an
East Asia Section
Women's Stories, Discourse, and "the Power of Feelings" in China
In this essay I investigate the interplay of personal, cultural, and official meanings in a brief autobiographical narrative told to me by a 79 year-old Chinese Muslim (Hui) woman from the old Muslim district of Xi'an in Shaanxi Province (China). Ethnographers of China have investigated the role that state discourse plays in Chinese citizens' historical narratives. Official discourse is said to constitute Chinese citizens' subjectivity and Chines…
Violence, the State, and a Chinese Muslim Ritual Remembrance
This article discusses how contemporary Chinese Muslims in the city of Xi'an remember a massive conflict between Muslims and non-Muslims that devastated northwest China in the Tongzhi period (1862–74) of the Qing dynasty. Every year on the seventeenth day of the fifth lunar month, local Hui hold a series of mourning rituals for the Muslims who died at that time. They recount stories about these events during the ritual and in other settings. The …
Copying, Counterfeiting, and Capitalism in Contemporary China
Eight months of ethnographic fieldwork in Jingdezhen between 2003 and 2006 revealed that copying and counterfeiting dominated porcelain production. Ideas about markets and the organization of production encouraged ceramists to copy and counterfeit in search of profit. At the same time, producers responded to others’ fraudulent acts by personalizing their market participation. Their network building was motivated by the belief that individuals wit…
Process and Product in Collaborative Media
For two years between 2008 and 2010, I worked as a facilitator for a Philadelphia-based non-profit community media organization on a project where local people spoke out about the value of their own communities through the creation of a short documentary films. My job was to help community members tell the story that they wanted to tell, while ensuring that it met scholarly standards for historical and ethnographic research. In each of the two fi…
Chinese Entertainments, Filmed
The New Chinese Documentary Film Movement
Berry, Chris, Lu Xinyu, and Lisa Rofel, eds. The New Chinese Documentary Film Movement: For the Public Record. Hong Kong: Hong Kong University Press, 2010; 304 + xiv pp., ill. Hbk. ISBN 978-988-802
Documenting, Dramatizing, and Representing C hina's Porcelain World in Broken Pots Broken Dreams
In this essay, I argue that a successful ethnographic film, like a good story, responds both to its film subjects and to its audience's expectations. I discuss why I made a film about J ingdezhen's porcelain workers (as opposed to a text) and the relationships, goals, ideas, and constraints that influenced the final film. I contextualize my process in a broader discussion of documentary and ethnographic filmmaking, looking at representation in do…
Toward Partnership Ethics for Generative Artificial Intelligence in Higher Education
Since generative artificial intelligence (genAI) applications became widely available in November 2022, university students and teachers have confronted choices about using genAI in coursework, research, and other tasks. In this article, we investigate Swedish university students’ and teachers’ perspectives on the ethics of genAI (non)use in higher education. Data comes from anonymous responses to voluntary online surveys and five focus group int…
Art (6 obras) · Law (5 obras) · Political science (5 obras) · Sociology (5 obras) · China (4 obras) · History (4 obras) · Law (4 obras) · Aesthetics (3 obras) · Anthropology (3 obras) · China's Ethnic Minorities and Relations (3 obras)