Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Noemí Pereira-Ares

Datos Biográficos

ID157365
NOMBRENoemí Pereira-Ares
NOMBRESNoemí
APELLIDOPereira-Ares
FIRMAPEREIRA-ARES N
AFILIACIONESUniversidade de Santiago de Compostela
ORCID0000-0002-3489-5178
VERIFICADOSí
TOTAL DE OBRAS13
TOTAL DE CITAS11
TOTAL COMO AUTOR13
TOTAL COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2013
AÑO MÁS RECIENTE DE PUBLICACIÓN2026
ÍNDICE H2
  • “The finest coat in England”

    Open Access•Noemí Pereira-Ares•ARTICLE•Journal of Postcolonial Writing•2026

    Andrea Levy’s short story “That Polite Way that English People Have” follows Hortense – later developed into a protagonist from her novel Small Island – on her journey from Jamaica to Britain. Told from a female perspective, the story places a seemingly mundane garment – a coat – at the centre of the action. To examine the symbolism behind the coat that Hortense buys from her white employer and dons before departure, the article draws on works by…

  • Introduction

    Open Access•Laura Lojo-Rodríguez, Noemí Pereira-Ares•ARTICLE•Humanities•2024

    Refugeehood—whether triggered by religious intolerance, ethnic strife, political repression, war, or environmental factors—has been a constant throughout human history, but it was not until the twentieth century that refugees were endowed with legal status on an international level [...]

  • Clothescapes of Refugeehood

    Noemí Pereira-Ares•ARTICLE•Fashion Theory•2024•Citada por: 2•Referencias: 11

  • Moda, subalternidad y ecofeminismo en clave socio-literaria

    Open Access•Noemí Pereira-Ares, Noemí Pereira Ares•ARTICLE•Atlánticas Revista Internacional…•2023

    La actual industria de la moda encierra un sistema de producción y consumo en el que la explotación del medioambiente, la explotación de ciertas zonas geográficas y la explotación laboral —principalmente de mano de obra femenina— se interrelacionan de forma indisoluble. Partiendo de una metodología interdisciplinar que combina estudios ecofeministas y aproximaciones sociológicas a la moda en un contexto postcolonial, el presente trabajo persigue …

  • El octavo arte

    Open Access•Noemí Pereira-Ares, Noemí Pereira Ares•ARTICLE•deSignis•2020

    Obra ressenyada: J.M. PAZ GAGO, El octavo arte: la moda en la sociedad contemporánea. A Coruña: Hércules Ediciones, 2016

  • Introduction

    Open Access•Margarita Estévez-Saá, Manuela Palacios González et al.•ARTICLE•Estudios Irlandeses•2020

    Nature, animals, the landscape and the environment have enjoyed a recurrent presence and have indeed been constant protagonists in Irish literature and culture. The wild isolated island, originally feared or even despised by foreigners, progressively became that romanticised, pre-modern Arcadia imagined by tourists from the early twentieth century onwards. The once desolated and barren landscapes

  • The Woman & the Animal Trope. A critical selection of contemporary Irish poetry by Manuela Palacios-González, Margarita Estévez-Saá and Noemí Pereira-Ares

    Open Access•Manuela Palacios González, Margarita Estévez-Saá et al.•ARTICLE•Estudios Irlandeses•2020

    In these times of growing ecological awareness, one feels impelled to reflect upon the ways in which contemporary Irish poetry is conceiving and shaping the relationship between human and non-human animal life. Furthermore, social debates about animals’ rights run parallel to inquiries into interconnected forms of oppression and exploitation, as is the case with the

  • Meera Syal’s “The Traveller”

    Open Access•Noemí Pereira-Ares•ARTICLE•Atlantis Journal of the Spanish…•2020

    Committed to the exploration of the female experience—specifically the South Asian female experience—Meera Syal has often woven a feminist subtext into the fabric of her works. This is probably nowhere more evident than in “The Traveller” (1988), an allegorical short story that constitutes Syal’s more sustained effort to produce a feminist text per se. However, whereas Syal’s novels and screenplays have been accorded considerable critical attenti…

  • El octavo arte

    Noemí Pereira-Ares•ARTICLE•Fashion Theory•2018•Referencias: 1

    In El octavo arte: la moda en la sociedad contemporanea [The Eighth Art: Fashion in Contemporary Society], originally published in Spanish in 2016, Jose Maria Paz Gago discusses fashion in its dual

  • Fashion, Dress and Identity in South Asian Diaspora Narratives

    Open Access•Noemí Pereira-Ares•BOOK•Fashion, Dress and Identity in…•2017•Citada por: 3

  • Transculturalism and cultural translation in Cauvery Madhavan'sPaddy Indian

    Noemí Pereira-Ares•ARTICLE•Journal of Postcolonial Writing•2015•Citada por: 2•Referencias: 13

    Since the mid-20th century, literature in English has witnessed the appearance of a plethora of narratives that map the new territorialities of the Indian diaspora in places such as Britain, America, Canada, Australia or the Caribbean. Cauvery Madhavan's Paddy Indian portrays an Indo-Irish cultural encounter on Irish soil, thus offering a pioneering scenario which echoes Ireland's position as a country of immigration, rather than emigration. This…

  • Sartorial memories of a colonial past and a diasporic present in Kamala Markandaya’s The Nowhere Man

    Open Access•Noemí Pereira-Ares•ARTICLE•The Journal of Commonwealth…•2014•Citada por: 1•Referencias: 13

    The fictions of the South Asian diaspora in Britain have recurrently dramatized many of the sartorial confrontations, negotiations, and creative exchanges resulting from the interaction between Britons and South Asians on British soil. Some of them have also looked back to “clothing matters” (Tarlo, 1996) in colonial India, thus establishing a dialogue between the sartorial past and present of the protagonists. This is arguably nowhere more evide…

  • The politics of hijab in Monica Ali’s Brick Lane

    Open Access•Noemí Pereira-Ares•ARTICLE•The Journal of Commonwealth…•2013•Citada por: 3•Referencias: 18

    In Brick Lane, Monica Ali problematizes the practice of hijab both implicitly and explicitly. To this end, the British Bangladeshi writer does not simply open the discussion within the fictional world of the novel. She also creates a series of characters whose dressed bodies silently project a broad spectrum of attitudes towards hijab, attitudes that range from the rejection to the ardent celebration of such a practice. Relying on socio-cultural …

  • Fashion, Dress and Identity in South Asian Diaspora Narratives

    Open Access•Noemí Pereira-Ares•BOOK•Fashion, Dress and Identity in…•2017•Citada por: 3

  • The politics of hijab in Monica Ali’s Brick Lane

    Open Access•Noemí Pereira-Ares•ARTICLE•The Journal of Commonwealth…•2013•Citada por: 3•Referencias: 18

    In Brick Lane, Monica Ali problematizes the practice of hijab both implicitly and explicitly. To this end, the British Bangladeshi writer does not simply open the discussion within the fictional world of the novel. She also creates a series of characters whose dressed bodies silently project a broad spectrum of attitudes towards hijab, attitudes that range from the rejection to the ardent celebration of such a practice. Relying on socio-cultural …

  • Clothescapes of Refugeehood

    Noemí Pereira-Ares•ARTICLE•Fashion Theory•2024•Citada por: 2•Referencias: 11

  • Transculturalism and cultural translation in Cauvery Madhavan'sPaddy Indian

    Noemí Pereira-Ares•ARTICLE•Journal of Postcolonial Writing•2015•Citada por: 2•Referencias: 13

    Since the mid-20th century, literature in English has witnessed the appearance of a plethora of narratives that map the new territorialities of the Indian diaspora in places such as Britain, America, Canada, Australia or the Caribbean. Cauvery Madhavan's Paddy Indian portrays an Indo-Irish cultural encounter on Irish soil, thus offering a pioneering scenario which echoes Ireland's position as a country of immigration, rather than emigration. This…

  • Sartorial memories of a colonial past and a diasporic present in Kamala Markandaya’s The Nowhere Man

    Open Access•Noemí Pereira-Ares•ARTICLE•The Journal of Commonwealth…•2014•Citada por: 1•Referencias: 13

    The fictions of the South Asian diaspora in Britain have recurrently dramatized many of the sartorial confrontations, negotiations, and creative exchanges resulting from the interaction between Britons and South Asians on British soil. Some of them have also looked back to “clothing matters” (Tarlo, 1996) in colonial India, thus establishing a dialogue between the sartorial past and present of the protagonists. This is arguably nowhere more evide…

  • The politics of hijab in Monica Ali’s Brick Lane

    Open Access•Noemí Pereira-Ares•ARTICLE•The Journal of Commonwealth…•2013•Citada por: 3•Referencias: 18

    In Brick Lane, Monica Ali problematizes the practice of hijab both implicitly and explicitly. To this end, the British Bangladeshi writer does not simply open the discussion within the fictional world of the novel. She also creates a series of characters whose dressed bodies silently project a broad spectrum of attitudes towards hijab, attitudes that range from the rejection to the ardent celebration of such a practice. Relying on socio-cultural …

  • Sartorial memories of a colonial past and a diasporic present in Kamala Markandaya’s The Nowhere Man

    Open Access•Noemí Pereira-Ares•ARTICLE•The Journal of Commonwealth…•2014•Citada por: 1•Referencias: 13

    The fictions of the South Asian diaspora in Britain have recurrently dramatized many of the sartorial confrontations, negotiations, and creative exchanges resulting from the interaction between Britons and South Asians on British soil. Some of them have also looked back to “clothing matters” (Tarlo, 1996) in colonial India, thus establishing a dialogue between the sartorial past and present of the protagonists. This is arguably nowhere more evide…

  • Transculturalism and cultural translation in Cauvery Madhavan'sPaddy Indian

    Noemí Pereira-Ares•ARTICLE•Journal of Postcolonial Writing•2015•Citada por: 2•Referencias: 13

    Since the mid-20th century, literature in English has witnessed the appearance of a plethora of narratives that map the new territorialities of the Indian diaspora in places such as Britain, America, Canada, Australia or the Caribbean. Cauvery Madhavan's Paddy Indian portrays an Indo-Irish cultural encounter on Irish soil, thus offering a pioneering scenario which echoes Ireland's position as a country of immigration, rather than emigration. This…

  • Fashion, Dress and Identity in South Asian Diaspora Narratives

    Open Access•Noemí Pereira-Ares•BOOK•Fashion, Dress and Identity in…•2017•Citada por: 3

  • El octavo arte

    Noemí Pereira-Ares•ARTICLE•Fashion Theory•2018•Referencias: 1

    In El octavo arte: la moda en la sociedad contemporanea [The Eighth Art: Fashion in Contemporary Society], originally published in Spanish in 2016, Jose Maria Paz Gago discusses fashion in its dual

  • El octavo arte

    Open Access•Noemí Pereira-Ares, Noemí Pereira Ares•ARTICLE•deSignis•2020

    Obra ressenyada: J.M. PAZ GAGO, El octavo arte: la moda en la sociedad contemporánea. A Coruña: Hércules Ediciones, 2016

  • Introduction

    Open Access•Margarita Estévez-Saá, Manuela Palacios González et al.•ARTICLE•Estudios Irlandeses•2020

    Nature, animals, the landscape and the environment have enjoyed a recurrent presence and have indeed been constant protagonists in Irish literature and culture. The wild isolated island, originally feared or even despised by foreigners, progressively became that romanticised, pre-modern Arcadia imagined by tourists from the early twentieth century onwards. The once desolated and barren landscapes

  • The Woman & the Animal Trope. A critical selection of contemporary Irish poetry by Manuela Palacios-González, Margarita Estévez-Saá and Noemí Pereira-Ares

    Open Access•Manuela Palacios González, Margarita Estévez-Saá et al.•ARTICLE•Estudios Irlandeses•2020

    In these times of growing ecological awareness, one feels impelled to reflect upon the ways in which contemporary Irish poetry is conceiving and shaping the relationship between human and non-human animal life. Furthermore, social debates about animals’ rights run parallel to inquiries into interconnected forms of oppression and exploitation, as is the case with the

  • Meera Syal’s “The Traveller”

    Open Access•Noemí Pereira-Ares•ARTICLE•Atlantis Journal of the Spanish…•2020

    Committed to the exploration of the female experience—specifically the South Asian female experience—Meera Syal has often woven a feminist subtext into the fabric of her works. This is probably nowhere more evident than in “The Traveller” (1988), an allegorical short story that constitutes Syal’s more sustained effort to produce a feminist text per se. However, whereas Syal’s novels and screenplays have been accorded considerable critical attenti…

  • Moda, subalternidad y ecofeminismo en clave socio-literaria

    Open Access•Noemí Pereira-Ares, Noemí Pereira Ares•ARTICLE•Atlánticas Revista Internacional…•2023

    La actual industria de la moda encierra un sistema de producción y consumo en el que la explotación del medioambiente, la explotación de ciertas zonas geográficas y la explotación laboral —principalmente de mano de obra femenina— se interrelacionan de forma indisoluble. Partiendo de una metodología interdisciplinar que combina estudios ecofeministas y aproximaciones sociológicas a la moda en un contexto postcolonial, el presente trabajo persigue …

  • Introduction

    Open Access•Laura Lojo-Rodríguez, Noemí Pereira-Ares•ARTICLE•Humanities•2024

    Refugeehood—whether triggered by religious intolerance, ethnic strife, political repression, war, or environmental factors—has been a constant throughout human history, but it was not until the twentieth century that refugees were endowed with legal status on an international level [...]

  • Clothescapes of Refugeehood

    Noemí Pereira-Ares•ARTICLE•Fashion Theory•2024•Citada por: 2•Referencias: 11

  • “The finest coat in England”

    Open Access•Noemí Pereira-Ares•ARTICLE•Journal of Postcolonial Writing•2026

    Andrea Levy’s short story “That Polite Way that English People Have” follows Hortense – later developed into a protagonist from her novel Small Island – on her journey from Jamaica to Britain. Told from a female perspective, the story places a seemingly mundane garment – a coat – at the centre of the action. To examine the symbolism behind the coat that Hortense buys from her white employer and dons before departure, the article draws on works by…

Art (12 obras) · Literature (7 obras) · Sociology (6 obras) · Archaeology (5 obras) · Gender Studies (5 obras) · History (5 obras) · Gender Studies (4 obras) · History (4 obras) · Humanities (4 obras) · Law (4 obras)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae