Lorraine Sakata

• Madahkhani, Ghazalkhani, Dafsaz

  Lorraine Sakata, Jan Van Belle•ARTICLE•Yearbook for Traditional Music•1999

  Añadir item

• The World of Islam, Images and Echoes

  George Dimitri Sawa, Ellen-Fairbanks Bodman et al.•ARTICLE•Ethnomusicology•1987

  Añadir item

• A Report on the Available Recordings of Middle Eastern Music in the United States

  Open Access•Lorraine Sakata, Charlotte F Albright et al.•ARTICLE•Middle East Studies Association…•1978

  Añadir item

  Recordings of Middle Eastern music are too numerous to list and discuss individually here, but certain exemplary recordings and labels will be noted in this report. Generally speaking, there are two types of recordings of Middle Eastern music available in the United States. One type is intended for general audiences and includes popular music sung by internationally known singers such as Um Kalthum and Fairuz, and orchestral ensembles playing wha…

• Music in the Karakorams of Central Asia

  Lorraine Sakata, David Lewiston•ARTICLE•Asian Music•1977

  Añadir item

• The Concept of Musician in Three Persian-Speaking Areas of Afghanistan

  Lorraine Sakata•ARTICLE•Asian Music•1976

  Añadir item

  It is not surprising then, to find that the concepts of musician in all three areas are based on the assumption that entertainment music is religiously unpraiseworthy because of its associations with activities specifically prohibited by religion such as the drinking of intoxicating liquors, adultery, and gambling. Therefore, the musicians themselves are suspect and looked down upon by other members of traditional society. Although not all musici…

• Afghanistan

  Lorraine Sakata, Peter Ten Hoopen•ARTICLE•Asian Music•1974

  Añadir item

• Afghanistan

  Lorraine Sakata, Verna Gillis et al.•ARTICLE•Ethnomusicology•1974

  Añadir item

• The Music of Afghanistan

  Lorraine Sakata, Mark Slobin•ARTICLE•Ethnomusicology•1974

  Añadir item

• Folk Music of Afghanistan

  Mark Slobin, Tom Sakata et al.•ARTICLE•Ethnomusicology•1973

  Añadir item

• The Comparative Analysis of Sawari on the Shamisen

  Lorraine Sakata•ARTICLE•Ethnomusicology•1966

  Añadir item

  The shamisen is a long-necked, spiked lute from Japan. Like its Chinese ancestor, the san-hsien, the shamisen has three silk strings and a body covered with skin. Because the first Japanese shamisen players were biwa players, several important changes were made. Players began to use the plectrum used for the biwa instead of their fingers to pluck the instrument and found that the snake skin could not take the heavy blows of the plectrum, thus cat…

• The Comparative Analysis of Sawari on the Shamisen

  Lorraine Sakata•ARTICLE•Ethnomusicology•1966

  Añadir item

  The shamisen is a long-necked, spiked lute from Japan. Like its Chinese ancestor, the san-hsien, the shamisen has three silk strings and a body covered with skin. Because the first Japanese shamisen players were biwa players, several important changes were made. Players began to use the plectrum used for the biwa instead of their fingers to pluck the instrument and found that the snake skin could not take the heavy blows of the plectrum, thus cat…

• Folk Music of Afghanistan

  Mark Slobin, Tom Sakata et al.•ARTICLE•Ethnomusicology•1973

  Añadir item

• Afghanistan

  Lorraine Sakata, Peter Ten Hoopen•ARTICLE•Asian Music•1974

  Añadir item

• Afghanistan

  Lorraine Sakata, Verna Gillis et al.•ARTICLE•Ethnomusicology•1974

  Añadir item

• The Music of Afghanistan

  Lorraine Sakata, Mark Slobin•ARTICLE•Ethnomusicology•1974

  Añadir item

• The Concept of Musician in Three Persian-Speaking Areas of Afghanistan

  Lorraine Sakata•ARTICLE•Asian Music•1976

  Añadir item

  It is not surprising then, to find that the concepts of musician in all three areas are based on the assumption that entertainment music is religiously unpraiseworthy because of its associations with activities specifically prohibited by religion such as the drinking of intoxicating liquors, adultery, and gambling. Therefore, the musicians themselves are suspect and looked down upon by other members of traditional society. Although not all musici…

• Music in the Karakorams of Central Asia

  Lorraine Sakata, David Lewiston•ARTICLE•Asian Music•1977

  Añadir item

• A Report on the Available Recordings of Middle Eastern Music in the United States

  Open Access•Lorraine Sakata, Charlotte F Albright et al.•ARTICLE•Middle East Studies Association…•1978

  Añadir item

  Recordings of Middle Eastern music are too numerous to list and discuss individually here, but certain exemplary recordings and labels will be noted in this report. Generally speaking, there are two types of recordings of Middle Eastern music available in the United States. One type is intended for general audiences and includes popular music sung by internationally known singers such as Um Kalthum and Fairuz, and orchestral ensembles playing wha…

• The World of Islam, Images and Echoes

  George Dimitri Sawa, Ellen-Fairbanks Bodman et al.•ARTICLE•Ethnomusicology•1987

  Añadir item

• Madahkhani, Ghazalkhani, Dafsaz

  Lorraine Sakata, Jan Van Belle•ARTICLE•Yearbook for Traditional Music•1999

  Añadir item

History (8 obras) · Art (6 obras) · Politics and Conflicts in Afghanistan, Pakistan, and Middle East (6 obras) · Ancient history (3 obras) · Visual arts (3 obras) · Diverse Musicological Studies (2 obras) · History (2 obras) · Islamic Studies and History (2 obras) · Literature (2 obras) · Psychology (2 obras)