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Vanda Vadász

Datos Biográficos

ID1597386
NOMBREVanda Vadász
NOMBRESVanda
APELLIDOVadász
FIRMAVADÁSZ V
AFILIACIONESEötvös Loránd University
ORCID0009-0000-0944-0772
VERIFICADOSí
TOTAL DE OBRAS2
TOTAL DE CITAS2
OBRAS COMO AUTOR2
OBRAS COMO EDITOR0
PRIMER AÑO DE PUBLICACIÓN2024
AÑO MÁS RECIENTE DE PUBLICACIÓN2025
ÍNDICE H1
  • Safeguarding public collections

    Open Access•Vanda Vadász, Péter Buzinkay•ARTICLE•International Journal of Cultural…•2025•Referencias: 24

    In this study, we argue that uncovering losses from public collections and making efforts to recover them is of fundamental importance concerning the responsible management of state assets and the maintenance of the cultural public interest. In recent times, the perception of museums has been in a constant state of flux, with international expectations associated with them sometimes appearing to be contradictory. While much attention has been pai…

  • At the Borderline of Public and Private Law

    Open Access•Vanda Vadász, Viktória Verebélyi•ARTICLE•Santander Art and Culture Law…•2024•Citada por: 2•Referencias: 5

    During the Second World War, and thereafter until the end of the communist regime in 1989, a massive amount of privately owned works of art came into the possession of the Hungarian state. The ownership of the property thus collected was only partially clarified after the war. After the fall of communism, nationalized cultural property was subject to restitution laws, but restitution typically meant partial compensation. The aim of this article i…

  • At the Borderline of Public and Private Law

    Open Access•Vanda Vadász, Viktória Verebélyi•ARTICLE•Santander Art and Culture Law…•2024•Citada por: 2•Referencias: 5

    During the Second World War, and thereafter until the end of the communist regime in 1989, a massive amount of privately owned works of art came into the possession of the Hungarian state. The ownership of the property thus collected was only partially clarified after the war. After the fall of communism, nationalized cultural property was subject to restitution laws, but restitution typically meant partial compensation. The aim of this article i…

  • At the Borderline of Public and Private Law

    Open Access•Vanda Vadász, Viktória Verebélyi•ARTICLE•Santander Art and Culture Law…•2024•Citada por: 2•Referencias: 5

    During the Second World War, and thereafter until the end of the communist regime in 1989, a massive amount of privately owned works of art came into the possession of the Hungarian state. The ownership of the property thus collected was only partially clarified after the war. After the fall of communism, nationalized cultural property was subject to restitution laws, but restitution typically meant partial compensation. The aim of this article i…

  • Safeguarding public collections

    Open Access•Vanda Vadász, Péter Buzinkay•ARTICLE•International Journal of Cultural…•2025•Referencias: 24

    In this study, we argue that uncovering losses from public collections and making efforts to recover them is of fundamental importance concerning the responsible management of state assets and the maintenance of the cultural public interest. In recent times, the perception of museums has been in a constant state of flux, with international expectations associated with them sometimes appearing to be contradictory. While much attention has been pai…

Archaeological Research and Protection (2 obras) · Business (1 obra) · Computer Science (1 obra) · Cultural property (1 obra) · Medicine (1 obra) · Possession (linguistics (1 obra) · Programming language (1 obra) · Safeguarding (1 obra) · State (computer science (1 obra) · Unjust enrichment (1 obra)

Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae