Nobuko Kawashima
Datos Biográficos
| ID | 1617508 |
|---|---|
| NOMBRE | Nobuko Kawashima |
| NOMBRES | Nobuko |
| APELLIDO | Kawashima |
| FIRMA | KAWASHIMA N |
| AFILIACIONES | Doshisha University |
| VERIFICADO | No |
| TOTAL DE OBRAS | 25 |
| TOTAL DE CITAS | 52 |
| TOTAL COMO AUTOR | 22 |
| TOTAL COMO EDITOR | 4 |
| PRIMER AÑO DE PUBLICACIÓN | 1995 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2020 |
| ÍNDICE H | 5 |
Changing Business Models in the Media Industries
Media industries such as film, music, and publishing have traditionally relied on three models of revenue generation: payment by users for ownership of (or for access to) content, advertising fees, and the hybrid of these. For a long time, the models have largely been sustainable, but in recent decades advances in information and communication technologies and changes in consumer behavior have been so revolutionary that they pose unprecedentedly …
Film Policy in a Globalised Cultural Economy
‘Cool Japan’ and Creative Industries
Film Policy in a Globalised Cultural Economy
Asian Cultural Flows
Wrestling with or Embracing Digitization in the Music Industry
Digitization has significantly changed the process for producing and consuming music: from analogue to digital, albums to songs, possess to access, audio to visual, and end products to promotional products. In this globalized digital era, actively embracing digitization would likely help enhance the competitiveness of the music industry. The rise of K-pop and the decline of J-pop clearly demonstrate the different results from whether to embrace o…
Global Culture
Culture no longer has borders. With the advent of internet sites like Sothebys.com and the increasing reality of globalization, culture itself has gone global. This collection focuses on questions involving national identity, indigenous culture, economic growth, free trade, cultural policy, and global tourism. Global Culture looks at all aspects of the arts including: film, art, music, theater, television, and museums. Global Culture fleshes out …
Introduction
This special issue on ‘Film Policy in a Globalised Cultural Economy’ is devoted to the changing economic and technological context in which filmmaking occurs, the policy responses that these changes have generated and their consequences for the pursuit of cultural objectives. The issue offers discussions of the general economic, technological and political shifts shaping the global film industry as well as case-studies examining the specific poli…
Film policy in Japan – an isolated species on the verge of extinction
This article examines changes of the place that film has occupied in the public policy of the Japanese government, including not only cultural policy per se, but also industrial and economic policy. After describing some of the distinctive features of the Japanese film market, this paper discusses the inadequate basis of the government’s cultural policy for film. Film in recent years has received some attention as an industry with export potentia…
Postmodern Advertising in Japan
Reviewed by: Postmodern Advertising in Japan: Seduction, Visual Culture, and the Tokyo Art Directors Club by Ory Bartal Nobuko Kawashima (bio) Postmodern Advertising in Japan: Seduction, Visual Culture, and the Tokyo Art Directors Club. By Ory Bartal. Dartmouth College Press, Lebanon, N.H., 2015. xii, 263 pages. $85.00, cloth; $45.00, paper; $44.99, E-book. It has been some decades since our economy has become culturized and our society media-sat…
Cultural Policies in East Asia
Corporate support for the arts in Japan
It is generally understood that the arts and culture are supported mainly by government and its agencies in Europe and by private individuals in the USA. In Japan, business support for the arts at corporate level not aiming for commercial, immediate return has taken off since the early 1990s. Unlike public sector support for the arts in Japan, which tends to be centred around building cultural facilities while failing to provide sufficient financ…
Are the global media and entertainment conglomerates having an impact on cultural diversity? A critical assessment of the argument in the case of the film industry
This paper critically examines the dominant discourse on the global media and its impact on cultural diversity. The term cultural diversity suffers from the lack of good definition and criteria to assess its degree and change over time in specific markets. The paper also argues from an economic perspective that the distinctive economic features of the film business has led to market concentration, which, however, is ‘natural’ and does not trigger…
Howard Becker, Art worlds
Howard Becker, Art worlds ." International Journal of Cultural Policy, 16(1), pp. 41–42
The rise of ‘user creativity’ – Web 2.0 and a new challenge for copyright law and cultural policy
This paper argues that cultural policy and copyright law have paid insufficient attention to the rise of mini‐creators, people who get inspiration from existing copyrighted works and add to them to create new expressions. With the various creative and distributive technologies available today, they attempt to recontextualize cultural products they consume and express themselves, but their activities tend to be on the borderline of copyright infri…
The Structure of the Advertising Industry in Japan
One of the major issues related to the globalisation of advertising in Asia is the degree to which it is mediated by local realities. In Japan, the presence of the so-called global agencies is very limited, and very often global advertisers based in Japan, such as Sony and Toyota, work with Japan's mega-agencies for domestic advertising while relying on global agencies for most of the markets outside Japan. Why does such a division exist between …
The artist’s resale right revisited
This paper revisits the debate concerning the legal provisions of the artist’s resale right with the aim of providing some new perspectives. Using recently released empirical studies, the paper argues that while resale right payments may be concentrated on established artists in value terms, small amounts will be paid to a large number of relatively unknown artists, particularly in the European market where lower value transactions are large in n…
Audience Development and Social Inclusion in Britain
This paper attempts to distinguish the different meanings of “audience development” and “social inclusion” – two areas receiving increasing attention in British cultural policy – by discussing their overlap and close relation to “access”. These policy areas are fraught with inherent contradictions when examined in the light of sociological theories on culture. Consumption skills, the level of which is determined socio‐economically, and the functi…
Advertising agencies, media and consumer market
Based on the view that an organizational understanding is crucial to the content analysis of cultural products including advertisements, this article examines the economic conditions which determine the production of television commercials in Japan. Unlike the West, where creative agencies are paid fees, the commissionbased remuneration system for agencies prevails in Japan, resulting in a lack of creative rivalry. With the shift from programme s…
Global Culture
The Introduction of Strategic Management to Local Authority Museums in Britain
English Public authorities in charge of museums have over the last decade been recommending the introduction of strategic management to the museum sector in the UK. However, in the local authority museum sector at least, the recommended procedure has not been as useful as is generally thought. This article delineates some of the distinctive features of museum organisation which have contributed to making the standard model of museum management di…
Distribution of the arts
Knowing the Public. A Review of Museum Marketing Literature and Research1
Theorising decentralisation in cultural policy
Audience development and cultural policy
Audience Development and Social Inclusion in Britain
This paper attempts to distinguish the different meanings of “audience development” and “social inclusion” – two areas receiving increasing attention in British cultural policy – by discussing their overlap and close relation to “access”. These policy areas are fraught with inherent contradictions when examined in the light of sociological theories on culture. Consumption skills, the level of which is determined socio‐economically, and the functi…
Wrestling with or Embracing Digitization in the Music Industry
Digitization has significantly changed the process for producing and consuming music: from analogue to digital, albums to songs, possess to access, audio to visual, and end products to promotional products. In this globalized digital era, actively embracing digitization would likely help enhance the competitiveness of the music industry. The rise of K-pop and the decline of J-pop clearly demonstrate the different results from whether to embrace o…
Introduction
This special issue on ‘Film Policy in a Globalised Cultural Economy’ is devoted to the changing economic and technological context in which filmmaking occurs, the policy responses that these changes have generated and their consequences for the pursuit of cultural objectives. The issue offers discussions of the general economic, technological and political shifts shaping the global film industry as well as case-studies examining the specific poli…
The rise of ‘user creativity’ – Web 2.0 and a new challenge for copyright law and cultural policy
This paper argues that cultural policy and copyright law have paid insufficient attention to the rise of mini‐creators, people who get inspiration from existing copyrighted works and add to them to create new expressions. With the various creative and distributive technologies available today, they attempt to recontextualize cultural products they consume and express themselves, but their activities tend to be on the borderline of copyright infri…
Distribution of the arts
Film policy in Japan – an isolated species on the verge of extinction
This article examines changes of the place that film has occupied in the public policy of the Japanese government, including not only cultural policy per se, but also industrial and economic policy. After describing some of the distinctive features of the Japanese film market, this paper discusses the inadequate basis of the government’s cultural policy for film. Film in recent years has received some attention as an industry with export potentia…
Advertising agencies, media and consumer market
Based on the view that an organizational understanding is crucial to the content analysis of cultural products including advertisements, this article examines the economic conditions which determine the production of television commercials in Japan. Unlike the West, where creative agencies are paid fees, the commissionbased remuneration system for agencies prevails in Japan, resulting in a lack of creative rivalry. With the shift from programme s…
The Introduction of Strategic Management to Local Authority Museums in Britain
English Public authorities in charge of museums have over the last decade been recommending the introduction of strategic management to the museum sector in the UK. However, in the local authority museum sector at least, the recommended procedure has not been as useful as is generally thought. This article delineates some of the distinctive features of museum organisation which have contributed to making the standard model of museum management di…
Are the global media and entertainment conglomerates having an impact on cultural diversity? A critical assessment of the argument in the case of the film industry
This paper critically examines the dominant discourse on the global media and its impact on cultural diversity. The term cultural diversity suffers from the lack of good definition and criteria to assess its degree and change over time in specific markets. The paper also argues from an economic perspective that the distinctive economic features of the film business has led to market concentration, which, however, is ‘natural’ and does not trigger…
Corporate support for the arts in Japan
It is generally understood that the arts and culture are supported mainly by government and its agencies in Europe and by private individuals in the USA. In Japan, business support for the arts at corporate level not aiming for commercial, immediate return has taken off since the early 1990s. Unlike public sector support for the arts in Japan, which tends to be centred around building cultural facilities while failing to provide sufficient financ…
Comparing cultural policy
(1995). Comparing cultural policy: Towards the development of comparative study. The European Journal of Cultural Policy: Vol. 1, No. 2, pp. 289-307.
Theorising decentralisation in cultural policy
Knowing the Public. A Review of Museum Marketing Literature and Research1
The Introduction of Strategic Management to Local Authority Museums in Britain
English Public authorities in charge of museums have over the last decade been recommending the introduction of strategic management to the museum sector in the UK. However, in the local authority museum sector at least, the recommended procedure has not been as useful as is generally thought. This article delineates some of the distinctive features of museum organisation which have contributed to making the standard model of museum management di…
Distribution of the arts
Global Culture
Audience Development and Social Inclusion in Britain
This paper attempts to distinguish the different meanings of “audience development” and “social inclusion” – two areas receiving increasing attention in British cultural policy – by discussing their overlap and close relation to “access”. These policy areas are fraught with inherent contradictions when examined in the light of sociological theories on culture. Consumption skills, the level of which is determined socio‐economically, and the functi…
Advertising agencies, media and consumer market
Based on the view that an organizational understanding is crucial to the content analysis of cultural products including advertisements, this article examines the economic conditions which determine the production of television commercials in Japan. Unlike the West, where creative agencies are paid fees, the commissionbased remuneration system for agencies prevails in Japan, resulting in a lack of creative rivalry. With the shift from programme s…
The artist’s resale right revisited
This paper revisits the debate concerning the legal provisions of the artist’s resale right with the aim of providing some new perspectives. Using recently released empirical studies, the paper argues that while resale right payments may be concentrated on established artists in value terms, small amounts will be paid to a large number of relatively unknown artists, particularly in the European market where lower value transactions are large in n…
The Structure of the Advertising Industry in Japan
One of the major issues related to the globalisation of advertising in Asia is the degree to which it is mediated by local realities. In Japan, the presence of the so-called global agencies is very limited, and very often global advertisers based in Japan, such as Sony and Toyota, work with Japan's mega-agencies for domestic advertising while relying on global agencies for most of the markets outside Japan. Why does such a division exist between …
Howard Becker, Art worlds
Howard Becker, Art worlds ." International Journal of Cultural Policy, 16(1), pp. 41–42
The rise of ‘user creativity’ – Web 2.0 and a new challenge for copyright law and cultural policy
This paper argues that cultural policy and copyright law have paid insufficient attention to the rise of mini‐creators, people who get inspiration from existing copyrighted works and add to them to create new expressions. With the various creative and distributive technologies available today, they attempt to recontextualize cultural products they consume and express themselves, but their activities tend to be on the borderline of copyright infri…
Are the global media and entertainment conglomerates having an impact on cultural diversity? A critical assessment of the argument in the case of the film industry
This paper critically examines the dominant discourse on the global media and its impact on cultural diversity. The term cultural diversity suffers from the lack of good definition and criteria to assess its degree and change over time in specific markets. The paper also argues from an economic perspective that the distinctive economic features of the film business has led to market concentration, which, however, is ‘natural’ and does not trigger…
Corporate support for the arts in Japan
It is generally understood that the arts and culture are supported mainly by government and its agencies in Europe and by private individuals in the USA. In Japan, business support for the arts at corporate level not aiming for commercial, immediate return has taken off since the early 1990s. Unlike public sector support for the arts in Japan, which tends to be centred around building cultural facilities while failing to provide sufficient financ…
Cultural Policies in East Asia
Global Culture
Culture no longer has borders. With the advent of internet sites like Sothebys.com and the increasing reality of globalization, culture itself has gone global. This collection focuses on questions involving national identity, indigenous culture, economic growth, free trade, cultural policy, and global tourism. Global Culture looks at all aspects of the arts including: film, art, music, theater, television, and museums. Global Culture fleshes out …
Introduction
This special issue on ‘Film Policy in a Globalised Cultural Economy’ is devoted to the changing economic and technological context in which filmmaking occurs, the policy responses that these changes have generated and their consequences for the pursuit of cultural objectives. The issue offers discussions of the general economic, technological and political shifts shaping the global film industry as well as case-studies examining the specific poli…
Film policy in Japan – an isolated species on the verge of extinction
This article examines changes of the place that film has occupied in the public policy of the Japanese government, including not only cultural policy per se, but also industrial and economic policy. After describing some of the distinctive features of the Japanese film market, this paper discusses the inadequate basis of the government’s cultural policy for film. Film in recent years has received some attention as an industry with export potentia…
Postmodern Advertising in Japan
Reviewed by: Postmodern Advertising in Japan: Seduction, Visual Culture, and the Tokyo Art Directors Club by Ory Bartal Nobuko Kawashima (bio) Postmodern Advertising in Japan: Seduction, Visual Culture, and the Tokyo Art Directors Club. By Ory Bartal. Dartmouth College Press, Lebanon, N.H., 2015. xii, 263 pages. $85.00, cloth; $45.00, paper; $44.99, E-book. It has been some decades since our economy has become culturized and our society media-sat…
Film Policy in a Globalised Cultural Economy
‘Cool Japan’ and Creative Industries
Film Policy in a Globalised Cultural Economy
Asian Cultural Flows
Wrestling with or Embracing Digitization in the Music Industry
Digitization has significantly changed the process for producing and consuming music: from analogue to digital, albums to songs, possess to access, audio to visual, and end products to promotional products. In this globalized digital era, actively embracing digitization would likely help enhance the competitiveness of the music industry. The rise of K-pop and the decline of J-pop clearly demonstrate the different results from whether to embrace o…
Changing Business Models in the Media Industries
Media industries such as film, music, and publishing have traditionally relied on three models of revenue generation: payment by users for ownership of (or for access to) content, advertising fees, and the hybrid of these. For a long time, the models have largely been sustainable, but in recent decades advances in information and communication technologies and changes in consumer behavior have been so revolutionary that they pose unprecedentedly …
Political science (20 obras) · Cultural Industries and Urban Development (18 obras) · Law (13 obras) · Sociology (12 obras) · Business (10 obras) · Economics (10 obras) · Cultural policy (9 obras) · Visual arts (8 obras) · Art (7 obras) · Asian Culture and Media Studies (7 obras)